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Dialogue in sentence

3121 examples of Dialogue in a sentence

The mayor is perfect due to the embodiment Al Pacino offers us since he is able to express ten minutes of dialogue with one facial expression that makes the whole dialogue useless.
The climactic 25 minute musical sequence without any dialogue is among the most beautiful in film history.
He is equally adept at getting fine dialogue acting and directing such huge numbers as "Luck Be Lady", the varied and challenging brawl section, the Havana "A Woman in Love" section created for the film that precedes it, the presenting of the title song "Guys and Dolls" and "Pet Me, Poppa" set in the club where Blaine works.
The dialogue is witty, and the physical humor done with consummate skill.
Also, the film is made entirely in the silent style, with few titles and little need for dialogue.
Director/co-writer/producer Todd Sheets displays an appealingly sincere love and passion for go-straight-for-the-throat lively and gruesome horror fare: he maintains an unflagging snappy pace throughout, fills the screen with wall-to-wall crazy action, and thankfully keeps the terrible dialogue to a pleasing minimum.
The acting, dialogue and writing are very good, and the whole film looks great for such a low-budget flick.
But listen to the dialogue!
I remember the dialogue from Gandhi 'What kind of society we want to create/make with such people (about Harilal)?'
Utterly satisfying in nearly every department and overflowing with droll and witty dialogue and thinking.
I'm stymied by harsh, insulting criticism for this film, wondering if one reviewer even heard one word of dialogue, pondered one thought or concept, or if all that was desired of this work was the visual gore of bashing and slashing to satisfy some mindless view of what horror should mean to an audience.
I'm sure King is disappointed to this little movie, although it HAS crappy dialogue and ideas, all of them from a true and tedious King potboiler.
The movie starts out well enough, with the jokes being visual enough that they translate the language barrier (which is rarer than you'd think for this era) and make the non-fight dialogue sequences passable (for a kung fu movie, this is a great compliment).
The movie starts out slow, but is so rich in dialogue that i never felt bored.
The film relies on pure characters with simple, effective, and yes, believable dialogue to carry it thru, and it achieves its aims handsomely.
Some of the dialogue in fact is downright loopy, and I didn't much care for an edit late in the film that segues clumsily from a death to a wedding.
Maybe it's the absence of superfluous dialogue, or maybe it's the absolutely stellar soundtrack, or maybe it's just Meena Mumari's feet, but it's a joy to watch this movie again and again.
Instead of deliciously quotable dialogue we get gritty, harrowing realism.
Films where the dialogue isn't so cleverly written that it ties itself in endless knots of purple prose.
His dialogue is so trite it's unbelievable!
To all the miserable people who have done everything from complain about the dialogue, the budget, the this and the that....who wants to hear it?
Miss Gillain was luminous and the performances were all fine, I just wanted a little more dialogue.
However, this film had a story- a very stereotypical eighties story where you could almost recite the next line of dialogue before hearing it.
The dialogue and costumes are of a quality most readily associated with soft-core porn.
With an amazing up and coming actress, Philipps, adds the necessary dramatics to the dialogue and overall feel for the film and Christensen helps to balance out the "doom and gloom" feeling this movie may have.
The film is extremely low budget and the dialogue is often unintentionally amusing!
They have some hilarious dialogue after catching and eating a fish and the girl bemoans the death of the fish and that they ate it!
And the dialogue between Marie Davenport and the young priest in their last scene is straight out of the Spellbound School of Glib Interpretations (though Hitchcock's movie escaped similar charges due to the source of wisdom having impeccably secular credentials as a Freudian psychoanalyst).
Well-remembered for its glowing realization, fine performances and intelligent dialogue, this dramatic effort bears repeated study.
This a rip roaring western and i have watched it many times and it entertains on every level.However if your after the true facts about such legends as Hickcock,Cody and Calamity Jane then look elsewhere, as John Ford suggested this is the west when the truth becomes legend print the legend.The story moves with a cracking pace, and there is some great dialogue between Gary Cooper and Jean Arthur two very watchable stars who help to make this movie.The sharp eyed amongst you might just spot Gabby Hayes as an Indian scout, also there is a very young Anthony Quinn making his debut as Cayenne warrior, he actually married one of Demilles daughters in real life.Indeed its Quinns character who informs Cooper of the massacre of Custer told in flash back, the finale is well done and when the credits roll it fuses the American west with American history.So please take time out to watch this classic western.
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