Death
in sentence
6363 examples of Death in a sentence
I was the one playing the guard about an hour into the movie in the
death
row exercise yard asking for a light for a cigarette.
Very suspenseful, surprisingly intelligent film about five medical students flatlining themselves and then being resuscitated to share their experiences of
death
and what lies beyond.
The visions of
death
are not what viewers might expect nor is that which awaits us all when we go - thanks to screenwriter Peter Filardi who really did an outstanding job coming up with this story.
Some days ago, in Rome, a young Romanian man with criminal precedents assaulted and tortured to
death
a middle-age lady coming back home after an afternoon of shopping.
A man is beaten to
death
in the first few frames of the film.
The true battle is not with the Nazis, who hover in the background as mere extras, but between the Russian Nazi investigator and Sotnikov, the captured partisan who finds the spiritual strength to go to his
death
unbeaten.
And that's not to mention the archival footage of musician Son House, ruminating on love and
death
(and heavily foreshadowing things to come, of course).
It's not that the
death
of a child is an illegitimate subject for serious films to explore.
In addition, there is a masquerade, mistaken identity, a faked
death
and more hair-breath escapes than a Republic serial.
At first, this city seems perfect, no death, no pain and no problems.
One of the more lucid statements against the
death
penalty ever filmed, quite a frontal attack against the most disgusting way of doing justice.
The story is a good one; it will leave you thinking, and it involves sex, love and death, all the basic elements.
Some very memorable scenes including where Lambert makes the jungle noises to the romantic interest, and the scene where he witnesses his ape father's
death.
I've decided that if I really enjoy a show, it's often the kiss of
death.
The ninja's
death
gets the attention of another in Japan named Yamada(Sho Kosugi) he comes to America not only to save Christie, but to put the ninja back to the grave.
1st watched 8/31/1996 - (Dir-Tim Robbins): Very thought provoking and very well done movie on the subject of the
death
penalty.
No, this film is far more in common with The Thing (how people fail to notice is amazing - they even have the same basic music) Lots of Carpenter touches are there, blue collar heroes, sharp humor, endless rolling landscapes full of
death
and things not understood.
Birthday" is a typical slasher from early 80's.It's a pretty average stuff with plenty of nudity.The evil children never generate any menace and there is almost no suspense.There is also no gore or scares in "Bloody Birthday",but the film is mildly entertaining.Unfortunately no real explanation is provided for the kids sudden homicidal mania.The murder scenes are quite gruesome for example we've got
death
by handgun,baseball bat,skipping rope and shovel.So if you're a fan of early 80's slasher movies give this one a look.
I got this movie out a week after the
death
of Ichikawa Kon - I suppose if there is one way to mark the passing of a great director, its to raise a glass of wine to him while watching one of his greatest movies.
The Sadist is unfortunate in that the gentlemen that kidnapped him lost their knife to remove is head, so to add insult to injury (or, in this case, death), they remove his head using a train, leaving the body for the authorities to find, oops.
The killer, played by John Malkovich at his best, is cerebral, deliberate, and enjoys playing high stakes games of life and
death.
He's also a great director and has made a tough, violent movie that doesn't hold back (a hooker's
death
by 12 gauge) and is an excellent detective story with some great actors (Brian Keith, Bernie Casey, etc.) and an outstanding jazz soundtrack.
I first saw this film in the mid 60's when I was a teenager, and it moved me so much, in fact the end scene where Han Suyin hears of Mark's death, and then rushes to the hill in disbelief, where you then hear Mark's voice saying "Give Me Your Hand", and then the image of him disappears, the butterfly with it's superstitious meaning, the music, the shattered emotions of Love of Han Suyin, just left me sobbing my heart out.
It is a strangely powerful and moving experience to see "The English Patient" again after Anthony Minghella's
death.
Other high points of "?" are a startling, unique dream sequence where person A has the dream as being person B (this is the kind of bold idea that the current season of LOST could use much more of), and the haunting scene of Libby's last word before her death, and the way Jack and Hurley cannot possibly know its true meaning.
The uncertainty comes from the structure of the movie - it seems to revolve around Ellen's reminiscences of her mother's slow
death
from cancer, as she is interviewed by the DA.
A few more such incidents, including the loss of a trial in which the Pattersons prove the goon killed a friend of theirs who had found the car implicated in the murder of the little girl, and watch the inquest declare the
death
accidental, convince Patterson to run, and he wins the Democratic statewide nomination despite the Mob's statist tactics--and is promptly assassinated.
But, who's to say it can't happen??? I'm not the type of person to nitpick a movie to death, analyzing it until I'm blue in the face.
When his partner is killed while meeting with an informant Fallon snaps, beats the informant to death, and dumps his body in a river.
Sam Elliot does a good job of portraying a man who tortured by the guilt of his own murderous actions, and grief over the
death
of his partner who may have been involved in police corruption.
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