Exploitation
in sentence
641 examples of Exploitation in a sentence
It's got everything
exploitation
fanatics are looking for, blend in a totally incoherent and seemingly improvised script!
It's not over yet, because "Raw Force" also has piranhas, wild boat orgies, Cameron Mitchell in yet another embarrassing lead role and 70's
exploitation
duchess Camille Keaton ("I spit on your Grave") in an utterly insignificant cameo appearance.
This plays like a bottom-to-mid tier European Nazi
exploitation
movie from the 70s - e.g.
This is the type of treatment the horror of Nanjing deserves, not this hackneyed
exploitation
garbage (a better executed
exploitation
movie minus the disrespectful use of stock footage would have been fine, but again this is not even a very good
exploitation
movie).
Rating: 3 (5 as exploitation, 1 as a treatment of the subject).
Jonathan Demme's directorial debut for Roger Corman's legendary
exploitation
outfit New World Pictures rates highly as one of the finest chicks-in-chains 70's grindhouse classics to ever grace celluloid.
This might be one of the greatest ever films that comes dangerously close to exploitation, without going completely over the edge - as the Edies do their thing, I kept noting things like the empty gin bottles in the rubble-strewn bedroom, cats urinating on the bed, racoons emerging from holes in the walls, and the final scene seemed incredibly sad - like a child's birthday party gone seriously wrong.
I just watched Holly along with another movie about trafficking and child sexual
exploitation
called Trade at Film by the Sea international film festival.
Very captivating yet one gets the feeling that their is some serious
exploitation
going on here and the subjects are just too far gone to know it.
Those looking for a gore-fest, or
exploitation
in the style of the NEKROMANTIK films or SCHRAMM will probably be disappointed.
If the scenes shot where the Warhols descended on a BJM post-party are true then that was inexcusable
exploitation
to the max, if not, then it was a total fabrication, either way it made me uncomfortable, if that was the purpose?
A full
exploitation
of the almost universal fear of dentists and flawlessly shot.
I checked IMDB and I see the writer also wrote "Sorority House Massacre 2" & "Dinosaur Island" for the director -- both minor classics in their own rights, but obviously "silly" Roger Cormon-like Cinema -- this one's more like some of the better Jonathan Demme and Jonathan Kaplan B-pictures of the 70's -- giving you the
exploitation
element but offering involving drama at the same time -- a real step forward.
Writer/director George ("Miami Blues," "Gross Pointe Blank") Armitage whips up a delightfully amoral, cynical and wickedly subversive redneck drive-in
exploitation
contemporary Western winner: he expertly creates a gritty, no-nonsense tone, keeps the pace brisk and unflagging throughout, and stages the plentiful action scenes with considerable muscular aplomb (the rousing explosive climax is especially strong and stirring).
The helpful ronin for example is a nobly inscrutable revolutionary character, upsetting the established order without being painted as a truly likable or heroic figure, Zatoichi himself makes one or two mistakes and causes harm by his actions, whilst the ruling system fuels the
exploitation
of the poor.
Bakshi's taking on stereotypes and perceptions of race, of course, but moreover he's making what appears to be a freewheeling
exploitation
film; blaxploitation almost, though Bakshi doesn't stop just there.
Superbly trashy and wondrously unpretentious 80's exploitation, hooray!
It's far from the
exploitation
film I expected.
Wilson (Erica Gavin) is nabbed by the cops and sent to prison in this slick and amusing example of prime 70's exploitation, marking the directing debut of Jonathan Demme.
The film exposes the blatant
exploitation
of the Chinese worker - generally female - garnering footage from the Chinese business owner who shares his unashamed and delusional viewpoint, his American counterpart also as unashamed and delusional, the oppressed workers who are given a voice and, of course, the drunken Americans who wear the beaded necklaces mindlessly celebrating in New Orleans.
There is more to the film philosophically than just evil within, it is a film about death, suffering and possible redemption too all bound in a structure derived from Hindu beliefs in a fashion that seems like it might just be
exploitation
but has more relation to actual beliefs than one might expect (at least from the research that I did on wikipedia).
It shows the initial development of AI and the
exploitation
of the machines by Man, until the day they rebelled...
This masterpiece of lesbian horror comes from
exploitation
master Joseph W.Sarno.It features plenty of soft core sex,really hot lesbian sequences plus a lot of naked women.The acting is pretty good and the film is quite atmospheric and well-made.Marie Forsa is one of the hottest chicks I have ever seen in a horror movie-it's a visual pleasure to see her wonderful body.Sarno really knows how to pick up hot looking ladies.A must see for fans of sexploitation!
It would have been easy for Deliverance to slip into
exploitation
territory, but John Boorman has cleverly avoided the temptation to go down such a route and has made a film that explores, questions and challenges the very meaning of masculinity.
However, he managed to sneak in an occasionally quality work amongst all the assembly line
exploitation.
Although I'm grateful this obscure gem of 70's Italian
exploitation
cinema features in the recently released "Grindhouse Experience" box set, and although it's also available on disc under the misleading and stupid alternate title "Escape from Death Row", I honestly think it deserves a proper and luxurious DVD edition, completely in its originally spoken languages with subtitle options (the dubbing is truly horrible), restored picture quality and a truckload of special bonus features!
Great film, highly recommended to fans of Italian exploitation, and I hope to watch it again soon in its original version.
When it first came out, this work by the Meysels brothers was much criticized and even judged to be
exploitation.
Photogrsphed in black and white with color interludes when she gets out of the world of
exploitation
in New York, this made-for-TV (HBO) film has good production values and a very believable supporting cast.
I kind liked to see the familiar faces, but the story is very silly, and no matter how high class the film pretends to be, it operates at the level of your average '70s
exploitation
movie (not an entirely bad thing, though).
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