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Dialogue in sentence

3121 examples of Dialogue in a sentence

Hollywood and driving driving driving driving their camper van across the screen again and again as inane dialogue is voiced over.
At least I think it's inane, the terrible song that accompanies this montage is mixed so loud it renders the dialogue at times almost inaudible.
Bad editing, bad production values, bad continuity, implausible, bad dialogue... this movies is bad, bad, bad.
If it had chosen one clear path of which of these themes to focus on, it could have lived up to its potential, but instead the result of mixing the two is a film that has a very flat and dry sense of humor, cheesy dialogue and motifs that attempt to give the movie profundity, but instead practically insults the intelligence of the audience, and also a very confused and clouded presentation of the movie's opaque message.
Though I felt that the directing was done well, the craziness in their dialogue is just a little too much cheese.
Goofy dialogue and some nasty gore effects make this movie watchable.
Long sequences devoid of dialogue compose much of the film.
You sure won't be attracted by the dialogue, which is hopeless.
Léos Carax, did you ever think about, that a dialogue in a film could be natural and vivid??? Maybe I'm too common to understand you?
The film is two hours long and the scripted dialogue probably ran to five pages.
They are not really interested in their roles and the dialogue is all delivered in monotone.
It's a leaden load of old cobblers that has far too much self-justifying, 'explanatory' religious waffle but barely any decent dialogue and certainly a total absence of anything even approaching magic or charm.
The plot is full of holes, the dialogue loaded with silence, the soundtrack is too repetitive and the acting while at times powerfull was too often loaded with melodrama.
Instead this movie is more about things not said and not expressed, so it gets to the point where you are grateful anything is said at all, even if the dialogue is not exactly quotable.
The goofy gunfights, the ridiculous fist fights, the dialogue, the sappy background music, and even Bo's blind eye.
Yes the acting was great, no this wasn't the typical hollywood film, but the dialogue just wouldn't end (or get interesting)!
Did Uwe Boll seriously just rip off the basic idea and dialogue from Se7en?! Why is it so fekking difficult for this douchebag to be original?!
The end result wasn't spectacular, complete with scrappy dialogue and continuity.
Murder Weapon gives us a lot of inane dialogue scenes, but they go on for a lot longer than in most movies of this type.
My feelings are unsympathetic to the characters, and the dialogue is mediocre at best.
Every scene is commented upon by the inner dialogue of one of the main actresses, or by turning the scene into a surrealistic joke.
The dialogue is so fake sounding and the actors seem to have only read it a moment before the camera was rolling.
In my opinion, the movie was laughable--bad dialogue.
However, the script is so awful and there's so much explaining of the characters' background within the dialogue that we feel we're being treated like morons.
As for the dialogue I have heard so many people talk about...it sucked too.
What made the dialogue good in movies like Pulp Fiction, and Gosford Park was the fact that it is WRITTEN dialogue, that takes time to think through.
Palm trees in D.C. (already mentioned), a dummy-as-dead-body bit so obviously artificial that I thought it was SUPPOSED to be a dummy ... until it left a bloodstain ... stilted dialogue, ridiculous plot.
Seldom have I been made to cringe by such dire dialogue.
These bizarre additions eat up screen time at the expense of elements you'd think would be quite important, like Dickens's dialogue and key chunks of his plot - the movie buggers up the game of twenty questions, for example, and at times fails to put scenes in the right order.
Played po-faced like a melodrama, or Cold Comfort Farm without the jokes, this effort is not helped by a scriptwriter with a tin ear for dialogue who misses entirely the novel's sense of irony or tragedy.
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