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Develop in sentence

2893 examples of Develop in a sentence

It's mostly just non-directional adventures with thin, long-running plot lines which develop painstakingly slowly.
There's a few times where it looks like maybe there's gonna be a turning point and the movie well actually have plot to the movie or at least a storyline would develop but the stupid skits inserted just ruin the whole movie.
The problem with this movie is it actually tries to develop a plot.
In Wynorski's "Bare Wench 2," he didn't try to develop a plot.
I didn't develop any connection with this character.
It introduced potentially funny situations, then cut them off before they could develop.
Every scene does not develop fully as if the editing room doesn't know how to do their job correctly.
More than any other country, commercial Canadian cinema seems unable to develop an identity of its own and is stuck in pale imitation of other countries' failures.
When the plantation owner's son returns from Europe, after approximately 25 minutes of purely wasted running time, the plot slightly begin to develop itself at last.
When I say bland, I literally mean that by watching them develop, you will never have any flavor hit your palate.
The biggest insult of the film: trying to further develop Herbie's lover personality via shakes, beeps, flashing lights and movements indicative of a horny seventeen year old, Disney's writers do an injustice to our cute little VW.
I constantly found myself waiting for something to happen and the story line to develop and yet it never did.
Her character is at the same time omniscient, confused, and sexually maladjusted (the sub-plot of Sandra's past comes across as needless filler that does little to develop her already shallow character).
Time passes, tensions develop (or are supposed to).
The world idea is kind of neat, but no one bothered to develop any of it either through exposition, or through the plot.
Throughout the film I can't seem to find a connection or for that matter, sympathy with the characters, perhaps thats because they don't develop one throughout the film, character that is.
A feminist tract in which if you the viewer believe that: i) wild animals are seldom tamed by singing but instead attack, kill and eat (the line that grizzlies never attack unless provoked was a hoot - unless "provoked" means that it sees flesh); ii) homosexuality is both immoral per se -- and its acceptance almost always associated throughout history with signs of a society's dissolution and decay iii) few women are bisexual (in this one, virtually every woman is presented as having no preference for men or women) iv) divorce is far worse than infidelity v) land is there for human beings to use, develop and enjoy vi) it is as incumbent upon a mother of an adult son to keep in touch as it is upon the son vii) a mother raising her son alone is an unfortunate and real tragedy for the child viii) the idolization of a parent for worthwhile ideals is a good and healthy thing ix) adults continue to bear a responsibility for their sexual behavior, no matter their age, and the duty to engage in this most intimate and giving of acts only within the most intimate and openly sacrificial of relationships: marriage -- believe me, you are NOT going to like this film!
I agree with the others that it doesn't seem to develop a story that is interesting.
The worst of all is Melissa Gilbert, who you hate from scene one and never develop any sympathy for.
The plot does not seem to develop.
The plot seems to develop on the run (there is an alien on board; oh, and an eco-terrorist is on board too; oh, and the conductor is dead and the train is out of control; oh, and the train is going to run into another train one hour ahead; oh, and that train has nuclear waste on it...).
The director failed completely to develop each violent scene with thrills and suspense.
The Concorde ... Airport '79 starts in Washington where a man named Carl Parker (Macon (McCalman) contacts high profile TV news reporter Maggie Whelan (Susan Blakely) in order to hand secret documents over that prove his boss Kevin Harriosn (Robert Wagner) owner & president of Harrison Industries that develop weapons for the military has been illegally selling said weapons to foreign countries.
In the first part of the movie the story doesn't develop at all.
(I actually thought some interesting plot elements might develop.)
Along the two seasons of Cleopatra, they develop an interesting and funny underground world, and we get to know the three main characters: Cleopatra (Jennifer Sky), Hel (Gina Torres) and Sarge (Victoria Pratt).
I think they would have had to make this a 10-hour miniseries to develop the outback story properly.
Sure, the plot is slow to develop, the special effects are laughable, the acting is ridiculous and the action is badly choreographed, but as wrestler DDP would say; That's not a bad thing....that's a good thing!
The international scope of the production is breathtaking and watching how the characters develop through the five hours it runs for is magnificent.
The characters of Fazal and Helen develop really well throughout the series and rivals modern shows like The Sopranos and Six Feet Under in this area.
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