Dialogue
in sentence
3121 examples of Dialogue in a sentence
The
dialogue
is fresh, and oh so real.
This movie is mostly all
dialogue
-based.
In fact he reminded me of myself a few times back in uni :) So yes, there's not a lot of violence, there's not a lot of action, but the
dialogue
is cracking, the acting is superb and very refreshing, and it's pretty funny too :) I don't think you'll come out of the cinema going "Wow!
The Urdu-speaking milieux at the time of Pakeezah were masters of understatement and how the
dialogue
conveys the subtleties of the age!
It's not about the soundtrack, or cinematography, or even the
dialogue
and somewhat bad acting, it's about the educational purpose, and the message behind that is the most important.
The show is on one hand awful, the acting is terrible (even when we get actual name actors like Brad Pitt and Bill Moseley in one episode), the
dialogue
is moronic and the premise/moral of each episode feels like something lifted out of a 50s educational short.
The film is greatly enhanced by the
dialogue
being in Spanish.
The screenplay by Lajo Biros and the
dialogue
by Miles Malleson keep the story moving skillfully at all points.The young King Ahmad of Bagdad is angry at his vizier Jaffar for executing a man for having different ideas.
The acting isn't always up to par and the characters aren't fully drawn out, but they are more than compensated for by down-to-earth dialogue, a plausible story, fantastic dancing sequences and a timeless hip-hop sound track.
I had never read Shakespeare's Hamlet before watching it but I did have a Shakespeare book with me and could follow the
dialogue
through it.
Only one problem, the usual James Cameron problem, is the
dialogue
which is memorable but in a bad way as in how cheesy it is at points but all that aside.
The scripting and
dialogue
are strong and pay proper attention to the mores and inflections of the time.
The
Dialogue
is excellent and very, very witty - and the scene where Lemmon's character attempts to clear out his sinuses in a restaurant have me rolling on the floor with laughter every time I see it.
Admittedly, you have to have a taste for films with screaming, hysterical dialogue, over-the-top acting, and melodramatic plot twists.
The writing is tight, the
dialogue
first rate.
The
dialogue
is also remarkable.
John Cusack's witty
dialogue
will probably make you chuckle throughout.
Told completely without dialogue, it is a visual treat about a young boy who buys a gold fish, lovingly places him in a bowl then goes off to school, leaving the gold fish unprotected and a window carelessly open.
The screenplay is very good with great
dialogue
and characters, but you can't catch all the development because of the twists.
The story also relies heavily on
dialogue.
This 1998 film was based on a script by the late Edward D. Wood, a script that featured NO
dialogue
in the tradition of films such as THE THIEF.
This opening shot without dialogue, and mostly in tight close-ups is a beaut,one of the many that Fuller uses throughout the movie.
Then the
dialogue
starts.
Dwight and Erik stifler lead the comedy in this one, but I actually preferred the
dialogue
in this one to the naked mile.
There are two ways to look at this film: First, you see dumb dialogue, far fetched plot, juvenile idea.
Krishna notices a change in Gauri, but not a single line of
dialogue
is said.
It's a unique movie about two doctors, and I don't want to give anything away but there are some powerful scenes as well really funny ones - plus the
dialogue
is great.
Relecting on another 'Classics' movie I saw recently, I was disappointed in the production, direction and
dialogue.
Sam Kleinman (Peter Falk) comes to his son's place unexpectedly.His son Ben Kleinman (Paul Reiser) is quite surprised to hear that his mother, Muriel Kleinman (Olympia Dukakis) has left his father.Ben's wife, Rachel (Elizabeth Perkins) and his three sisters try to find Muriel while Ben and his father go see a farmhouse that's for sale.But that's not the end of their journey.Their road trip turns into a long therapy session between Ben and his father.Raymond De Felitta is the director of The Thing About My Folks (2005).Paul Reiser is behind the screenplay and he has done a remarkable job.The
dialogue
between Ben and Sam is just amazing.And he did work with the script for twenty years so no wonder it's this good.Who would be better man to play the father than Peter Falk? Nobody, I can tell you that.And I really love the story on why Paul wanted Peter Falk for the part.Peter was an actor who made his own father laugh.And Peter certainly made me laugh in this movie.It's just hilarious when they go fishing.And how the old guy beats the younger one in the game of pool and then beats him with the stick.The movie is often very funny and I found myself laughing several times.But it can also be touching from time to time.You couldn't tell a story any better than it is told here.
It's as far away from the "master and coverage" style of shooting as one can get; perfectly integrating many layers of image, sound, effects, props, dialogue, voice over, performance, editing, lighting, etc... all equal, none predominant.
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