Empty
in sentence
1227 examples of Empty in a sentence
but the problem with this movie is that it never lets its characters be human, it chooses just to show the darkest, most
empty
portrait possible.
Instead they leave you feeling
empty
about so many different things in the movie, yes a lot did tie together but there could have been so much more.
A hopeless film
empty
of any respect for the dignity of the human being.
7 youngsters are travelling in a car through an
empty
road late at night.
It's
empty
of any emotion or believability.
This film is memorable for one reason and one reason only:Gene Wilder and Richard Pryor,together as a unit.They had a chemistry that was undeniable,and they are in full force here.The script is flawed,the supporting cast,at least for the most part,forgettable,and I'm not knocking Sidney Poitier as a director,but I always considered him to be much better in front of the camera than behind it.Much of the dialog and interaction between the two main stars was no doubt improvised,and they probably needed no instruction from Poitier whatsoever.As funny as the two men were separately,there was just something special about them on screen together.They were just knock down,drag out funny,and if you were to just put them on an
empty
stage with no sets,props or even a script,put a movie camera in front them and just said "action!",the result would most likely be priceless.See Stir Crazy for the unbelievable talent that was Gene Wilder and Richard Pryor.Without them,the film would have been forgotten,and very quickly.
At one point a man pins her against a brick wall at night, puts a pistol to her head and drops the hammer on an
empty
chamber while warning her to back off.
The only part of this film that I really really liked was the footage of "I Me Mine" where John and Yoko waltz around the
empty
sound stage.
The body moves but the eyes are blank, and, one suspects, the head is
empty.
First, the story is so empty, dull and finally stupid that it could have been told in 15 minutes max.
But their misfortunes actually start when they do camp in an allegedly abandoned cabin that's not so
empty
they think; then the terror really begins.
Either way Slaughter Studios has remained unused &
empty
ever since... Jump forward 20 years & aspiring low budget horror filmmaker Steve (Peter Stanovich) is going to break into Slaughter Studios & use the unused but still intact stages for his latest project.
I went into this film wanting to like it but left feeling very very
empty.
I rather enjoyed the nihilistic tone, and there are moment that you think it MAY get better, sadly like
empty
promises that never come through, it doesn't.
We as viewers are subjected to
empty
scenes filled with not only bad direction, but terrible dialog all set in a landscape that almost has nothing to do with the past films in this series.
Two fangs down to this
empty
casket.
When the Dutchman finally meets the evil man, the dialog and scenes are impeccable, leading up to an astonishing ending that made me feel very
empty.
THE DOOM GENERATION is an
empty
piece of bloodied fluff, meandering its way from one "shocking" scene to another.
Dull colors,
empty
backgrounds and generally really poor work.
The (several) scenes of the tortured artist leafing through a book of
empty
pages was a laugh riot!
This movie drags Baseball into the
empty
headed dungeon of Sports machismo.
I'm trying hard to come up with an alternate ending for the story, but I'm coming up
empty.
....display of commercially calculated, formulaic, cynical, uninspired and
empty
Hollywood 'movie-making' in at LEAST 5 years.
Overstaged,
empty
direction.
It's blandly amusing watching Van Dien plug away ineptly at both his heroics and English accent, though this is ultimately an
empty
diversion for completest only.
After about five minutes of this film starting I felt compelled to
empty
the contents of my stomach onto my designer coffe table.
It was also nominated for Best Screenplay and Cinematography but came up
empty
in all six nominations.
This documentary short shoots you with more irrelevant metaphors than the regular Coleman Francis feature, and it leaves you feeling depressed and
empty
knowing the greatest joys in life always lead to the death of you and your loved ones.
The body too is lacking and ultimately it seems to
empty
and devalue the otherwise fantastically rich Javanese tradition of its soul.
The final product that director Richard Harrah presents us with is nothing short of boring film-making, extremely grating 'come on' moments, erroneous use of wolves, and a very
empty
script.
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