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Dialogue in sentence

3121 examples of Dialogue in a sentence

The man who gave us Splash, Cocoon and Parenthood gave us this incoherent muddle of cliched characters, poor plotting, you've-got-to-be-kidding dialogue and melodramatic acting?
Childish storyline ripped off of a lame Hollywood movie, terrible acting, cheesy dialogue, and not quite "up-to-par" sex scenes.
The plots are dreadful and the dialogue appauling (at first i thought it was a spoof), and the acting abysmal.
The play's combination of symbolic dialogue and gothic melodrama hasn't aged very well and the cast has some difficulty with it, especially Norma Shearer's Nina and Ralph Morgan's Marsden.
And with well written dialogue including lines like "the only difference between you and me Rico, is I'm alive and your dead," this movie is truly a masterpiece.
Filming was very low budget, no good dialogue.
Then again, the script was unbearably awful, and the dialogue was so cheesy.
A few nudes, several botched bits of dialogue, no tension at all.
Conflicts are resolved within two or three seconds of their inception and dialogue is random and incidental.
The dialogue is turgid.
The dialogue is stilted and effects are crude.
There is one line of dialogue that had me in stitches.
I've rarely seen a worse cast of actors (especially Don Wilson, if you can even call him an "actor") but that's not really surprising, given the dialogue they have to work with (sample line: "Computers killed my brother!").
Overacting, irrelevant incidents, implausible dialogue - it has it all.
Strong imagery and a compelling premise is soon overwhelmed by incoherent plotting, hackneyed dialogue, amateurish acting, and the most outlandish and over-the-top phallic imagery in recent memory (here, a fish is most definitely not just a fish!).
Badly shot, badly edited, clumsy dialogue, flat characters, unsuccessful adaption of a novel.
The terrible dialogue is spoken extremely slowly by a supremely untalented cast, stretching the movie to a near-deadly 87 minutes.
Wave after wave of directionless nausea - this film wants and at first promises to be quirky and original but is in fact obvious, solipsistic and mired in cliché-driven dialogue which builds to a crecendo of awfulness and cheese by the end.
Sure enough, in the most boring opening dialogue scene ever, poor Madsen has her coming into his office and right there, reminding us that even though her hair is up, she can still stick her fingers in her crotch at any given second (which she does but in such a random "what?
The dialogue is steeped in waterfront metaphors ("You can't rush a trout!" ... "Well, don't give up the ship!), and something about the whole enterprise seems strangely pixilated.
The dialogue is a series of badly-delivered clichés; the action is disjointed; the plot is pointless and amputated; and the characters, if you can call them that, do not even make it into the basic two-dimensional sphere of their American counterparts.
I'm a big fan of those two movies and seeing scenes taken from them, re-edited and re-dubbed with nonsensical dialogue made my head spin.
Cheap dialogue, no character development, no tension, not enough story to pull you in, no action apart from some REALLY cheap scenes.
The dialogue was stilted and clichéd.
The direction, dialogue, and visual effects are just horrible.
During all the emotional scenes, the character stops in mid dialogue and their inner thoughts are narrated while they gaze off into the distance or appeal to the camera.
It's a terrible disappointment, considering the cast, but I can't look past the fact that the dialogue is in English and some of the actors pretending to be Indian are not even close (read: Kristin Kreuk).
The best performance was by the gentleman playing Lin's father although much of his dialogue is in Chinese and subtitled.
Repeat this scenario about four times, in marginally varied settings; bridge these with perhaps thirty lines of dialogue total; offer up actors even more hateful and lethargic than those in the above mentioned classics; and grace us with a monster comprising gauze, ketchup and one yellow Spock ear, and you've got a movie too mind-boggling to refuse, a working definition of bad.
Plot didn't thicken, dialogue was shoddy, characters undeveloped at best.
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