Events
in sentence
3304 examples of Events in a sentence
The story is incredibly macabre, and what makes it even more frightening is the fact that the morbid
events
in this film actually took place.
The script for the piece was furnished by Jan Lustig, Ivan Tors and James B. Williams, drawing the
events
largely from "The Man of Property" by John Galsworthy.
She recounted what happened for me and the movie followed the
events
very truthfully.
Events
occur in the movie and then the explanations play catchup.
Whilst there are some intelligent references towards the relationship between the former East and West regions of Germany, the film as a whole drags on far too long in what seems a never ending, repetitive cycle of tiresome and boring
events.
The dynamic and exciting world of business is transformed into a dull sequence of events, which constantly occur, highlighting the clear lack of ability in writing an enthralling script.
But his character also went from bad to worse in a quick turn of
events.
This film has it all and keeps you engaged with brilliantly unexpected
events.
There, through a series of unfortunate events, he is reborn to his faith, 'baptized' by the fallen woman who has enlightened him.
Instead it turns out that in The Adventures of Don Juan, not only is our hero still swashbuckling up a storm and almost as handsome as ever -- let's not forget, ten years and many
events
have now elapsed since Robin Hood -- but he is also man enough to laugh at himself along with the audience.
All of the shots are completely hyper-kinetic, which eliminates the possibility of emphasis or accent on any of the films (convoluted and yet, ironically predictable)
events.
Some
events
are just so ironic that they just seem too weird to be true.
I found myself being educated while riding the emotional roller coaster of those
events
as marriage equality was advanced and people were educated.
The plot is the usual tangle of cross and double cross that typifies the genre, but director/writer Kevin Tenney keeps the audience on its toes with some clever editing that yanks the viewer around in the timeline and shows
events
from the viewpoint of different characters.
You see movies all the time that are controlled by the flashbacks that show
events
not seen in the movie to explain the plot.
Giant clichéd characters try to teach us morals as they go through shocking
events.
I have never been to prison but I highly doubt that many of the
events
that happened in the movie could occur in prison.
It contains too many dramatic
events
spread over too many characters.
The third scene is the "suspense" scene at the club as the new stripper (ex-penthouse pet Kimberley Kelley) who, you see, isn't actually a stripper at all, but is actually undercover investigating the smothering death of her sister, another stripper (these
events
presumably took place in Midnight Tease 1, which I haven't seen) snoops around for clues.
Following the
events
of the first film, Bridget is on the run, moving from town to town and constantly taking monkshood (the drug that prevents werewolfism) to stop her turning into a werewolf following the final confrontation in the first film.
The
events
eventually lead to an inevitable tragedy.
I'm sure the filmmakers wanted the perspective to be switched to "outside observer" instead of seeing
events
through the narrator's documentary lens, but then, shouldn't they have used a still shot or at least a mounted camera to avoid the viewer thinking that someone else is hand-holding the camera?
And that choice as something which is made for each person by their basic nature and the
events
that shape their early life.
This curious, good-looking version of Mary Shelley's "Frankenstein" was promoted as faithful to the original work - and, although is follows
events
much more closely than the familiar version, its changes make it a more different, distant work than you might expect.
I saw a couple references to additional information in the book form, but as for the movie what I got was not that Tideman/Owens CAUSED the event but rather that once the chain of
events
was initiated he was obligated to made sure that Laskey got on the ship at exactly the right time.
In order for the
events
to unfold correctly (from Tidemans viewpoint) he must delay the ship or (speculating now)the ship would go back to December 4th 1941, they would miss the rondeview with the survivors of Sen. Chapman's yacht, and he would miss meeting Miss Scott.
Anyway this is a bunch of mundane
events
all tied together by this killer dressed in black with a black mask, but you see the killer making phone calls and it seems fairly obvious who it is if you're paying any attention at all.
The film, as the English title ('C.I.A. Spy Story') suggests focuses on
events
surrounding the C.I.A.
It seems as if the musical cues that lead up to these big moments (like when Paul first attacks Ron) lead up to nothing because the tension is lost when important
events
happen.
And who can build up such a web of
events
and relations better than Almodovar does, anyway?
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