Crime
in sentence
2483 examples of Crime in a sentence
I like the formula where there is an elaborate crime, the killer(s) totally underestimate Columbo, and then you get their realization that Columbo was totally playing the criminals.
As Stripperella, Erotica fights
crime
and the forces of evil such as a plastic surgeon who gives women breast implants that either explode or make them fat and Cheapo, a criminal who steals from 99 cent stores and makes his two henchmen share a gun.
If you liked Dostoyevsky's
'Crime
and Punishment," you will probably like this if only for the comparisons.
Leland P. Fitzgerald (Ryan Gosling) has committed an unspeakable crime, the stabbing of the retarded younger brother of his ex-girlfriend Becky (Jena Malone).
A potent mix of comedy and crime, this one takes chances where Tarantino plays it safe with the Hollywood formula.
This is one gripping movie, reminiscent of the MGM
crime
movies of the late 70's.
One of the better
crime
movies of the decade.
One of its demands is tolerance for a certain coyness and misdirection as to the exact genre we are watching: a
crime
melodrama, no, a spy thriller, ah, a romantic comedy.
Nicely done evil little comedy pitting the FBI against organized
crime
with a nice lady caught in the middle.
Carla Gugino literally melts the screen in this
crime
caper.
Without commenting and taking a side on the US Foreign Policy, the process of Extraordinary Rendition involves taking persons suspected of terrorist activities to a foreign country, an opposite to an extradition if you wish, to a place where torture is not a
crime
but a means to illicit information.
It ranks very high up there in my
crime
flick list among Lock Stock & Two Smoking Barrels, Pulp Fiction and Snatch.
To begin, there are standout performances from lovely Debra Paget as a princess/dancing girl, from Michael Rennie as the villain, handsome young Jeffrey Hunter investigating
crime
in her city/state and others.
The particular theme of films this night was "Neglected 70's
Crime
Films" and boy was her right.
Rarely do you see a
Crime
film that is so entertaining and fresh.
Oz is the nickname for the Oswald State Penetentiary, a fictional prison in some US state which is never stated (Though with the accents,
crime
scenes, and racial distribution NY is assumed).
Rififi, directed by Jules Dassin, is in line with the Melville
crime
pictures (particularly Bob le Flameur and to a point Le Cercle Rouge) of being totally focused on story and character and making sure not a word is spoken that doesn't need, and was ahead of its time.
He admits to his
crime
and makes no bones that he feels no shame for it.
Watching the characters deal with the
crime
is fascinating and telling of a very sick society.
The film spends a lot of time in the sewage of organized crime, drugs, prostitution and other vices, but it retains interest through the creativity of its action scenes and the now-startling lack of political correctness.
He wasn't interested in creating quickly paced action films but more meditative
crime
thrillers.
It's hard to know what to make of this weird little Aussie
crime
flick - on the one hand, it's an enjoyable little film with a great sense of humour; but on the other, it just lacks a certain something that ensures the film never reaches above it's boundary that keeps it trapped within the merely 'interesting' territory.
When it comes to those eerie and uncanny little
crime
films, the sorts that revolve around characters that are bordering on scum and inhabit equally scummy surroundings, and additionally carry that wavering and bleak feel thanks to some pretty grotty cinematography and some very black comedy; Dead Bodies is the sort of film Paul McGuigan wishes he could make.
The most affected in this reality is the children usually left orphans, or abandoned by their poor parents have to make it in a "dog eat dog" society many times falling into the gap of delinquency, prostitution and
crime.
The starring role went to Fernando Ramos da Silva, a young boy who fell into the
crime
wave, killed some years later during a robbery.
It is as if Salvador Dali decided to make a
crime
drama.
One of the genres that flourished during the decade of the 30s was the variation of
crime
fiction known as "the murder mystery", as the addition of sound to films helped to make a more faithful translation to film of what the audiences experienced in the original plays.
When finally he escapes, he and three comrades survive by the only means they know, which is
crime.
Deviating from the
crime
story norm, The Seven-Ups manage to throw Scheider and crew into the middle of a building plot in a unique writing twist.
As one reviewer remarked, "This film very aptly captures the stark, cold, matter-of-fact feel of the NYC winter season, while keenly exposing the underbelly of the region's infamous underworld of
crime
and policing.
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