Drive
in sentence
2617 examples of Drive in a sentence
After a recommendation from a white commander Powers Boothe), who admires his
drive
and guts, he gets sent to Navy diving school at Bayonne, NJ.
The insect characters carry briefcases,
drive
motorcars, and even wear shoes yet they also twitch their antennae and open and close their mandibles as real insects would.
And it actually IS a movie you can watch together, as it won't
drive
adults up the wall.
This is a feel good film, about one person's dreams and the
drive
or push to realize them.
It has been established right from the start that Mr Cage might be down but he is not out,and he might be broke but he will not steal,not even in his present dire circumstances.Consequently when he is mistaken by Mr J.T. Walsh for the man he has commissioned to murder his wife,Mr Cage calls on the wife to warn her of her husband's intentions.In turn she,in the person of Miss L.F.Boyle, offers him even more money to murder Mr Walsh.Mr Cage decides to leave whilst he is still in front but as he is driving out of town he hits a man in the road.Tempted as he might be to
drive
on,he takes the man to hospital,where it turns out he has been shot.Mr Cage is detained by the Deputies who call the sheriff who turns out to be Mr J.T.Walsh.
I loved it not only for its fascinating insights into the deluded mind of the playboy, not only for its amusing portrayal of the idiocy of the human sex drive, but also for its courage to fearlessly explore what is in the shadows of heterosexuality.
The
drive
in blow job chinese girl scene 2. The bleach blonde in the sassoon shirt who never changes 3. The Flinstone-like screech out driving 4. The clashing ensemble worn by the redhead right before she gets killed (don't worry, i'm not ruining any surprises, for it's soooo predictable) 5.
It seems current films are always about people with lots of money, they live in huge homes,
drive
expensive cars and don't work.
We are accustomed to brief scenes in Denis's film which are inexplicable: Nénette astride Boni feeding with a spoon; a
drive
by shooting of Boni's father and then the briefest of images of Boni with a gunshot wound in the head; a scene of Louis in a morgue with a cadaver with the scar of a transplant but the body of Sidney.
Gary Merrill is great as Scalese, a crime boss that Andrews is obsessed with bringing down, and the tension between them gives the film its energy and drive, especially a scene in a bath house with Merrill, Andrews, and Neville Brand, and the night time rendezvous outside of Bellevue Hospital, that sets up what ought to have been the film's conclusion.
Some of the real-life elements of the Snyder-Gray story were captured by Cain - the old age and indifference of Albert Gray, Ruth's high sex drive, Ruth and Judd's passionate affair and complicity in the murder and that famous double indemnity insurance clause.
Two things in the film
drive
the Colonel who is masterfully played by Fernando Lujan; the hope that his military pension will one day arrive and the knowledge that his son, Agustin, died for a noble cause, a reason other than a drunken fracas at a rigged cockfight.
Four teenage girlfriends
drive
to Fort Laurdale for spring break.Unfortunately they get a flat tire in Medley,Georgia and one of the girls witnesses a brutal murder deep in the woods.The local sheriff is behind the crime and the nightmare begins..."Shallow Grave" is a pleasant low-budget surprise.The cast is likable enough,the direction is steady and the violence is particularly nasty and misogynistic.Especially the second murder is pretty grim.The murderous sheriff isn't one-dimensional character-in a couple of scenes it seems that he feels remorse for what he's done.The subplot involving the two boys they meet in the diner goes nowhere,but the stalking scenes in the woods are tense and exciting.7 out of 10.
He decides to make the trip on his lawnmower as he can't
drive
and he wants to make the rip by himself.
As Jack Nicholson's directorial debut, Drive, He Said displays at the least that he is a gifted director of actors.
When I was a kid in 1956 on my first trip to NYC, I made my Bronx uncle
drive
us to the foot of South Street looking for No. 66.
Born in 1958, I learned to
drive
during the first gas shortage, and got my first post-college graduation job during the second gas shortage in 1979.
If 2004 was the year of the biographies and 2005 was the year of the political films, 2007 can be identified as a year featuring a wide plethora of morality tales, films that portray, test, challenge and question human morality and the motives that
drive
us to do certain things.
Although this identification is rather broad, I think that there are a handful of films released this year, such as 3:10 To Yuma, Eastern Promises, American Gangster, No Country for Old Men and others that specifically question and study human morals and the motives that
drive
us to acts such as violence or treachery.
In Carmen, Saura once again seeks to establish a dynamic rapport between reality and fiction, between the actual passions of the personalities in a dance company preparing the choreography for the dance portions of the opera Carmen and the scripted passions from the story of the fictional Carmen, the famous fatal mix of a free spirit (read disregard for fidelity) and her ability to
drive
men mad with desire.
The movie is in many ways a typical gangster movie, but with a great
drive
and true grittiness.
What can morality
drive
us to do, or not do, in some cases?
On my list of favorite movies, Moonstruck is number 3. It's a "feel good" movie where you leave the theatre humming "that's amore" or repeating some of your favorite lines: "old man, if you give those dogs another piece of my food, I'll kick you till you're dead"; "Chrissy, bring me the big knife", "who's dead", "do you love him Loretta....., good because when you do, they
drive
you crazy because they know they can".
Sad and strange that a man with so many songs about his love for cars, would never learn to
drive
and would die in a car crash!
"Kalifornia" is a good Hollywoodish odyssey of suspense and terror which tells of two couples who
drive
cross-country to California to share the cost of gas: A pair of losers (Lewis & Pitt) and two wannabee artists, a photographer and a writer (Duchovny & Forbes).
Also what year of Mustang did Debra W
drive
in this show.
I just can't believe that the movie has just been voted by only 223 people so far given that the movie was produced in 2004 and it has won many awards since then.About the movie...it's one of those well-acted sweet movies.Reda,a French teenager due to sit for Baccalauréat, is asked by his devout elderly father to take him to Mecca.Strange as it may seem(if one doesn't know much about Islam)the father wants his son to
drive
them from their home in France to Saudia Arabia on a once-in-a-lifetime religious pilgrimage.The generation gap between the father and the son is based on simple enough terms('you may know how to read and write, but you know nothing about life,' the unnamed father to his son)but some sort of bromidic generation gap literature is avoided.Bot of them are affectionate in their frustrations.The father never speaks in French though Reda understands Arabic but can only seem to answer in French.
For me some of the time this didn't work - the cattle
drive
and the regulars provided the best stories.
As the Sullivans
drive
round America trying to escape from a psychotic hit man you think of THE GETAWAY , Irish gangsters is MILLER'S CROSSING whilst the subtext of guilt and redemption can be summed up by Coppola and Leone's gangster epics.
First time screenwriter Kelly Masterson (with some modifications by director Sidney Lumet) has concocted a melodrama that explores just how fragmented a family can become when external forces
drive
the members to unthinkable extremes.
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