Example collocations logo

Delightfully in sentence

115 examples of Delightfully in a sentence

Dorrie seems to have mellowed since Men and Nobody Loves Me, both of which were fresh and delightfully uncharted-water, passionately warm takes on one of her overriding concerns and themes, an exploration and advocacy of an existentialist philosophy of life.
The costumes are delightfully ornate.
Arrogant and despicable sleazeball control freak fetish photographer Roger Neale (a nicely slimy portrayal by Joseph Farrell), his perky assistant Maura Holloway (the delightfully spunky Rachael Robbins), amiable, morally uptight lug Sam Rogan (likable Rob Monkiewicz), and three beautiful models -- sweet, naive Bridget (the always adorable Misty Mundae), vacuous Lauren (blonde looker Heidi Kristoffer), and meek Jennifer (fetching brunette C.J. DiMarsico) -- go to a rundown and abandoned old building for a photo shoot.
Shah Rukh Khan and Kareena Kapoor meld delightfully in their romance, but after seeing a few other movies with these two superstars in them, I admit their acting skills are not exceptional-I noticed that their facial expression and vocal fluctuations are almost identical in other films.
The ensemble acting is delightfully accurate, and the strife which ensues in this scenario is comically overwrought and horrifying.
Not that our one-legged maniac isn't a delightfully zany guy, but the movie just FEELS very low-budget and effortless...
All things considered, Mac D'Agostino's sets are delightfully eye-catching.
A delightfully trashy hoot.
I found myself delightfully entertained throughout the entirety of the movie.
I found it delightfully funny, great entertainment.
Michael Wilding is likable as the detective and Alastair Sim is delightfully dry as Wyman's father (at one point she says "I'll make her talk.
In the 1980's, Dante made some wildly enjoyable movies including Gremlins and its sequel, Explorers, The 'burbs and The Howling; usually state-of-the-art yet delightfully old-fashioned and nostalgic charming, thrilling, marvellously referential to older movies (I'd say Dante did this better than nearly any other director), and with very imaginative story-lines filled with quirky characters, surreal humour and generous lashings of excitement.
Barney uses his newfound abilities to create all kinds of comically wild havoc which includes helping his hip, wealthy best friend Payton (a winningly breezy turn by Willie Aames) hook up with snarky, yet desirable cheerleader Jane Mitchell (a delightfully bitchy portrayal by Heather Thomas).
This movie is one of the most amazingly endearing and delightfully stupid exercises in brain dead cult mayhem ever created and sooo badly deserves a chance to see light of day on a DVD re-issue.
All the necessary ingredients and stereotype characters to make a delightfully cheesy and entertaining creature feature are present.
A delightfully lyrical tale, the film spends time with the eccentric father suffering from terminal writer's block, the step-mother who likes to romp in the altogether, a sister who marries Cassandra's love, a handyman/boy who loves Cassandra, and sundry other characters.
While it's by no means in any way, shape or form a remotely good movie, this delightfully dopey and unabashedly derivative doozy nonetheless still manages to provide loads of sublimely stinky schlockoid fun just the same.
Fact and fiction combine to provide a delightfully entertaining film about a restaurant in Budapest.
Director Carl Reiner tells the delightfully off the wall story at a constant fast pace, delivers a meticulous recreation of the 40's era (special kudos are in order for the sets and costumes), and shows a genuine affection for vintage 40's noir.
"Blackenstein" is a delightfully inept movie, some would even categorize it under so-bad-it's-great, and the script goes far beyond simply copying the original Shelley tale.
ELECTRIC SHADOWS is the delightfully charming debut from the Chinese director, Xiao Jiang.
What a delightfully simple suspense film!
Early on, there's a number of indicators making you think that "Fanatic" might actually become a really worthwhile and sadly overlooked early 80's horror gem, like the downright awesome opening sequences with a delightfully tongue-in-cheek film in film structure, the catchy opening credits tune and a glimpse at a fairly ingenious horror/exploitation plot.
Interesting, delightfully sickening, and great performances from all the actors.
Richie Havens does a great improvisation, Ten Years After is just delightfully hard and nasty.
A few sequences are downright dazzling (like the first massacre, set in a filthy restroom) and there are some delightfully absurd characters introduced.
First of all, I have to say that I've always loved the "Peanuts" comic strip and the delightfully witty antics of Charlie Brown, Snoopy, Linus and Lucy.
MotC is a short one-joke movie (a little under 80 minutes), but the joke is put across delightfully, often reminding me of early Woody Allen movies (including the style of the end credits).
There's absolutely no attempt to build up tension and the murders are delightfully cheesy.
Tirelessly prolific veteran Italian exploitation picture director Antonio Margheriti's cinematic oeuvre is a very mixed bag, running the gamut from delightfully sleazy ("Cannibal Apocalypse") to nice, spooky, dripping with sepulchral atmosphere fright film fun ("The Virgin of Nuremburg," "The Long Hair of Death") to entertainingly goofy sci-fi ("The Wild, Wild Planet," "War Between the Planets") to pleasingly tacky spaghetti Westerns ("The Stranger and the Gunfighter," "Take A Hard Ride") to the unavoidable occasional dud.
Back