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Editing in sentence

1058 examples of Editing in a sentence

The direction, editing, sound are not up to par, but that still does not matter, because the actors more than make up for that part.
This seemed to be a lackluster film to me that betrays a low budget with poor cinematography and not all that great of a job of editing.
I agree, the editing isn't complimentary, but no technical shortcoming can quell this extraordinary tour de force.
If you Listen to Ween (The Pod, God/Satan), then you know what's going on with "Split" I found that watching the film under the influence of LSD helped to deal with Audio/Video tracers from fantastic editing job.
The cinematography was faultless, the editing was crisp, the costumes were gorgeous and the scenery was breathtaking.
Superb editing, outstanding acting, especially by Epatha Merkerson, and highly enjoyable musical soundtrack.
Great characters and plot, and the direction and editing was smooth, visually beautiful, and interesting.
However, i found the sound quality (recording and editing) to be relatively poor and annoying.
An engaging and imaginative story and some very interesting editing and camera work.
Editing needed help on the beach, but for most part, not much to complain about.
While it was definitely shot on a budget and misses a little bit in clumsy editing (i.e.
Highly manipulative picture doesn't give us a very realistic familial unit (with young Justin Henry certainly not resembling the product of a marriage between Dustin Hoffman and Meryl Streep!), but the dynamics are intriguing and involving, and director Robert Benton keeps the pace popping with lots of cleverness, marvelous classical music, canny editing and surefire bits of humor.
Eisenstien was a pioneer of film form and his use of montage editing has influenced films to this day.
I was working on the movie set for a short period of time when Damien was making this film.The gun fire, stunt and acting came out pretty good on the editing tip.All thou the the music wasn't all that great.
I'll put this gem up against any movie in terms of screenplay, cinematography, acting, post-production, editing, directing, or any other aspect of film-making.
Onstage John Osborne's adaptation of "Picture of Dorian Gray" is a fine tribute to Oscar Wilde's talents as both novelist and playwright.On screen with some editing it becomes a bit sloppy due to the cutting of 3 crucial scenes from the play (one being an important scene between Basil and Henry showing that time has passed.)The
I gave it a 7 because the editing was choppy in places, and time-lines were sketchy, but the acting was a joy to watch.
The high points of the film are the performances of every actor and actress and ofcourse, the cinematography, editing and all other technical details.
Is it any more real or truthful than a well-crafted script--without the benefit of editing and revising?
The acting in this film is the greatest strength of the production, but the script, direction, and editing deserve applause.
It accomplished this through the energetic performances of the leads, the steadiness of the camera-work (avoiding 'rock-video' clichés that were actually invented for the Beatles in their first two films), tight editing, and a non-judgmental presentation of the star as human being rather than symbol or god (or demon).
This brilliant film ignites the screen with rich colors, fine music, brilliant editing, superb direction by George C. Wolfe, and a cast so stunning that they make an encore viewing compulsory!
I thought the way it was filmed and the editing was real good but mostly it was entertaining especially the guy that played Wendy's brother.
I thought I'd witnessed every wrinkle the crime/gangster flick had to offer, but the Garrett-Marcin-Hammett combination pull off some genuine thrills and surprises here, thanks to the inventively forceful direction by Mamoulian, the atmospheric photography by Lee Garmes, plus remarkably sharp film editing and flawless special effects.
Less editing in the whole movie than in 1 minute of most movies.
All this made it all but impossible for Mr Kaufman to make a worthwhile product in the editing room.
Grimly realistic, warmly amusing, brilliantly acted (hard to believe Johnsonj couldn't become a leading man after this), with the best photography and editing in any American black-and-white film.
Owes an awful lot to Sergei Eisenstein's editing technique, but never as coolly detached or 'scientific' as Eisenstein could frequently get.
The style of the documentary / editing style of the interviews begin and end with a quick fade to black.
The plot is threadbare, but Coppola does a great job at detailing the emotional life of these characters, and uses editing techniques to relay back story that were not at all common in American films of the time.
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