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Emotion in sentence

1122 examples of Emotion in a sentence

It is even fair to say that this film's cinematography and depiction of human emotion surpass Tarkovsky's Nostalgia.
I think what makes it so clever and so effective is the fact that with no other way of communicating, everyone has to read each other based on intuition and conveying of emotion, no matter how slight.
The end credit song finished the job, wringing even more emotion from me.
But not always funny... there are moments of extreme poignance as the deeper aspects of human emotion are touched on.
His portrayal of a sadist serial killer was perfect to a T. The sheer emotion conveyed by his performance is astounding.
Yeah, would have gotten more in, been able to explore some more emotion.
But the simple fact is it drew you into the players and emotion of the game and life.
Cinematographers look at this kind of film to hone their craft not just for what the eye can do to enhance a story, but what the right camera vocabulary can do to heighten an emotion.
This movie is so compelling it drags you in and it involves your every emotion you go thru a emotional roller-coaster ride and when it's over you don't want to do it again so soon because it has that kind of emotional punch that other movies are lacking.
Thomas Kretschmann, the man who played the Pope in his adult life and on, did a very good job at getting the emotion across.
I didn't get any emotion from it, the ideas are not at all new, the tension lacks, it becomes tedious towards the second half but towards the end I think it becomes quite interesting in a burlesque way.
In this flame of emotion we are introduced to several different high-school youngsters during one eventful day at school.
In a date so early as 1936,Universal was capable of making such an entertainment story, and twenty years later when I watched it for the first time as a kid it involved me in a great adventure and emotion.
Conrad's Heart of Darkness is too full of action, emotion, and information to be made into a movie that is a little over an hour and a half long.
Zellweger, though, is the real revelation--her face conveys every emotion, every conflict as she begins to learn the many truths about her parents' strengths and weaknesses.
Sure we've seen a lot of such documentary on TV, with weird animals and so on, but none with such a beauty, a precision, a deep emotion.
I thought this film was quite good and quite entertaining for a film heavy on emotion.
Now, I am not prone to much emotion, but I cried seeing this movie.
Every emotion is exploited to extreme, the frustration of the butcher, the love for his daughter almost incestuous, the rage when he finds out she has been abused, every feeling is so natural and so wrong.
Not since 'Robin Hood' have I seen this Costner: full of depth and complex emotion.
It relies on visuals and emotion, much like Bava's "Lisa and the Devil".
There is nothing in this film that provokes any kind of emotion.
But the amount of emotion that was delivered by both the actors and the writer hit me like a shock-wave.
At times, the rather tight budget does show, but the constraints actually serve the film well - there's a grit and honesty of emotion here that lends the film an immediacy lacking in most similar-minded films (like Schultz' later CAR WASH, which was more popular, but largely pointless) Warm-hearted but also true-to-life, this might be one of THE sleepers of the 70s - celebrated at the time, it seems that few film freaks know about this one today.
However, it was nice to see him in a role with more depth and emotion.
When all of this comes together, and Kate starts to recognize that she can no longer function in the same capacity, and she breaks the pie dish and screams out that she is not handicapped, it is painfully sad to watch because this has not been someone prone to emotion.
Don't get me wrong, I can fully appreciate the artistic value of such a film, but as far as depth and emotion, I was not so impressed.
In addition, the fact that the war was fake led me to feel that the emotion was not real.
He's a lawyer and he works easily as a narrator, because, unlike many of his other characters, Stevens is a man of logic, not emotion (at least when he's older).
And because Abel Davos is played by Lino Ventura, we wind up emotionally invested in this taciturn, tough killer who loves his wife and kids, has an encounter with customs agents on the shore near Nice at night that neither he nor we expect, and who proves just as willing to shoot a cop or a betrayer with as little emotion as flicking off a bit of lint.
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