Example collocations logo

Dialogue in sentence

3121 examples of Dialogue in a sentence

The screenwriter offers a combination of literary knowledge, timing, a gift for dialogue and hilarious situations that had me laughing out loud in the theater.
Noting the weakness of words compared to image(s), Kubrick wisely dispenses with dialogue, preferring the power and essence of the scenery, and allowing the intelligence of the audience to do the deciphering.
The depth of character and clever dialogue are two things not usually seen in a Roger Corman picture.
as the plot gathers pace, and the dialogue is crisp and gritty.
The opening dialogue is clever, and the viewer is carried along by a sharp screenplay and a real, original film noir feel,
Nonetheless, the dialogue, the acting, with a cast headed by Sir John Gielgud & Jeremy Brett, and the brilliantly cerebral production (marred only by a "too quick" ending) make this worth the while of any lover of Theater, with a capital "T".
Still everytime I watched it, I was interpreting it somewhat differently (there is no dialogue, ya know), so I decided to check the IMdB for the plot summary.
and so forth.There is much more human in Shylock's character than in one of Antonio's, who spits on the good Jew.Al Pacino is unbeatable as Shylock.He gives such a strong performance.Jeremy Irons is also terrific as Antonio.Lynn Collins is most beautiful and brilliant in the role of Portia.Zuleikha Robinson does great job as Jessica, and Charlie Cox as Lorenzo is also very good.Kris Marshall plays Gratiano, and he does a good job.In the role of Nerissa we see Heather Goldenhersh.Mackenzie Crook plays Launcelot Gobbo.As in Shakespeare plays usually, also this one contains most brilliant dialogue.The movie paints a fantastic portray of the era.It deals with some great issues, in a Shakespearian way.
Amazing doesn't touch the surface of what this episode accomplishes with almost no dialogue.
Smart dialogue, great characters, clever plot construction.
Kept up the pace and interest without a speck of dialogue (mainly through some good character development).
In sum, kick ass character progression, design, story without the cushion of dialogue, and most importantly, the always appreciated desolate scenery of a post-apocalyptic wasteland.
'War movie' is a Hollywood genre that has been done and redone so many times that clichéd dialogue, rehashed plot and over-the-top action sequences seem unavoidable for any conflict dealing with large-scale combat.
Sure enough the storyline and dialogue are codswallop, but this is so beautifully filmed in such a marvellous setting and I actually like the hardcore.
As far as character development, action, dialogue, flow, etc., it seems to be just a basic slasher flick.
The writing moves well and the dialogue is well structured, but there are some flaws in logic as the film moves deeper into the story.
While the "Scarlet" story line and some of the dialogue suffered from lack of inspired writing, overall I thought this was a worthwhile dramatization of what might have been between Scarlett and Rhett.
Some nice special effects and well paced action sequences adequately patch the cracks in the rather tiresome dialogue.
The dialogue is well written and true to form.
NSNA is rich with clever dialogue, wit, smarts, sex appeal, and one of the best and most convincing bad guys in the entire Bond series.
It's a good effort, and at times a remarkable satire on Hitler, but unfortunately the moments of Chaplin brilliance on offer here are let down by a tendency to use too much unnecessary dialogue.
Yes, Chaplin, the silent screen master, just uses too many words in this film, and his tendency towards writing long speeches and extraneous passages of dialogue would carry over into his other talkie films, such as (better) "Limelight".
Some interesting dialogue and character interactions, some good suspense moments, and of course the unforgettable carousel finale, a good classic film.
But Amir Khan steals the show with his witty dialogue.
The dialogue on theology and the banter with his follow colleagues was exceptionally good.
The dialogue doesn't really matter too much, not that there is much of it anyway, and as for storylines, forget it.
No, not experimental as in hand- held camera and mumbled dialogue, but experimental as in exploring the convolutions of a story without undue regard for box office earnings.
Cassavetes portrayal of Philip/Prospero is in itself worth a 10/10 rating, and when you add Gena Rowlands, Susan Sarandon, a wonderfully deep Molly Ringwald, Raul Julia, the dialogue, the music and the exquisitely suggestive little tableaux scattered throughout the picture...
very realistic and funny dialogue, and realistic action in a newsroom.
The only way to fully enjoy this serial is just to sit back and not pick at anything (hokey effects, dialogue, why Flash doesn't go for Princess Aura etc.).
BackNext