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Creating in sentence

3274 examples of Creating in a sentence

First of all Zombiegeddon has a very dull script - Lord Zombie (William Smith) is creating human-like zombies and sends them to Earth.
A swarm of genetically engineered locusts escape from a laboratory and head across America creating a swathe of destruction as they go.
The earnestly diligent cast members work at creating their roles, with Brass being especially effective as an unprincipled policeman.
There was however Cameron Crow that set the high-school genre on it's 'ear' with with the creating of "Fast Times At Ridgemont High" which for me growing up back then was straight between the eyes!
Creating a Hollywood-quality film from a potentially political and sticky subject is no easy task.
To the middle ages: Where the original did a great job creating an quite authentic atmosphere etc. this thrashy rip-off felt more like an pumped up version of xena or this absolute horrible new adventures of robin hood series which should also be forbidden.
An unstructured, clumsily-paced mess from start to finish, with little in the way of a plot and so much thunderous noise and self-conscious 'scary stuff' that it never comes close to creating the quietly unsettling atmosphere needed to set up the viewer for a scare.
For a movie so obsessed with creating art, it's beyond me how Mr. Franco could honestly give this to the movie going (renting, actually, as I don't believe it ever went to theatres..
As Richard Linklater himself says in the opening monologue, all the choices that we make in our lives create alternate realities spinning off into space, formed by the possibility that we could have made a different choice, thereby creating a different future.
He manages to take the classic elements of the cop movie, including plot devices, typical inciting incidents and characterisation and overload it with as much action you can fire a gun at, creating two hours of pure adrenaline rush.
How Clowes went from creating such a lovely screenplay as Ghostworld to churning out this desperate schlock is beyond me, but it's clear that something went terribly wrong in this, his second collaboration with director Terry Zwigoff.
This is yet another rapper's feeble attempt at creating a semi "autobiographical" film about being a hardened drug dealer who does whatever he wants and gets away with it.
A vampire is running around Las Vegas creating problems for the local police, especially two of them (Tiny Lister and Glenn Plummer).
Sensitive director Patricia Riggen has, in LA MISMA LUNA (UNDER THE SAME MOON), succeeded in creating a story about the travails of the illegal immigrants from Mexico that serves as a reminder to all of us that one of the reasons for the obsession to take the risks of crossing the border is an attempt to find a better life.
While this story concept is by no means a novel one, writer Ligiah Villalobos has provided a script that avoids taking sides, but instead concentrates on creating wholly believable characters caught in the web of immigration - from both sides of the wall.
Instead of determining the validity of the piece based on its actual substance, this type of person uses a cheap character attack on the artist by bringing into question his motives for creating.
Renegade bloodsuckers don't help matters by creating vampire mischief among the tasty humans.
Director Archie Mayo does a fine job in the film noir style creating dark, shadowy and sombre moments.
Billy being the typical person that he is breaks all the rules At first gizmo multiples creating 4 more Mowgli who then eat after midnight turning them into Gremlins viscous nasty goblin like creatures With help of his mum Billy succsefully kills off three gremlins except there leader Stripe who escapes to the swimming pool and jumps in all hell brakes loose I'm not really sure why i like this movie probably because of the music and because of the gremlins them selves there cool
This connection and empathy just isn't there--as the writers did a lousy job of creating a flawed character worth saving--Derek was not worth the crusade.
"Oldboy" was even better, creating a world of vengeance where the viewer was constantly in doubt of everyone's motives.
But this is what makes the film great, it's total ineptness at everything, from creating suspense to scaring the viewer.
Shockingly, the picture did attract some business, creating a small cult which lead to a quasi-sequel in 1989.
This movie is kung fu crap.It's campy,corny,cheesy,and just appalling.Anyone who can enjoy the random,badly choreographed,slow paced,ridiculously amateur martial arts fight scenes is clearly off their rocker.The storyline screams bad and the plot barely progresses at all.The unbelievable cheesy storyline involves a martial arts student receiving a video game from his grampa in which he and his father get sucked into they then realize that in order to escape they need to beat all of the fighters in the game.Wasn't this on an episode of something like Kim Possible.Hard to believe but the film actually started out OK but after 15 minutes the film becomes a steaming pile of crap.The dialogue is like taking the dialogue from the Mortal Kombat Films,Power Rangers,3 Ninja's,and the English dubbed version of Japanese anime Naruto and creating a hybrid of them all.Don The Dragon Wilson sucks at acting just like the entire cast of this brutally corny film.Stay as far away as you possibly can from this direct to DVD piece of garbage rent something better instead don't waste your time.
After watching this robot unfold himself ridiculously, along with all the other ridiculous characters on display here, you wonder why there ever was a need of creating a Closeau at all? Sans Closeaus awkwardness, sans his police badge, you have here Closeaus evil and staccato brother from the 40's in all his glory!!If those of you, who's still having life pumping through your veins,are going to watch this worthless pile of crap, be prepared for a couple of scenes in particular that is probably some of the greatest comedy ever put on screen; the scene with "evil" genius getting angry at woman for having a dog, the scene in which "evil" genius and woman is attending a concert together, and right after, the scene in the carriage.
AVP is a film for which I can think of a few people want Anderson shot for creating this rubbish.
The film is very well written in terms of creating sympathy for Neville and then bit by bit deconstructing his character.
Some of it isn't very plausible, in fact the entire idea of the heroine suddenly becoming Grizzly Adams and fighting off wolves with her bare hands, creating a stretcher out of thin air, cauterizing a wound with a red hot knife, and keeping her beauty and sense of humor through it all, is actually pretty ridiculous if you think about it, but it doesn't matter that much: this is a disaster movie of sorts, so don't think about it.
This film is not so much about a particular story or narrative as it is about analyzing, exploring, and creating a visual palette for ideas about traveling to and from the past, present, and future as it relates to our constant journey back and forth into our own psyches and our collective unconscious.
Ozon unfolds the story at a very deliberate pace, showing us what a writer goes through in creating a book.
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