Frame
in sentence
794 examples of Frame in a sentence
I could tear this piece of crap apart,
frame
by
frame.
Inspector Cool Head (not my translation), an honest cop who suspects a
frame
on someone accused of murder.
Its not a bad film if you don't pay 100% attention to it, but as background noise, which is what it became, but as something to actually sit and watch from first
frame
to the last it's a bit of a trial.
Just because it owes so much to Odets doesn't make it a bad movie but Odets is there in every
frame
because Polonsky has opted to write about a world familiar to Odets and employs sub-Odets dialogue.
Every scene, every line, every shot, every
frame
seems as right today as when this film was released.
This film is an excellent Aussie comedy, loosely hung on the
frame
of an outback romance.
In 1995, Sam Raimi had become known as the director of a rather quirky and original horror film that, in spite of being shot full
frame
with terrible actors, displayed a talent for composition not seen in some time.
This is another one of these incredible animated shorts that was done with painstaking patience, taking a lot of time to do just one frame, and then doing thousands after it to make an eight-minute movie.
In this case, it's thousands of tiny steel pins manipulated one
frame
at a time.
As viewers, we feel as though we are truly standing in front of "The Music Lesson," observing the intricately crafted world in the
frame
and contemplating how the work, so many years later, still connects us to its mysterious creator.
When the Candyman begins to stalk Helen, she almost breaks down because he continues to commit murders and
frame
her.
Having known nothing about the film, I was a bit suspicious when they tell us the year 2001 in the first
frame
of the film.. and it all came to me when Irrfan Khan sat in the office with the calendar behind him.
This is one strange movie, from floating images of Greek statues to flashy images in a picture
frame.
All of his movies are extremely stylized, with slow motion sequences, wide lenses that slightly distort the frame, and privileged, depressed characters with family issues all thrown together in a slightly artificial, timeless, carefully detailed environment.
There's more plot holes than there are fish in the sea, the characters are all irritating, especially the kid, and there is not an original
FRAME
in the entire film.
It wasn't quite what I was hoping for, and in truth it was a little too offbeat for the
frame
of mind I was in, but it's definitely one I'll go back to at some point to re-evaluate prepared with the awareness of what type of film it actually is.
With every frame, the situation grows worse for the people in the movie.
There are a few interesting characters, and a few people show that they have acting potential, and if you get into the
frame
of mind where you can deal with all the large amounts of shiny computer game cgi, then there is still the problem that the movie just sucks anyways.
It has that awful filmed, ultra low budge cinematography look to it, with lots of things extremely scrunched up real close in the
frame
(probably to hide the cheap backgrounds, but clearly the cinematography just sucks).
From
frame
one, she is EVIL!
Even Edward Woodward didn't appear to be overstretching himself, and whether you could believe John Hurt as a successful jockey with his size of
frame
requires a massive leap of faith.
If you're a fan of Italian Exploitation this will do well for you pretty much from
frame
one.
And so it was that the 1963 Hammer version totally ignored the original, and used the famous and popular '43 version (my Dad saw it while in the army and LOVED it) as its springboard, to do the typical "Hammer" thing of "different for the sake of different", crafting a film where every single
frame
screams "Hammer" (was there ever a studio where the finished product was SO uniquely recognizable?).
This primary tale of murder and justice was played out against the backdrop of World War II, with the time
frame
of the film including not only the war itself, but the Nuremberg trials and their aftermath.
the
frame
work of the story is true, and the names of the people are true, but little else is true.
From the very first
frame
to the very last... amazing.
It's just a series of junkily animated shorts (adapted from good comic books) held together by a nonsense
frame
story.
If the set pieces matched the actual time
frame
I might have boosted this up a notch.
elevated shot of everything that's going on, with the characters wandering in and out of the frame, hanging in the background, I was helplessly lost in the action.
Serpico's mustache-beard becomes the time frame, and as a side bet, his frenetic wardrobe.
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