Criminal
in sentence
1373 examples of Criminal in a sentence
The mayor of New York, appreciated and very diligent and dynamic, in order to get some project through slightly faster than normal, yields to some pressure from some private business contractors about a
criminal
drug dealer who should have been sent and kept in prison and he pressurizes the judge in his turn to set him free on probation in spite of a negative probation report that disappears but is not destroyed, be it only because of the political value it represents.
And what was to happen happens and a few people, including a black schoolboy is killed in a shoot out between a police detective and that
criminal.
The city may explode because of it: racial tension because of the black school boy and social tension because of the insecurity such criminals free to roam around and go on with their
criminal
activities represent to the public.
We are speaking of considering as less important to take a bad decision about some petty or supposedly petty
criminal
than some infrastructure or economic project in the city.
With all the current media coverage of a certain fugitive people have confused the LDS church with the FLDS church and
criminal
fugitive Warren Jeffs.
In that sense it repeats a theme common to French films: society is real, identity is a construction, freedom is
criminal.
"Pickup On South Street" is a high speed drama about a small time
criminal
who suddenly finds himself embroiled in the activities of a group of communists.
Frankie initially ignores the little crook, but they do eventually form an unlikely team when Frankie's entire
criminal
empire turns against him and a new French
criminal
mastermind even assassinates Frankie's innocent brother.
The director and two stars of LAURA (1944) were reteamed for this solid policier: Dana Andrews is the son of a
criminal
who becomes a cop to cut all ties with the past but cannot keep his inherited violent ways in check while interrogating suspects and, one night, he goes too far; Gene Tierney is the estranged wife of his victim, a decorated war hero who has become involved with the town's leading racketeer and Andrews' No. 1 nemesis, Gary Merrill (who had himself been the protégé of Andrews Snr.)!
"Toi le Venin" is Robert Hossein's masterpiece,and one of the great thrillers of the fifties.Based on a Frederic Dard novel,a writer the director often worked with (see also "le Monte-Charge" which Hossein did not direct but in which he was the lead too),the screenplay grabs you from the first pictures on a desert road by night where a beautiful blonde might be the fieriest of the criminals to the mysterious house where he finds his femme fatale ..and her sister.Then begins a cat and mouse play .One of the sisters is in a wheelchair .But is she really disabled?Which one is the
criminal
who tried to kill the hero on that night?
All Dogs Go to Heaven plays on the canine
criminal
underworld.
It features outcast Charlie, a fellow canine
criminal
who is murdered but returns from the dead.
Salva, who is a hardened petty
criminal
doesn't even have any redeeming qualities, that is, until he discovers a reality show on television that gives him the idea of what to do next.
You won't get deeper into the mind of a
criminal
psychopath in a Hollywood film than this one.
Corbin Bernsen's sent letters to four
criminal
associates he's worked with in the past and it's a real intergenerational mix with Fred Gwynne, Lou Diamond Phillips, William Russ, and Ruben Blades.
If you want a laugh, camera movement and
criminal
hilarity, look here.
You can even read about how I grew up in the houses here in Detroit and the
criminal
activity we indulged in.
This poison is used by a mysterious
criminal
mastermind who breaks common criminals out of jail to carry out his murders using this poison (and then has them put back in jail).
As she becomes more and more emotionally involved with the murderer her psyche begins to take a beating causing her to lose focus on the job of catching the
criminal.
I have a soft spot for films about intricately plotted
criminal
plots like TOPKAPI.
But to disappear, to hide like a criminal, is ignoble.
As played by Rychard Cramer, this
criminal
is both amusing and chilling, making him a fine foil for the Boys' comedic characters.
Mankiewicz's New York City is a glittering flurry of art deco colour and movement, a fantasy world so completely removed from reality that even the business of underground gambling and
criminal
thuggery seems perfectly genial.
Treads much of the same territory as TV's "The Sopranos" in terms of the mid-life crisis of a
criminal
theme (here too he visits a shrink) but is still worth watching thanks to some taut direction from Brommel (I look forward to what this guy directs next), an excellent script, and all around great performances.
The charm of Otto Preminger's grandiose, visionary film noir is that it has ambiguous intentions, betraying the gloomy essence of the central character, who is still vexed by living in the shadow of his
criminal
father.
He chooses the experimentation and is placed in a large metallic cell with a bad ass
criminal
who also survived the electrocution.
Made at the height of the cold war and red scare, the villian of the piece is the ordinary looking commie, played by Richard Kiley who is much more dangerous than the pickpocket who is a
criminal
but is just trying to make a living and above all is a loyal American.
But it's "Smooth
Criminal"
that's the icing on the cake.
I saw this movie when I was about 8-years-old and I liked it but it wasn't until I watched it again at the age of 13 that I really understood it for what it is; a cartoon about a
criminal
dog with a real heart of gold "adopts" a little girl in order to exploit her for her talents to talk to animals.
A six year old boy and a police officer's death are blamed on a career
criminal
who's questionable freedom leads to an apparent cover-up by political pay-offs and city corruption involving union leaders like Danny Aiello played by Frank Anselmo, corrupt judicial officials like Judge Walter Stern.
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