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Frame in sentence

794 examples of Frame in a sentence

In The Tempest, Jarman does very little with the script or the characters, using them as simply a lattice to hang a very long and well-constructed cinematographic frame.
The defining scene to this movie is when the fat guy quits,but the evil doctor just gives him one more duty,check on the dinosaurs.Keep in mind that he no longer has this job and so is absolutely not getting paid for this.Also keep in mind it's a goddamn dinosaur and the doctor he's supposed to trust is evil and doesn't like him.But he's still like,yeah okay.That just defined the stupidity in this movie.One Melissa Brasselle proves that seriously anyone can bolt on some breasts and be in movies.I can go ride a mountain-bike between them,but hey aside from that the people of Paraguay are very nice.Eric Roberts gives his absolute worst performance so far,there's no adjective to describe how bored he is throughout.Corbin Bernsen saves what there is to save and you start rooting for him,but they have to stick to the formula of course.And I wonder how much your life sucks when you play like,one of the army guys in this one?How low can your acting career go?The special effects are so embarrassingly bad you expect a sign saying "Studio 3" to get into the frame.It's not even honest pulp,it's all taken from "Carnosaur",which even sucked all by itself.And then I wonder why just anyone is allowed to make a movie.
They're all watching a kind of combination news report/mater video of some investigative reporter types trying to get proof of the events of the first film (which would seem to put the time frame of this one no more than a few days after the first film).
The subject of this film is over a very short time frame and frankly, nothing much actually happens in the 90 odd minutes of screen time.
From the very first frame to the last this movie is terrible.
But the biggest mistake of this movie, side from even one frame ever being shot, was that Ed never killed anyone without having been told to do so by his dead mother, whom he thought was speaking to him from beyond the grave.
Let's frame the underdog good-guy so we can get away with it!"
The characters leap from one frame of mind to another seemingly without cause - and certainly without explanation.
Every frame of this film is a plaguerism of better films of the past.
Many movies made during this time frame took advantage of the popularity of Big Bands.
In my opinion, some viewers were prejudiced and became automatically juiced up for hating Renny Harlin's take on the subject (EXORCIST: THE BEGINNING) before the first frame of film was ever even unspooled for them to judge.
It seemed to be mostly just a frame work in which Steve Carrell could do his improv.
Two or three people in the frame talking or yelling forever( or what seems like forever), No close-ups!!
Although the two principal actors did a great job, just seeing Senn Penn acting with every fiber of his being and stealing every frame made this a very memorable movie.
it is not my favourite of his films - chungking express holds that spot - this one is quite different from anything else i have seen of his. it is slow (but not annoyingly so) - it takes its time and ponders the characters.. there is minimal movement in the frame - the camerawork is wonderful.
Only his face was in the frame and it was pretty obvious he was letting it happen, albeit against his will.
You won't even know that you're watching, you will be simply transferred beyond the screen and you'll feel every frame.
Director Erle Kenton uses expressionistic shadows and eerie music to frame many sequences, including a wonderful montage sequence that the studio frequently used in their horror features.
The production adds a frame story (that's what it's becoming famous for) of Gulliver returning to his wife and son.
Each frame in the movie is a lesson to new directors or existing directors to know how a movie should be taken.
This characteristic isn't at all the only quality of this film: the fussy frame composition (everything is parallel, until the smallest details), shooting angles, lighting, giving a more supernatural dimension to these blurred images (Jesus' coming down couldn't be filmed in a conventional way), the falsely "poser" acting, are qualities that make this Bible re-reading, carried out in the form of an apocalyptic delirium, essential.
Each frame is picture perfect and grabs you.
This is a great low budget B&W film of the late 1930's, however, it is very interesting to see how criminals used their talents to steal money from insurance companies with false claims during this particular time frame.
Every frame of the film seems to tell a story all on its own.
The performance from Michelle Pfeiffer was the best ever as no one could have played "The Catwoman" any better and Devito was perfect as the "Penguin" his body frame fit the character just perfect his performance even though ghoulish was fun to watch.
Each episode would conclude with a mock freeze frame in which the characters in frame stand completely still.
One of the best 'freeze frame' sequences saw one of the characters pouring coffee into a cup while standing still, causing the cup to overflow!
There are underwater sequences where the fishes swimming about are so accurately drawn they can be used in a field guide.There are images of ships ,submarines, flying craft, castles,and machinery that are drawn in such accurate detail that one must have a freeze frame on his VCR or DVD to pause the scene and study the remarkable detail that went into this production.The late Victorian atmosphere is designed to look like this world that never was and delight us in the magic of science that made Verne the great father of the genre.
Michael White's book, "C.S. Lewis: Creator of Narnia" deals with this time frame in a very parallel way.
Produced by Donna Switzer, newcomer Ron Switzer also penned the film's face-paced script, weaving together an engaging roller-coaster ride of twists, turns, and terror that keeps you guessing until the last frame.
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