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Dialogue in sentence

3121 examples of Dialogue in a sentence

There is certainly no acting (although the shark has some quality dialogue).
It may have been David Lean's feature debut,but the hand of Noel Coward looms large right across this picture.He was a funny and clever man,better suited to writing waspish plays about poor little rich girls and boys interspersed with the occasional wry song.He had a talent to amuse,no doubt,but he could neither write nor speak convincing dialogue.
It has good looking production values but also has poor acting, a weak script with lousy dialogue, and no real sense of direction.
To be fair they did as well as they could with a budget of five shillings and sixpence, but the dialogue was more cheesy than 9lbs of emmental and the CGI was a little old hat now.
Then there is the bad acting and insipid dialogue.
Mohanlal as Narsimha, struggles with his Hindi dialogue and looks embarrassed to be delivering some of the stupidest lines in his illustrious career.
They gave it a 'happy ending' and changed a lot of the dialogue, and it's just a big pile of saccharine.
The effects look cheap and ridiculous, the plot is mushy and uneven, the dialogue is far-fetched and just about every magical characteristic of the novel has been lost.
For precisely an hour, most of the dialogue concerns what to do about the drapes hanging in the library (this thread isn't used as symbolism, rather it's a red herring in a non-mystery!).
The film is then gravely hampered by the complete lack of gratuitous nudity which means that, given the awful dialogue, it is difficult to watch the characters and harder to appreciate the good points of the film.
Woody Allen has lost his ability to write dialogue or characters that are clearly distinguishable from each other.
The only good thing about this movie was John Savage, his dialogue at the beginning, and some funny parts in the movie.
And the dialogue during those conversations between the penguins and those two characters is ear-bleeding.
Weak plot, bad dialogue, terrible acting; there's just nothing there.
Clunky dialogue like "I don't want to spend the rest of my life feeling like I had a chance to be happy and didn't take it" doesn't help.
The camera work, the locations, the costumes, the totally out-of-place dancing, the dialogue all combined to make the worst movie I have ever seen.
John Ritter doing pratt falls, 75% of the actors delivering their lines as if they were reading them from cue cards, poor editing, horrible sound mixing (dialogue is tough to pick up in places over the background noise), and a plot that really goes nowhere.
The dialogue sometimes sounds rushed.
I don't care if this is Woody Allen, this writer cannot write dialogue, or at least he cannot knowingly write dialogue then draw performances from actors capable of drawing laughter from even the most ticklish of clowns.
I felt Rancid Aluminium was a complete waste of two hours, the plot line was thin and confusing, the prestigious line up of players had some terrible dialogue and extremely questionable accents.
The good news is that this is done so cheaply, and with such inane dialogue, that it has sheer entertainment value in all of its unintended laughs.
Not an original idea and not a very good movie with lousy acting, inane dialogue and a ridiculous plot.
'Mojo' uses a technique for shooting the 1950s often seen in films that stresses the physical differences to our own time but also represents dialogue in a highly exaggerated fashion (owing much to the way that speech was represented in films made in that period); I have no idea if people actually spoke like this outside of the movies, but no films made today and set in contemporary times use such stylised language.
The premise is ridiculous, the characters unbelievable, the dialogue trite, and the ending absurd.
The dialogue doesn't explain the story very well, and I was left feeling like there were a lot of plot holes.
Diabolical script and dialogue and truly embarrassing acting.
This movie was filled to bursting with clunky dialogue, creaking direction, ridiculous set-scenes and it was slow, slow, slow.
The cryptic dialogue would make Shakespeare seem easy to a third grader.
Uninspired direction leaves a decent cast stranded in a handsome but bland adaptation, in which dialogue seems recited rather than heartfelt, and cash strapped appearances by the ghosts fail to round up any sense of awe or magic; Edward Woodward, as the Ghost of Christmas Present, wobbles around on stilts and seems to be doing an impression of Bernard Cribbins.
Quite unfortunately the dialogue is utterly stupid and overall the movie is far from inspiring awe or interest.
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