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Cultural in sentence

2092 examples of Cultural in a sentence

Attitudes to ballroom dancing, as conveyed in the film, are definitely non-Western, though the discipline and the music are clearly cultural imports to Japan.
The cultural contrasts are thus intriguing.
Even without the cultural insights, the colour, the dance and the enthusiasm of the players all make this a fun film to watch.
The film's cultural influence is demonstrable by the number of people who will understand a reference to 'banjo territory' - perhaps only Get Carter has done such an effective hatchet-job on a region's tourist industry.
This was a dazzling time, and Breaking Glass both tells a very personal story and surveys the cultural landscape, and does both extremely well.
The cultural mix (English, Irish, American, German, Polish) of Head Trader Wendy Foley's (played by Joanna Phillips-Lane) group of staff is balanced with their own distinctive mannerisms, interests and personalities which helps to make the rather unfamiliar and, to most people, seemingly sterile subject of financial trading reasonably engaging through the engaging performances of the cast.
This movie highlights the prejudices and cultural differences of that time.
It would be necessary to be able to see and re-examine it film for better seizing than the temporal and cultural distance us to make lose of capacity to be included/understood, analyze and finally to accept of such or such example of "primitive thought".
It shows the struggles of both an Indian person wanting to break outside her cultural barriers and women wanting to break outside the gender restrictions found in sports, especially in England at the time.
I teach Japanese for an online high school and I include cultural activities so that the students can learn about the country as well as the language.
If you have any sort of appreciation for character and dialogue, and any sense of American cultural history, you will find a lot of very absorbing material in this film.
The story is set during the early days of the soviet union, and it questions the rationale behind the revolution both in cultural and practical terms.
Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties.
You should watch the film yourself, it's a nice one - I have also made a Referat about it and examined scenes which show different cultural attitudes.
This is a cute and sad little story of cultural difference.
Also it's about the fascism of deciding over others cultural life, of what kind of culture that is jammed down our throats.
This movie has problems in its presentation, may even be offensive to people who are looking for temporal and cultural faithfulness, but it challenges the watcher to reflect on a variety of issues.
How many of us wish that we could throw away social and cultural obligations and be free?
However, I sense one crucial point about this film is being overlooked...the cultural significance of its location.
The mid and late eighties brought on an abrupt conclusion to many strong associations with various cultural stereotypes.
One of the most interesting parts in this film is the cross cultural introduction of factory workers and Mardi Gras revelers to each other through pictures.
Similar social pressures and even cultural murders keep going on Turkey today on Kurdish ethnicity societies.
It was a cultural phenomenon, that don't exist anymore.
It is a historical account, heroic story, and insight into the cultural background of a major event in history.
You've read the plot so all I want to say is don't watch it because you want to see a clash of cultural religious identity babble ,because that's the typical misconception people read in to,instead just appreciate and realise it's about a father and son on a voyage growing to know each other through their struggles.
There's a nominal plot (derived partly from the Jean-Luc Nancy book of the same name) about a mature man in need of a heart transplant and who seeks a Tahitian son he abandoned long ago; but mostly it's an exploration of the idea of intrusions personal and cultural.
However, I occasionally try to raise the bar on my cultural awareness.
Henry Fonda made three consecutive films in this era with Ford and all three are about a certain time and place with emphasis on the setting and the cultural surroundings.
What real people--goes to show you how cultural differences (the Japanese setting) is less important than the human similarities.
It is a political and cultural allegory of Mexico's post-Columbian odyssey, as even a passing glance at Mexico's history will attest.
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