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Dialogue in sentence

3121 examples of Dialogue in a sentence

The film is stock full of witty, quick, jabbing, dialogue.
The editing keeps up with the dialogue in such a way that it makes you sit on your seat wondering who's going to stab who with the next witty phrase or punch line.
Director Don Hartman, who also scripts, is not able to fully utilize his talent for snappy dialogue because of Pinza's tentative English usage, and the requisite rewriting, coupled with less than total rapport in evidence between the two stars, results in a somewhat raggedy tone to the screenplay, exacerbated by the studio's unkind cutting of many scenes, leading to a confusing ending.
The sheer simple comedy employed and Michael Caines genius acting alone are worth the money but on top of this the plot is great, the script is fantastic and the dialogue fast moving and catchy.
The dialogue is fun, oft-times clever and the performances on cue.
The dialogue is spot on for a group of men trying to keep it together under duress, and Carpenter's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming thru the film.
The almost minimalist feel to the film with sparse dialogue and almost constant music just added a whole evocative level to the film.
Although the story made be impossible to believe and much of the dialogue seems contrived, the one and only important thing to remember when contemplating watching this movie is that it contains some of the most amazing and disturbing imagery ever put on film.
If the dialogue doesn't have you laughing non-stop for a week, the music will.
But after you watched it once, it sort of grows on you when you watch it the second and third times, as you come over the shock and start appreciating the movie on its own merits - solid acting, good dialogue, nice sequencing and choreography, not-too-bad soundtrack and some of the (special) effects that go on.
The dialogue is minimal, so his face must register the nuances of his anguished character - a composer (a writer in the novelette - the only major alteration) who travels to Venice in 1910.
Not much action, and dialogue is minimal, but the movie flows perfectly and demands your attention due to the wonderfully natural feel of everything going on.
Everything Is Illuminated is sweetly and sublimely funny from the first delicious line of dialogue.
Good direction and a strong cast do justice to Steve Tesich's brilliant script; the dialogue isn't as snappy as in "Breaking Away", but the themes of growing up and father-son conflict are dealt with just as well, and there are still a few wonderfully comic moments among the shocks and drama.
It is visually stunning, and this is a good thing since the dialogue would only take up a page or two of paper.
I loved the dialogue that the killers spout as they torture and kill people.
it has its flaws like every film does for example wobbly headstones in a graveyard, a clearly visible slide board during the penguins death scene, Max Shreck losing his heavy coat in a split second between shots during the image consultancy scene, batman losing his black eye makeup all of a sudden between shots so he can reveal Bruce Wayne to Catwoman, dialogue being recorded but is played back and spoken differently than when it was spoken in the first place and lastly Catwoman all of a sudden knows how to use a bull whip without any training whatsoever.
The writing is of such a quality that beginner students of the English language should model their conversations after its dialogue.
This film predates the Australian films Road Warrior and Priscilla of the Desert, and its influence on them is obvious: in the dialogue, locations, photography, direction and political philosophy.
The dialogue is rather trite but the scenery lends itself to the realism of the Kentucky backwoods.
The dialogue is very good, the music is right and scenarios realistic.
Obvilubuly, dialogue was changed for contemporary audiences, nut much of the writing remained the same.
Plus, it's pretty obvious that "Talk Radio" is based on a play, with its long dialogue scenes.
The dialogue is good.
THE SEVEN-UPS, truth be told, contains a couple hackneyed lines of dialogue -- "We can do this the easy way, or we can do it the hard way" is one -- but I'm damned if I can find anything else wrong with it.
THE SEVEN-UPS demonstrates all that was right with the best films of the golden age: sparse dialogue, realistic acting, real locations (winter in a dirty New York has never looked better/worse), propulsive stories, and, yes, the best car chase ever filmed.
The film quality could be better, the dialogue often sounds a little too quiet, and the acting of several characters IS a bit hammy, but it's not overboard.
Yep, there's a lot of dialogue and no spectacular action sequences.
Writer/director Ernie Fosselius delivers a winning and often gut-busting blend of ludicrous sound effects, ineptly staged action scenes, cruddy (far from) special effects (you just gotta love the cheesy scratched-on-film lasers, tinfoil asteroids, and household appliances ... eer, I mean spaceships being swung around on obvious wires), badly dubbed in dialogue, shamelessly hammy acting, and Richard Wagner's rousing piece of classical music "Ride of the Valkyries."
Great dialogue and its loaded with wisecracks.
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