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Fatal in sentence

490 examples of Fatal in a sentence

The deadening pace is somewhat to blame, certain sequences drag along stagnantly for far too long, signifying very little, hinting at a director with so little restraint and narrative economy that he often feels obligated to usurp every iota of screen time possible in order to show off his production, fatal for a film that contains figures so sullen and aloof.
The problem was it became a matter of pride for me to finish it after the opening thirty minutes, and that was a fatal error on my behalf.
A lack of character development proves fatal for this movie.
That's just what makes it so sad: not simply that Candy suffered a fatal heart attack, but that it was on the set of such a crummy movie.
Obviously, this isn't meant to scare, but one fatal flaw with the production entirely sapped the joy out of the viewing experience.
And that Sinuhe, an educated physician, would be so smitten by Nefer the Babylonian "femme fatal" to the extent of giving her his adopted parents house and Tomb is not really believable, neither that his parents would even have a tomb.
The unforgettable fatal flight of Fairchild 571 that crashed in the Argentinian Andes on October 13, 1972.
When the Enterprise is reversing at emergency warp speed in an attempt to outrun a possibly fatal Romulan plasma ball, Janice, perhaps fearing that their life is about to come to a dramatic end, seeks comfort by placing her head on Jim's sympathetic shoulder as they observe the aproaching instrument of their impending doom on the main viewer.
ODYSSEY (like SUNSHINE) also dealt with astronaut shortcomings (Zoe's failed EVA, Ivan's over exertions on Venus, the spats with mission control) and the sheer danger of exploring new planets with unfamiliar dangers (the fatal radiation spike on Mars).
It has everything in it that any horror movie has ever had- turning the keys and the car starts, shadows in the corner, turning the corners of the stairs with suspense, turning around and seeing a dead body, ending a fatal scene quickly with waking up from a dream, etc.
Borchardt combines his lunatic dreams with flights of depression and a fatal inability to call it a day; one senses he almost prefers the endless labours of searching for an impossible perfection to an accommodation with the reality that he's simply (on the evidence presented in 'American Movie') not very good.
As depressing the subject matter was, it was a refreshing change of pace instead of being blindsided with the revelation about a character's fatal illness 2/3 into the movie ("Love Story" "Terms of Endearment", etc.).
A film worth seeing, even if comparisons made by some film critics with such great filmmakers as Keaton, Tati and Kaurismaki seems overwrought: Andersson lacks the vision of them and the lack of a story interconnecting the vignettes is fatal to this film's pretension of being a masterpiece.
Disgusting highlights include a woman having her fingers chopped off, a fatal gunshot to a young gal's groin, attempted necrophiliac rape, evisceration, and, of course, more repulsive entrail eating than you can shake a pile of moist intestines at.
Here, she is more chic and certainly no femme fatal, but she is certainly a 40's woman.
This movie is very good and the whole family would enjoy watching it.When Susie Q is of to her big night at prom she dies in a fatal car crash on her way to prom by kids who are drunk and high.As the years go by Susie's house gets sold and a family moves into the house that she loves.As the boy who now lives in the house sees Susie and is the only one who can.The two team together with his little little sister and try to save Susie's parents from being broke.Staring Amy Jo Johnson as Susie Q.This movie will fell your heart with comedy,sadness and laughter.I hope that you see this movie because it is very good.But no one seems to have it on DVD or Vh's and it no longer comes on TV.
piper survives because her injuries wern't as fatal as prue's and leo heals her first before prue so by that time prue is already dead.
Korean "romance" about the owner of a camera store who is diagnosed with a fatal disease.
With overtures of an "Y Tu Mama Tambien" trip toward self-discovery (without the sex and fatal disease), this beautiful film calms and brings the philosophic mind.
Then, amidst the showgirls' incessant chattering in their dressing rooms, try to pinpoint the one humming that fatal melody.
After a couple years of searching for the Humphrey Bogart film, "Two Against the World", it unexpectedly showed up as a TCM offering under the title "One Fatal Hour", a First National film from 1936.
The story is typical mystery material: killer targets newlyweds; woman investigator falls in love with her partner and is diagnosed with a fatal disease.
The film follows five college graduates into a cabin in the woods that begins to prove fatal as one after the other succumbs to this mysterious, fast-acting, flesh-eating disease.
Additionally, the set-up and premise were excellent: four people whose past is virtually irrelevant to us are trying to get away from an overwhelming infectious fatal disease.
Driving away in their SUV, they are pursued and then passed by the motiveless creepy guys, who promptly and inexplicably do an intentional 180 in the middle of the highway, causing a nasty and fatal accident as the SUV flips over an embankment and plunges into a river.
A group of people are invited to there high school reunion, but after they arrive they discover it to be a scam by an old classmate they played an almost fatal prank on.
In spite of sterling work by the supporting actors, and an intelligent script by Alan Plater, this film suffers from a fatal flaw - the lack of charm of the central character/actor.
This, in my opinion, is the first fatal flaw of the film.
The second fatal flaw is the casting, Diane Lane just didn't work for me here, and Viggo Mortensen is not the right man for the job, believe me.
In light of the recent and quite good Batman the Brave and the Bold, now is the time to bear a fatal blow to that mistake in the life of Batman.
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