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Dancers in sentence

210 examples of Dancers in a sentence

A great cast of actors, dancers and singers.
It's the story of how Henri Danglard built and launched the Moulin Rouge nightclub; we see the workmen blasting at the site to get construction underway, and the training of the dancers.
MGM certainly WAS the musical studio - if the musicians, dancers and singers weren't under contract, they were on tap.
When one of her fellow dancers says she's going to enter a Cover Girl contest, she decides to follow her dreams and enters.
The dancers were fantastic, the lights and the whole show were just perfect.
One night they have a pool party complete with "real live" native dancers.
Madonna's own performance was enhanced by the incredible dancers she chose to support her.
Gene Kelly plays the owner of the small club and is also the boyfriend of one of its dancers, Rita Hayworth who happens to garner some attention when she's given an opportunity to be on a cover of a magazine.
This movie tells the story of nine ambitious teens trying to follow their dream at the infamous New York High School For Performing Arts: Coco, the singer, Bruno, the modern Mozart, Lisa, Leroy, and Hilary, the struggling dancers, Ralph, the comedian, and Doris and Montgomery, the actors.
The dancers are amazing.
Mainly you're there to see Michael take on a bull, mesmerize the waitresses and lady dancers at a western style restaurant, and fully demonstrate that he is complete free soul.
The film's scoring is aesthetically spot on with a good deal of it contributed by Tito Larriva, who also plays as band boss for the taxi dancers.
This movie is one of the only historical documents displaying the talents of so many black singers, actors, actresses, and dancers.
this leads to crawl spicing up the romance between becca's parents, befriending her brother, and even getting the dancers at the local bar to get a little loose.
One night, after wandering away from a resort activity, she stumbles upon a all night dance party with Johnny Castle and other fellow dancers.
They were both such good dancers.
She's 48 and she looks simply divine, she keeps up with the dancers that are almost twenty years her junior.
This movie was a particular disappointment to me, since it features two of my favorite dancers, Gene Kelly and George Chakiris, boasts a score by the often wonderous Michel LeGrand ("Wuthering Heights," "Ice Station Zebra," "The Thomas Crowne Affair").
They must have liked the two go-go dancers.
The Middle Eastern leg of the journey is described in a particularly irritating way: there obviously are mud brick villages, dirt tracks in the middle of the desert, women clad in black robes and belly dancers.
Surrounded by hooded figures, two male dancers pretend to have a fight.
Behind them, on an altar, a woven basket opens and a figure painted emerges and begins imitating a snake, finally biting one of the dancers on the neck.
Michael Bennett's original concept of the show was to flesh out the lives of dancers and introduce to the uninitiated the passion for performing and why so many sacrifice so much for so little.
The play is about these dancers.
First of all, director Richard Attenborough took so much focus off the dancers by beefing up the Cassie/Zach relationship and by casting Michael Douglas as Zach.
The opening number in the play "I Hope I Get It" shows all of the dancers doing a jazz and ballet combination and then people get eliminated.
In the movie they jam three hundred dancers onstage together and show them in closeup to disguise the fact that they have cast people in the film who can't dance (can you say "Audrey Landers").
"Goodbye 12, Goodbye 13, Hello Love", a brilliant vocal exploration of these dancers' childhood's jaundiced memories was reworked as "Surprise, Surprise" mainly a vehicle for the late Gregg Burge as Richie.
Jeffrey Hornaday's choreography for the film is dull and unimaginative and doesn't hold a candle to Michael Bennett' original staging and when you're making a movie about dancers, the choreography has to be special.
There are a couple of good dancers in the film, the previously mentioned Gregg Burge as Richie, Michelle Johnston as Bebe, and Janet Jones as Judy, but they are hardly given the opportunity to show what they can do, yet Audrey Landers, who can barely walk and chew gum at the same time, is given one of the show's best numbers, "Dance 10, Looks 3." I will admit that the finale, "One" is dazzling, but you have to wait almost two hours for that.
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