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Deep in sentence

3825 examples of Deep in a sentence

"Sky Captain and the World of Tomorrow" (an amazingly incovenient title) is simply a bad movie; it has no heart, no deep ideas, nothing very special about it.
Anytime characters keep repeating what you have already seen, and was not funny the first time, a movie is in deep trouble, which "Envy" certainly is.
Storyline: The film spanning 4-odd hours covers in adequate details the happenings at the Kargil sector near the LOC in 1999 when the Pakistani infiltrators had crossed the LOC and had entered deep into the Indian territory and the Indian Retaliation.
Essentially my view seems to match a number of others - the first half hour was fresh, sharp, deep, entertaining and promising.
The characters hardly speak to each other, so the rich banter enjoyed in the book that is the basis for their deep intellectual and abiding love, is gone.
One player, a young Tom Hanks, enters the fantasy world too deep.
Jimmy Carter is on a mission deep below thick frigid ice near the North Pole when it is attacked by giant super charged electric eels.
Never even knew this movie existed until I found an old VHS copy of it, hidden deep in my dusty horror closet.
A scientist on an island is in deep sorrow about the loss of his son who died of kidney cancer.
Anyway, before they know it they're deep in a forest & Emilio clumsily runs over a woman (Frances Da Costa), along with a badly injured person to add to their problems the van they're travelling in won't start & they can't get any signals on their mobile phones.
The Oscar season has arrived so this means a slew of these deep, engaging, powerhouse ensemble films are all over the movie theaters in hopes of gaining an audience and having the opportunity to earn Best Picture in the big show.
How can you have any character development or a deep plot when the characters and the story are featured for such a short time?
I wish I could say that this show was unusual in it's banality,but it is usual in every way.It has the dumb husband,his smarter but boring and conventional wife, along with the idiotic sidekick for "comic" relief-it sorely needs it.Stale predictable jokes, with even more predictable reactions from the laughtrack, punctuate this noxious mental narcotic's nauseatingly unimaginative plot lines to leave me either physically ill, or in a deep sleep more resembling that of an induced coma.
It's funny, when you stop and think about it: fright film fans tend to a deep and abiding affection toward those who scare the daylights out of them.
His movie has a lot of ambition and his intentions were obviously complex and drawn from very deep within, but it's so impersonal.
Unless you have a deep fascination with maps or sweat i recommend renting a better I movie , such as I Spit On Your Grave or I Drink Your Blood.
Moreover, the portrayal of the film's central relationship, between an Asian girl and her white friend, is insufficiently deep to justify the way that the movie is structured around it.
Its a weak attempt at trying to show Hollywood that a movie can be entertaining and have a deep, religious message attached to it.
While blondes and brunettes get most of the attention(I'll always cherish Yutte Stensgaard),the lovely auburn-haired actress with the deep voice always exuded intelligence as well as vulnerability(one such example being 1960's "Village of the Damned," in which her screen time was much less than her character's husband,George Sanders).She is the sole reason for seeing this drab update of "Cat People," and is seen to great advantage throughout(it's difficult to say if her beauty found an even better showcase).Her character apparently sleeps in the nude,and we are exposed to her luscious bare back when she is awakened(also exposed 8 years later in 1965's "Rasputin-The Mad Monk").The ravishing gown she wears during most of the film is a stunning strapless wonder(I don't see what held that dress up,but I'd sure like to).All in all,proof positive that Barbara Shelley,in a poorly written role that would defeat most actresses,rises above her material and makes the film consistently watchable,a real test of star power,which she would find soon enough at Hammer's studios in Bray,for the duration of the 1960's.
perhaps i have just entirely missed the point but to me it didn't fit into any genre,it didn't elicit any empathy with the characters nor did it create any suspense,in fact i found myself praying for the end and quelling a deep desire to slap all three of the main characters!
There were many parts where he would start to talk in his deep raspy voice and then the next some one else's voice was doing the talking for him.
In fact, all of the acting is skin deep.
The same character is also seen carrying on a deep, meaningful rapport with his towels, soap, stuffed animals, dirty laundry, etc.
In my opinion, this movie pretends to explore deep issues, but thrives on stereotypes and prejudices; with little true insight.
Or did I get the purpose wrong, was it supposed to be a deep and meaningful story of man and animal, bound together in the big cycle of life, or a warning to mankind not to mess with Nature, or something like that??
However, in this "critique", those facts are irrelevent and too deep to delve into.
I had to dig deep to see those i agreed with.
A dentist is absolutely the wrong kind of person to go off the deep end and this movie sure explains that in detail.
Never have I walked out from a movie with such deep warmth and feeling of thoughtfulness in my heart; for it felt as if someone had just wrapped it in a fluffy fleece blanket.
In all Jedi's deep plot and emotional moments (primarily between Luke Vader and Palpatine and when Luke reveals the truth to Leia) and incredible special effects is a fitting end to one of the most beloved franchises in cinema history.
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