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Dialog in sentence

1164 examples of Dialog in a sentence

Even their attempt at the English languish is really sad, and actually the down right peculiar Swedish accent, in which the incoherent dialog is spoken, is probably the most comical and enjoyable thing about this film.
Donald Pleasence hams as perhaps never before; half of his dialog is almost unintelligible.
The dialog is painful to hear and Hemmings' direction is largely inept.
Al Pacino seems to talk a lot and I mean blabber mouth in your face dialog.
The problem was that although the film was made in 1933, it was essentially a silent film with only the barest of dialog scattered (only a few sentences) in the film in the most amateur fashion.
The dialog, especially the narration(by Saul Williams), is actually pretty good, but the performances are all pretty bland or outright bad, no matter how many hipsters are thrown in; Debbie Harry and Jean Micheal Basquit(the latter being the leading role) both still don't have enough cultural cred to keep this film from being a novelty item.
It takes almost 30 min to get going and we have to sit through pointless dialog between to half-wits the Sheen boys (E&C).
It was all too touchy feely 'sisters stick together' and really needing some of the acerbic wit and clever dialog from the original play- I still watch the original movie and pick up a line that I have never caught before.
So many stereotypes, so many loop holes, so MUCH poor dialog.
Every scene in "Copying" has its counterpart in the Milos Forman, Amadeus - from the galloping carriages accompanied by frenzied strings, to the entrance of Anna through the dark hallway preceded by the man with the key, to the very dialog of the conclusion with Anna at Beethoven's feet a la Salieri before the dying Mozart.
Some of the lines are classic in a "Did he really say that kind of way?' The other thing I just noticed is that the score and the sound (NOT the dialog) are actually excellent -- the only first-rate elements of the entire production.
Bad dialog, slow story, scenes that drag on and are absolutely pointless.
It doesn't matter since this is all just an excuse to watch one of the worst actors ever butcher dialog as if he were running a deli.
Whatever else you do with Austen, the dialog should sparkle (even in this, perhaps her most serious work), and melodrama should be strictly out of bounds.
The actress playing Miss Morland is poorly cast with no obvious appeal to attract the attentions of an eligible bachelor, and though I rather liked the creepy Peter Firth as Mr. Tilney, he is not a bit like the novel, even when delivering dialog straight out of the book.
This movie is very violent, yet exciting with original dialog and cool characters.
The dialog is incredibly bad, as is most of the acting.
Then you've got all that great dialog like - "Dave, look at the composition of this mud."
The story, the dialog, and the plot are ridiculous.
A wise choice indeed as horrible acting, nonsense storyline, and ludicrous dialog are much MUCH more palatable while seeing a porn starlet do her thing.
It's pacing is sacrificed to a uniform texture of dialog.
I found the acting purely and the most of the dialog stupid ("oh no, this was my grandmothers bible!").
I don't know what this guy is trying to pull off... it's like he had no plot no dialog and the movie needed to run just so long so lets not edit scenes at all... Foreign films are great for creating a story without using a lot of dialog, this movie makes me think that there is no way American cinema can ever do this.
I couldn't help but laugh at that bit of dialog.
The dialog is down right hilarious but acting not altogether poor.
The dialog is cheesy.
The dialog was unnatural.
I guess you could say that they succeeded in producing awkward dialog, but what was said seemed false and artificial.
And the creative use of a flashy editing really wears off after the hundredth time and the cutting off the dialog thing gets really annoying half-way.
This would have been a much more entertaining or even dramatic if they made a documentary of the daily of an actual male prostitute or hustler, instead of letting the actors make up some nonesensical plot and dialog of their own.
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