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Cultural in sentence

2092 examples of Cultural in a sentence

All this leads to a huge amount of cultural "clashes", but of course, this is a comedy, so it doesn't end in prison.
Thirty years after entering the cultural conscience with the his groundbreaking performance as Alex deLarge in A CLOCKWORK ORANGE, Malcolm McDowell returns to the screen in this unabashedly violent and emotionally detached film about envy amongst gangsters and the need to be the "gangster no.
Audiences were yearning for a follow-up to the provocatively themed Easy Rider, something equally thoughtful about America's cultural malaise.
The film offers a remarkable insight into the political and cultural situation of the country.
I recommend it strongly for people who like good fighting, enjoy the cultural traditions of China and enjoy the robust humor typical of this genre.
Its a series about romance and love.Very good indeed.Here in Greece we had a similar series but is was a dramatic one (cant understand why Greek writers are stuck on this kind...drama is not always good).To be exact I prefer the Turkish one cause combines lots of good things (characters, script etc) and cause as a curious Greek I'd love to see the Turkish point of view...with this one u can see the common cultural background of modern Greece and Turkey.This TV series was really a good surprise for me.I am addicted neighbors!!!Not forget to mention than Nehri Erdogan is the most beautiful creature on Earth!!I would be happy to see her coming here to Greece!Congratulations!!!Merhaba!
I love Europe: it is the cultural cradle of our planet; it is a microcosm of our planet; it has the greatest mixture of cultures and languages of the entire planet.
For young Indian Americans these films may perhaps be of deep cultural significance, loaded with in jokes that non-Indians may not get.
One-joke material about cultural assimilation isn't exactly politically-correct when seen today, but were these stale, frantic jokes ever amusing?
The Secret of My Success is the ultimate cultural artifact of this era -- MJ Fox starts out in the mail room, cons his way into the upper ranks, and gets it all without any serious repercussions.
Sometimes what is more interesting about a remake is how it reflects current cultural thinking.
The story is about an archetypal three-membered family of the western cultural context , who walk and talk about death in their typical middle class apartment .
I had heard about this film and about how underrated it was,then last week i saw a copy of it on ebay on VHS PAL UK.I was really surprised as i didn't think it had ever been released in the UK.It must be one of the rarest videos in Britain as sadly not many people have heard of it.Luckily i won it for just over £3 not bad eh.So if any one else is interested in buying a copy,there must be others available in Britain,if you really look around.I couldn't wait to watch this film,and i must say i wasn't disappointed.Its starts off a mildly amusing story that suddenly gets sadder and sadder until it reaches a climax to a very tragic ending.I must admit the last 10 seconds of this film does bring tears to the eyes,i wont say why,but try and see this movie and you will see.The acting between Gary Cooper and Anna Sten is first rate,her character is very likable as she is totally unselfish,and is trying to please everyone,so she does deserve happiness.Garys character,well he is married and his wife is not a monster and she does love him,so you feel sorry for her as well,i think you have to decide for yourself in a triangle like this someone is always going to get hurt,but you don't know who.Also this is a very early film showing us cultural differences and the sort of conflicts that can arise when two people from very different back grounds want to be together.Can it work?he is from a literate sophisticated family,she is from a poor immigrant family that is still trying to learn new ways.The answer is if two people really love each other then they can over come their differences as true love conquers all,i think overall this was the strongest message that comes out of this film,to some people the married issue may be the point of the film.Any way this is a very haunting film and well worth watching if you get the chance.
It's sexist, not sexy, it's base and insulting and ... well ... one of the great, if negative, cultural documents of the turbulent 1960s.
I translated this film for the Budapest GLBT cultural festival.
It would be better to say it registers a crucial political, cultural, and cinematic moment.
I can maybe buy someone liking the cultural overtones of the movie or even the occasional whimsy, but who in their right mind could truly say that they were ENTERTAINED by this film?
The movie to me was basically teaching the viewer about the cultural distractions that the Wolof people in Senegal are beginning to be more influenced by other then there own.
Of the greatest importance was the different cultural and social uses of one word that has "so much power."
To make it more palatable to a modern audience, the scriptwriters have therefore been forced to omit many of the contexts and cultural references contained in the book that made it such a success.
Surprised as I was, "Guess Who" very much surpassed those expectations and worked throughly well as a hilarious comedy that attacks cultural differences with an irreverent, raunchy, and jovial punch.
To be certain, much of the comedy adheres to the "racial tension" theme, and there is of course plenty of the proverbial cultural clash that abounds- consummating with, you guessed it, a torrential family dinner scene in which Kutcher's "empowerment" eventually gets the best of him, but "Guess Who" isn't content to strictly deplore racial boundaries, as it also works effectively as a howlingly funny "meet the father from hell" scenario, succeeding solely on Mac's uncannily nimble charisma and wit, who has an aura about him that would make any future son-in-law shrink to his skin, or to a greater extent, be obliged to sleep and "spoon" with the man!
Mike Jittlov, film-maker/animator/writer/director/editor/co-producer/calligrapher/cult figure and iconoclast, created this cultural cul-de-sac as almost a love story to film-making.
The film should've been called "Australian Story" to make more sense of the lopsided and biased view of what the Aussies perceive to be the strange cultural behaviour of the Japanese - after all, the whole film depends upon a Western view of the woman looking at this strange man from the Far East who seem to have no cause or reason to be wandering about the Outback other than the fact that he can.
The film tries to drive some meaning into the reasons for these two to be out there in the wild for emptiness in significance of their own lives, but the cultural complications are brushed aside because the filmmakers do not quite get why there is any of that sort of experience in the first place for these characters who should not have had any need to spend any time out there at all.
I found the plot line to be weak, although some of the humor was good, particularly the parts dealing with cultural differences.
One can only begin to imagine how entrenched thinkers in Korean society would react to this honest, observant, level-headed look at four late-twenty-somethings for whom life provides obstacles in both career and love that neither regressive-collective cultural thinking nor parents - who barely figure into the plot - can solve.
While this film is radically different from Jia's earlier films it still packs the same cultural criticism wallop.
There's plenty of culture shock, due to new food, busted infrastructures, and other cultural barriers but with a pace never seen before, in my opinion.
Almost entirely shot in India, Outsourced is a truly tiny movie that ultimately says a lot about troubles crossing cultural divisions.
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