Cultural
in sentence
2092 examples of Cultural in a sentence
But we realized, of course, that we are dealing with
cultural
issues, and this is, I love this Klimt painting, because the more you look at it, the more you kind of get the whole issue that's going on here, which is clearly the separation of death from the living, and the fear — Like, if you actually look, there's one woman there who has her eyes open.
Anyway, we had a major
cultural
issue.
The
cultural
issue had reasserted itself.
It's a
cultural
expression that for thousands of years has inspired human beings to think beyond the obvious.
The surprising thing to me, as I learned this history, was that it spread not along socioeconomic lines but around
cultural
lines.
One of the leading causes of economic growth across that region was this
cultural
trend towards smaller families.
They include dengue fever, imprisonment, army service, women not allowed to be photographed for religious and
cultural
reasons.
Through
cultural
changes, our ancestors largely eliminated early death so that people can now live out their full lives.
And what we see is sort of amazing, because there's human universals on what you do with your money, and real
cultural
differences on what you do as well.
And could the museum be an agent of
cultural
diplomacy?
And the very first program will be one of
cultural
dialogue and diplomacy organized in partnership with the Council on Foreign Relations.
It spearheaded a
cultural
revolution in which artists like Caruso and Bessie Smith were on the same footing.
This change over time is striking to me, because it reminds us that the interpretation of the Second Amendment and
cultural
attitudes about guns have changed over time.
Why don't we just let everybody have access to this data and curate their own collection of ancient knowledge and wonderful and beautiful things and increase the beauty and the
cultural
significance of the Internet.
She tried to challenge those patterns and stereotypes in her work and she tried to show the challenges that journalists face from external sources, their own internal biases and
cultural
norms.
The irony is palpable; technical access has never been greater,
cultural
access never weaker.
If we want different values we have to tell a different story, a story that understands that an individual narrative is an essential component of a person's identity, that a collective narrative is an essential component of a
cultural
identity, and without it it is impossible to imagine yourself as part of a group.
These misconceptions and complex
cultural
issues are not just the inquiries of children.
Others were virtual study groups, sometimes along language lines or along
cultural
lines, and on the bottom left there, you see our multicultural universal study group where people explicitly wanted to connect with people from other cultures.
Bob Dylan is 42 years old, and his time in the
cultural
spotlight is long since past.
The Institute of Egypt was burned on December 17th, a huge
cultural
loss.
And the first was the
cultural
and social revolution of 1968 and 1970s, which put the individual at the center of politics.
Because first you have the 1960s and 1970s,
cultural
and social revolution, which in a certain way destroyed the idea of a collective purpose.
There was no legal precedent, no
cultural
precedent, no technical way of doing this.
There are times when consent is ambiguous and we need a large-scale
cultural
conversation about that.
They actually want our
cultural
souls, and that's why the brand analogy is a very interesting way of looking at this.
So I decided to go back to my alma mater, and, at the University of California, San Diego, and I proposed to open up a research center for engineering sciences for
cultural
heritage.
And in 2007, we created CISA3 as a research center for
cultural
heritage, specifically art, architecture and archaeology.
There would be a
cultural
revolution to say the least, but also, I would say, a market revolution, let me add.
Well, our vision is to rediscover the spirit of the Renaissance, create a new discipline where engineering for
cultural
heritage is actually a symbol of blending art and science together.
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