Driving
in sentence
1887 examples of Driving in a sentence
car
driving.
Not fairway
driving.
We see Mike
driving
a hearse down a desert road in effort to get as far away from the mysterious Tall Man with Reggie (Reggie Bannister) following Mike.
They've tried to make Pat even more PC, his lips move (sacrilege!) and there's no more moments of Pat just
driving
like there were in the 80s...just
driving
through the countryside.
Bob ingratiates himself with Marvin's family while in the meantime
driving
Marvin nuts.
It's supposedly what's
driving
the story, this alteration of her nature.
The funniest part is when the big battle is going on at night in the streets and Louis Calhern is casually
driving
his chariot home from the saloon totally oblivious to whats going on around him.
My vote for funniest goes to Jan Hooks as the
driving
student who tries to seduce Aykroyd.
Psycho delivery driver gets fired due to poor
driving.
I don't want to call it the WORST movie I have ever seen because I fear you will want to see it just to see how really bad it was (you know,
driving
by an accident, but slowing to take a look).
Hes got movers who won't deliver his stuff, a crazy guy
driving
his Saab, he got scammed on his house and hes getting blamed for all of this stuff at his new job when all he did was sharpen his pencil.
The Brain Eaters starts with the newly engaged Glenn Cameron (Alan Frost)
driving
his lucky fiancé Elaine (Jody Fair) to the small American town of Riverdale in Illinois to break the good news when they see a sudden bright flash.
Sharp-eyed movie lovers will also notice the ubiquitous Mike Starr as a 'heavy' (he's the one who hangs on to the car Stone is driving); like character actor Dan Hedaya, Starr seemed to inhabit just about every film Hollywood made in the 90's, though here, Starr's part is strictly dramatic and not his usual comedic one.
SMALL TOWN GIRL was a 1953 musical from the MGM stable about a rich playboy (Farley Granger) who gets arrested for
driving
too fast through a small town and falls for the sheriff's pretty young daughter (Jane Powell).
This is a film that portrays what taxi
driving
is all about, and it is not limited to the USA.
Richard Pryor plays Wendell Scott, a war vet with a love and talent for
driving.
Really hard
driving
music and dancing.
Other name star cameos include Rance Howard as a one-armed white-trash gas station attendant, Bo Hopkins as (what else?) a sheriff who spends a lot of time
driving
and walking around in the woods, and Gary Busey as a strange guy who chops up chickens.
Driving
away from the rave, David runs over Seth's girlfriend Fawn (Elena Lyons) who is mysteriously immune from blunt object trauma and who just gets into David's car.
I was expecting a movie with no substance, lots of gore, poor acting, highly suspect character choices (you're
driving
away from a house full of crazy people!
Poor Dinah Hunter (Yvette Mimieux): through no fault of her own, she ends up incarcerated while
driving
from Los Angeles to New York.
Adam & Evil starts as a group of high school friends intend to celebrate graduation by
driving
to some old camp & spending the night there, while stopped off at a bar the local Sheriff Earl (Jodie Graham) & his wife Maureen (Alison Warnyca) warn them that the camp they are going to was once the site of grisly murders but they should be OK anyway.
The same opening overhead shot of a car (this time an SUV)
driving
down a desolate highway while the family inside plays a game of guessing opera tunes, opens the film.
Many long scenes with no talking at all and just
driving.
Back in 1985, I saw the trailer for it on T.V. and it started out with an ice cream truck
driving
down the street.
Driving
a truckful of posies for a florist seems about as safe an occupation an ex-con could hope for.
This slight story is bolstered by plenty of shots of people
driving
around on snowmobiles and shots of the snowy landscape which means the film often resembles a tourist travelogue.
Surely the development of Naomi, how she grows up - and indeed has to grow up - through friendship and also sorrow, is the
driving
force of the movie.
Combining Murder, Ghosts & Hot Rods with a
driving
soundtrack !
They're convertibles, and our "hero" is
driving
one with the top down in broad daylight.
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