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Crime in sentence

2483 examples of Crime in a sentence

Of course they can't use that name because this man has hair, The real Kingpin of crime is BALD!
You can't miss with this one if you crave something beyond the usual murder and crime scene analysis.
After all, the Cold War was heating up; at the same time organized crime was growing, so who better than the FBI, DEA, Treasury Men, et al. as heroes for a new kind of documentary style.
Being a huge fan of the crime genre, i thought it spoofed the those type of films perfectly by not going so far as to mock them.
They include Vin Diesel as a popular extreme sports star drafted by the U.S. government to become a secret agent and infiltrate a crime ring.
This is a formulaic film that is very reminiscent of many of Clark Gable's films of the era (particularly SAN FRANCISCO) as well as the crime dramas that made Warner Brothers so popular in the 1930s--though this film IS from MGM.
We don't even get to see how the crime unfolds fully at the beginning but there is a good reason for this as later becomes obvious.
"Dark Alibi" director Phil Karlson's "Kansas City Confidential" qualifies as a crisply-made, smartly-plotted, entertaining heist caper about the perfect crime.
Obvious but suspenseful thriller about a teenager (Shia LeBeouf) who is under house arrest after committing a crime and must wear a special ankle bracelet.
I understand the intentions of the producers, they wanted to show to the viewers, that there was a few kids that have been charged with murder and put to death penalty... but that is only theoretical truth, deathpenaltyinfo.org on this page you can see all the people punished with death sentence, for the crime they've committed, when they were under aged... as you can see all the defendants were 17, not 14, when they committed the crime...
4ex, Joseph Cannon had waited 21 years for the crime he committed, when he was 17, and i'm sure he made a lot more terrible things by the time he was 38.
It's kind of a modern-day "noir" film -- except it's not a crime movie; more of an existentialist, Sartre "No Exit" type of work.
I think their chemistry worked very well, and I was glad the story didn't degenerate into a crime spree.
During the Depression, a young couple goes on the lam after the man is accused of a crime.
only saving grace is the CG, thumbs up to the production house who done them, and biggest crime is to see the great john Wlliam's music being used.
The tone was similar in both films as they both had humor as an underlying tone amongst a dramatic adventure revolving around crime.
OK, its not great art, and doesn't have the high production values of American or British crime series e.g.
It is understandable that he rarely touched on comedy (it does crop up in some forms in his plays - in HUGHIE look at the way the hotel night man has some twisted hero-worship of the gambler crime kingpin Arnold Rothstein).
Although Claude Chabrol has worked predominantly in the crime genre, and adapted much mystery fiction, very few of his films are straight whodunits.
Secondly, it just didn't convince me--if Derek's character or the events leading up to the crime were better written, I might have gone along with the premise.
Why can a film studio do this when others would be charged with the crime that this is if they filmed it?
May be the American people are bound to believe now one of MW's quotes: Canada's Crime rate is twice as high, as the US's.
Left alone now the white collar crime, that ripped of Middle Class Stock Investors, where the corporations loaned money to Deadbeats to make statistics look better and to raise their profits.
Montalban's detective solves a difficult crime with finesse, always doggedly pursuing one clue after another until he arrives at a solution.
This film set in Chicago in 1952 starts ponderously with a voice-over of 'the voice of the city', strangely that of actor Chill Wills (whose voice is more that of a cowpoke or a ranch hand, thus highly unsuitable for this purpose), who then appears in the crime story as a ghostly police sergeant representing the spirit of the city.
However, setting all that aside, the rest of the film is a pretty straightforward crime drama which is very good.
Like all of these modern quasi whodunits however, Foyle's War withholds from the audience some if not most of the requisite tools needed to solve the crime, no surprise there.
Foyle every week has a crime usually murder to solve, that is somehow entangled in the war effort, very cool idea.
Stephen Verona co-wrote and directed this story about an elderly married couple living in a decaying New York neighborhood near Coney Island who refuse to relocate despite escalating crime and racial tensions.
"Ghosthouse" is about a group of obnoxious teenagers trapped in a haunted house where terrible crime took place years ago.A ghostly little girl in white and her creepy clown doll are causing all the terror.A radio operator and his girlfriend trace the source of a weird,scary signal that keeps interrupting his radio.They trace it to an old,abandoned house where they meet a group of teenagers staying in it.The script is half-assed and the acting sucks,but "Ghosthouse" provides plenty of good bloody fun.The evil doll clown looks creepy and the nursery theme is haunting.If you are into late 80's Italian horror give this one a chance.7 out of 10.
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