Frame
in sentence
794 examples of Frame in a sentence
If they were two different people, then why was there no scene showing both of them in one
frame
during the horrific times?
However, these niggles aside, it's a memorable TRF episode full of invention, even if YET AGAIN Jim gets put in the
frame
by an ever suspicious Police Dept.
Although little bit short in time for me, it packs a lot of action, grit, commonsense and emotions in that time
frame.
On the day after his birthday party, Amir hides his new watch in Hassam's bed to
frame
the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal.
As I said I'ts like being in heaven discovering all the creation this man can applied to a single
frame.
Writers and directors, by the nature of their craft, stand back a
frame
from the action in their work to show insights about characters and situations.
Here, Huston and Joyce have stepped back a bigger
frame
yet to show us the ultimate view of what it means to be human.
The gags fly rapidly from the opening credits until the very end, when you would see Drebin and his boss, Ed Hocken, pretending to be in freeze
frame
as the closing credits rolled, during which the criminal (still moving) would see everyone else motionless and try to escape.
The self portrait of the king climbs down out of his
frame
as well, and does away with the real king (You think I'm making this up?
Story line in simple a Billionaire's daughter come to India for marriage and Two young chaps r behind her ,the story has a twist as well with a connection of a Gangster .Aamir playing a street smart guy Amar has played his role with brilliance and Salman has played the role of an innocent stupid to perfection.Raveena has done fine ,but Karshima really turns irritating in some sequences .But real show stealer r Paresh Rawal and Shakti Kapoor ,they enter the
frame
and automatically u start laughing .
To grasp where this 1976 version of A STAR IS BORN is coming from consider this: Its final number is sung by Barbra Streisand in a seven minute and forty second close-up, followed by another two-and-half-minute freeze
frame
of Ms. Streisand -- striking a Christ-like pose -- behind the closing credits.
Characters are introduced and abandoned within a few frames but there is
frame
after
frame
of Bettie in her pointy bras, Bettie in her girdle and stockings, Bettie in bondage...etc.
It oozes laziness from its every
frame.
This must be the reason why every single
frame
has music, of the absolute worst "D" movie style drivel.
"The House of Seven Corpses" is dead at
frame
one, and spends the rest of its 89 minutes going through rigor mortis, dragging us along for every aching second...
I've never understood why, when someone is making a low budget horror film, that they don't pack it to the edge of the
frame
with gore.
For starters the film loses direction from the opening
frame
and wanders rather aimlessly throughout the film, dead set on making a suspense thriller but getting sidetracked into satisfying an audience who wants to see nude encounters.
And its just silly how they forced tits into every
frame.
She decides to use an ax, once she downs the Santa killer who misses several chances to chop off the woman's head, to
frame
the killer for her husband's murder.
It was by no means a great film but fun in the right
frame
of mind.
There are some movies you just know they are going to be bad from
frame
one.
One would hope that being directed by her talented husband, who's created some interesting and/or terribly entertaining work, would bring out the same quality Madonna showed in "Desperately Seeking Susan"; alas, it just isn't meant to be, for here she is, at her very worst: singularly convinced of her own greatness, the smugness permeating every
frame
she's in, made all the more unbearable by her wavering faux-British accent, an accent that only underscores the fact that her speaking voice is immature in quality and not especially pleasant.
The
frame
reminded me of "All the invisible children" - a movie which I liked a lot.
Years have gone by since Don Wilson used his martial arts expertise to take down a robot who was programmed to destroy him, he's also married to the blonde reporter (Stacie Foster) who led the rebellion in the first film, now a new conspiracy is in the works, one that involves look-alike droids who
frame
our two heroes, and a corporation looking to rule the world (There is no plot to back any of this up) and Cyber Tracker 2 becomes a virtual replay of the first movie.
Every frame, you feel you are getting the "full picture", its like someone is "cropping your view" from the edges.
To help
frame
your expectations, you should know that: (1) The acting is wildly heavy-handed.
The only Hispanic killer was a "race traitor" who killed another Hispanic to
frame
a Hispanic street kid for a crime that (naturally) two rich white kids committed.
You can tell from the first
frame
to the last that he didn't care one bit about the movies continuity or plot, he was just happy to be making a zombie movie.
It's evident in every single
frame
of this movie that Varma's heart is just not in it.
Thought visually stunning like all of Ang Lee's work (each still
frame
seems worthy of a print), I was really disappointed by the film's disjointed pace.
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