Evocative
in sentence
72 examples of Evocative in a sentence
That's a lovely,
evocative
name.
It's so simple, so
evocative.
And it includes this very
evocative
screenshot.
They are, in fact, the most diverse, evocative, poetic aspect of nature.
Now I happen to completely agree with the optimism of this first quote, because on a scale of zero to Morgan Freeman's voice, it happens to be one of the most
evocative
accolades that I've heard come our way.
As soon as I heard that audio, I knew that this would be the kind of
evocative
piece that could really describe what was going on at food banks.
But the most famous parts of this underwater symphony are the
evocative
melodies, or songs, composed by the world's largest mammals, whales.
The problem in Dark Reality is you had a poor director who tried so hard to be innovative and
evocative
he ended up trashing up the film.
In fact quite a few of the scenes are incredibly
evocative
in a moody sort of way.
Instead the director Jeff Lieberman conjures up a wonderfully
evocative
and disquieting atmosphere for great stretches of the movie, building the suspense constantly until I was really unsure about what was going to happen but wound up tight as a spring waiting for it.
An enjoyable movie, without a doubt, and very
evocative
of both its era and that very particular stage in any boy's 'rites of passage'.
With an attractive cast, great color photography and set design, and an
evocative
score, JTTFSOTS is a winner!
The
evocative
power of this film is astounding, starting with its title, the opening title card from the book of "Revelation," and the initial voice-over.
Roy Andersson has managed to craft something that defies nearly all conventions of what a film should be, a piece of art that is both beautiful, funny and
evocative
at the same time.
that was a very
evocative
and stylish film with some superb music.
"Mishima: A Life in Four Chapters" is a visually stunning production that handles complex issues with
evocative
ease.
I found the acting more subtle and
evocative
than do many of the critics here, but the acting in the 1995 version is more powerful.
This is a very modest, very lovely movie with a great score by Hoagy Carmichael and Frank Loesser with a standout number, We're The Couple In The Castle, that is totally
evocative
of the period and harks back to Penthouse Serenade just as the opening premise (Hoppity's coming) may well have inspired Fred Saidy and Yip Harburg's opening (Woody's Coming) in Finian's Rainbow six years later.
Such bold exposure to an old reality is
evocative
of literary giants like Tolstoy or Shakespeare while at the same time entertaining in the manner of a C. S. Forester or Patrick O'Brian sea saga.
The almost minimalist feel to the film with sparse dialogue and almost constant music just added a whole
evocative
level to the film.
Set in 1962 Hong Kong (in turbulent times, as we are informed), this extremely intimate story of a failed romance between a two married people tied to their traditions manages to recall the essence of old Hollywood in scene after scene of lush colors,
evocative
yet restrained sensuality (as opposed of the requisite sexuality and occasional nude scenes which has become part of the norm of a romance in film), and the use of facial expressions to suggest subtle changes in mood or communication.
The film does contain one
evocative
image, shown as a still (and also used on the video case), but with no development leading up to or away from it.
The most
evocative
image from THE FOREST is it's opening shot of a couple walking in the distance across a forest into the woods: We see them as tiny, vulnerable creatures entering a dank gloomy world where humans may not be the top of the food chain or most feared predator.
While the original "Grease" is not a great film, the 1977 adaptation of the long-running Broadway hit does have songs
evocative
of the 1960's, energetic choreography, and an appealing cast.
Some of the cinematography is evocative, Shelley Duvall is a stitch in her debut as a tour guide, and Sally Kellerman looks every inch the glamourpuss as Bud Cort's vision of a "mother bird" (imagine Altman and producer Lou Adler explaining that role to her!).
The cinematography of Makoto Watanbe is important here, vivid and detailed, a richly
evocative
affair.
With a wonderfully
evocative
score, and looking and sounding far better than its small budget would suggest, this is a quiet gem, not world-class, but totally satisfying.
Powerful and
evocative.
Hilarious, evocative, confusing, brilliant film.
This is an
evocative
and idealized portrait of the early life of Lincoln(born 1809 Hodgensville-Kentucky- and died in Washington 1865).
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