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Flamboyant in sentence

56 examples of Flamboyant in a sentence

I had this little voice in my head, telling me, "You're too gay, too feminine, too flamboyant."
And finally, you see the flamboyant cuttlefish in camouflage and it can shift instantly to this bright warning display.
The buyer was Kip Forbes, son of one of the most flamboyant millionaires of the 20th century.
So this is a confession of my love for parrotfish in all their flamboyant, algae-eating, sand-pooping, sex-changing glory.
gathers his flamboyant friends in an abandoned church, among them Van Helsing's great granddaughter Jessica, and performs a satanic ritual that resurrects Dracula in a haze of smoke.
Abbie was often dismissed as the clown-prince of the '60's, but he was a man of ideas who used his cleverness, his sense of humor and pop culture, and his flamboyant personality to get attention to his ideas.
The people are agreeable, even the obligatory flamboyant type.
Flatliners is the ideal showcase for Joel Schumacher's glorious, flamboyant, brazen lack of talent.
Dyan Cannon seems embalmed in her heavy pancake make-up and cumbersome fall (although her tiny, suntanned figure is a beauty to behold), John Phillip Law is a block of wood in the lead, David Hemmings embarrassing in gay-mode as a flamboyant photographer.
With their campy style, and flamboyant dance moves, they really complement the true talent of Dan.
There were slightly jarring tone shifts from the dominant thoughtful and realistic tone of confused loyalties, intrigue and blood, versus the lighter, more flamboyant, martial arts sequences.
There's no casting against type here, with the flamboyant Flynn as the flamboyant Custer in this rousing tribute, not only to Custer, but to the men of the 7th Cavalry.
Carly Pope plays JJ, a newly promoted Food Critic whose flamboyant, overbearing mother moves in with her.
A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity.
I liked William Armstrong as Hudson's flamboyant charming friend in the series.
He's certainly been wonderful in plenty of lighthearted roles, but I guess I always put his success down to his characters' grumpiness and ruthlessness, a gruff contrast to the flamboyant personality of his frequent co-star Jack Lemmon, and, I suppose, a natural extension of his earlier work in dramatic pictures.
MacChesney and finally there's flamboyant Douglas Fairbanks Jr. as Sgt.
This is a great film, watch it and take in what it was like to be a flamboyant African American or Hispanic Gay man in the New York of the eighties.
What I liked most was that despite the gleaming aesthetics of the costumes and the settings, all gilded and shiny, this aspect never took over the heart of the film which was good, strong writing (thank you Julian Fellowes :D); nothing too flamboyant or saturated with pomp, i.e not sensationalised greatly (when Victoria is dragged out of bed to be informed she is now Queen, well you couldn't get a less glamorous hand over of the crown).
With his outrageous and flamboyant style serving as a vehicle in its portrayal.
The cast deserve props for acting with admirable sincerity: Anderson, Cage and Reinhold all do respectable work with their parts, with fine support from Joe Pantoliano as Zandalee's merry flamboyant homosexual friend Gerri, Viveca Lindfors as Theirry's wise, perceptive mother Tatta, Aaron Neville as friendly bartender Jack, and Steve Buscemi as a funny, blithely shameless thief.
The solid cast contribute admirably sincere performances: John D. LeMay makes for a refreshingly unlikely hero as the nerdy Steven Freeman, Kari Keegan likewise impresses as the sweet Jessica Kimble, Steven Williams almost steals the whole show with his colorful portrayal of flamboyant bounty hunter Creighton Duke, plus there are neat turns by Erin Gray as the spunky Diana Kimble, Allison Smith as Jessica's cheery gal pal Vicki, Steven Culp as opportunistic TV newscaster Robert Campbell, Billy Green Bush as the hard-nosed Sheriff Ed Landis, and Rusty Schwimmer as feisty, foul-mouthed diner owner Joey B. William Dill's slick cinematography gives the picture a properly moody look.
Way over the top, but utterly and completely hilarious just the same American remake of the popular 1978 French film/play "La Cage Aux Folles" about a gay nightclub owner and his flamboyant drag-queen lover (played by Robin Williams and Nathan Lane, two actors who I might say look like they were born to each be the comedic halves that equal one fall-down hilarious whole) who in an attempt to please and hopefully fool the conservative parents (played by Gene Hackman and Diane Wiest) of Williams' biological son's (from what is obviously a previous liaison with a woman) fiancé, pretend for one evening to be a straight married couple, a la Williams is the husband and Lane is dressed up as the wife, with as it is blatantly apparent disastrous results!
Wretchedly directed, dully written, with no characters, just situations, KUFFS is not improved by the addition of grotesquely inappropriate Three Stooges-like comedy (complete with sound effects) and stupidly flamboyant directorial touches.
Dull stuffy bachelor meets flamboyant eccentric aunt, who seeks to show him the world's pleasures.
Andy Lau is Tok, a Chinese killer who wants to replace O but who is considered too showy and flamboyant.
I do not usually like Marlene Dietrich, but I have to admit that she did a splendid job as the flamboyant theater star.
Nathan Lane has the plum part as the flamboyant petulant drag queen (Albert) while Robin Williams as his partner Armand manages to maintain some credulity in otherwise outrageous and complicated situations.
However, without Debra Winger's earthy grit counterbalancing Shirley MacLaine's flamboyant disapproval, the story seems to work in a vacuum.
The message of The Last Days of Patton seems to be: "He was not a flamboyant, rebellious, politically incorrect leader; he was a sad, sick old man."
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