Five
in sentence
7379 examples of Five in a sentence
After the first
five
minutes, which possess a quirky, 'so-bad-it's-good' charm, the film (snicker) slides into the territory of endless 'ironic' dialog, exaggerated bloodshed, and sheer, plodding obnoxiousness.
I saw this film over
five
years ago, and can't seem to find it anywhere, either playing or on tape.
I notice that
five
of the six people who commented before me on "I Wonder Who's Kissing Her Now" spoke of the lasting impression it made on them.
This sequel is known for it's less than traditional take on the admirably repetitive series in which Jason is ambushed and blown to pieces in the first
five
minutes.
The biggest challenge in this film isn't finding beaver to trap and sell, it's watching the first forty
five
minutes without busting your guts all over the floor laughing!
I think I paid about
five
bucks for it.
Any one over age
five
should either steer clear, or listen to their ipod in lieu of the movie sound.
This one generated the least audience response (no clapping afterward)of the
five.
Species: The Awakening left me checking how much was left of the it every
five
minutes or so.
When the femme non fetale first arrives at the PI's office it's this dreadful side shot which just sits there for about
five
minutes while the two of them fail to act in each others general direction from the opposite sides of the screen.
The promise Jeremy Podeswa gave with his first film "Eclipse" is really fulfilled now in his second
"Five
Senses".
What utter rubbish, i'd sit through this film a hundred times rather than watch 'Batman & Robin' again for even
five
minutes.
Save your money because the boom/mic coming into the scene every
five
minutes will drive you crazy, what a waste of good talent from Bruce Greenwood and some other veteran actors.
The amount of real dialogue could've been crammed into the first
five
minutes, anything else said was either cursing of strange things questions on the part of Paul's character.
Brad Pitt, in an early and obviously shameful role, plays the former best friend of a guy who spent
five
years in a mental institution, for the murder of his father, undergoing daily shock treatments.
The scene in which he fights off
five
gaol guards (with a hangover) is silly.
After about
five
minutes of this film starting I felt compelled to empty the contents of my stomach onto my designer coffe table.
I saw it for the first time at the Philadelphia Film Festival in February 2005, and have seen it about
five
times since then.
Reportedly
five
years in the making, this enchanted, inspired production is perhaps not quite on the level of Disney's first-tier masterpieces (Pinocchio, Dumbo, Snow White and Fantasia), but a strong case could be made for it being the best film the studio has released since its 1991 premiere.
There are
five
main reasons.
Story
Five
is the Best out of he lot, with Vivek who offers a hitch hiker Nana Patekar a lift.
Fosse, known for his choreography which is still being used in films like Chicago years after his death only directed
five
theatrical films and three of those were musicals in Sweet Charity, Caberet and All That Jazz so Lenny would be the first of only two non-musicals he would direct, both biographies, Lenny and Star 80.
Now in the present day, a group of
five
people (Kim Coates, Dawna Wrightman, David Stein, Anthony Dean Rubes and Cassandra Gava) are moving in the old priest's house.
Imagine hearing the major critics on the top of the roof on the skycraper sing boisterous praise for one of the
five
hundred 'qualified masterpieces', and Lost in Translation somehow received the honor bestowed on Sofia Coppola and company.
In every western movie you see somebody shooting with an old muzzle loader 5 miles and kick the rider from the horse; in every movie you see cowboys shooting from the hip, without aiming on a silver dollar thrown into the air, you guess, they hit, not to speak that villains do not get their opponents although they fire from close distance, let us say 20 centimeters, hundreds of broadsides, while the sheriff is shooting back with one single shot between the eyes of the
five
bandits.
The first
five
and a half episodes are however pure comedy of the highest order.
I first watched this movie when I was about
five
years old (already at that time it was old) and I've seen it many times since.
I saw this flick at Outfest in LA
five
years ago and was saddened it never gained the audience recognition (or distribution) it deserved.
Rowan, proving to her class that some urban legends have no basis in fact, looks in a mirror and says Candyman
five
times.
This is told in a most innovative way for its time, which makes it more regrettable that the film was handled as a pop extravaganza, when it was an innovative and puzzling product with a structure that demanded a more intellectual participation from the audience; and with an organic use of the flash-forward technique (proposed by its editor, Antony Gibbs), an anticipation device that would become common practice in later years (it is interesting to note that
five
years later the cinematographer of "Petulia", Nicolas Roeg, would direct Julie Christie in the horror drama "Don't Look Now", which contains a scene film editors often mention as an outstanding example of the flash-forward technique, a sex scene inter-cut with takes of the following scene, edited by Graeme Clifford).
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