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Creates in sentence

1329 examples of Creates in a sentence

That voice that always tells us that we are important, that gives us our pride, that tells us not to give, but only to take, that creates our aggression, that wants to be in control, that creates all the negative feelings and thoughts.
Stardust creates its own mythology and its own world and it works.
The First World War was over and people in this town were still suffering from their lost soldiers and the wounded which War always creates.
I give this movie 7 out of 10 because the villains were interesting in their roles and the unknown batwoman creates an interesting "guess who" game.
The whole movie creates a very bizarre atmosphere, and you don't know what to expect or who to suspect.
The filmmaker creates a few surreal dream sequences that are borderline pretentious but it is fun to see how hard he tries to put this film above your average chicks-in-chains flick.
This sexuality at its edges creates a sense of foreboding that hangs over the entire film almost as heavily as the violence at its center.
The film follows these three friends or companions on a journey that is so realistically impossible it creates magic in that you start to believe that this journey can happen.
Director John Frankenheimer, adopting a tough script based on Elmore Leonard's gritty crime thriller novel, expertly maintains a steady snappy pace, delivers plenty of gripping tension, and effectively creates a compellingly seedy'n'sordid atmosphere.
You can sometimes find the film a little slow but it is what creates this intimate atmosphere.
Abandoning neo-realism, he always dallied between that and pure good old film-making, he creates a movie that breaks the heart and at the same time fills it with the yearning of hope that one needs to continue leaving in this world.
Lars von Trier creates a noir atmosphere of post-war Germany utterly captivating.
With songs like The Beach Boys' "Good Vibrations" playing at the dramatic and emotional climax of the movie, he creates an offbeat, yet astoundingly "right" feel.
Everybody in the movie is so nice and everything looks so great--it creates a sweet, romantic feel through the entire film.
O'Toole takes a character that potentially could have been a buffoon and creates a hilarious yet touching portrayal of an aging action film star who has to do American TV for his "new business associate- the IRS"...assigned to watch over our British invader is Mark Lynn-Baker, who is lucky to still have hair by the end of the show...which by the way is one of the cooler endings ever...and ya gotta get the movie to see it for yourself...I could say something wonderful about each member of the cast...and you'll want to pay particular attention to Joseph Bologna as "King Kaiser"...in fact, rent this movie, enjoy it, then buy it...you can watch it over and over again and love it each time...one note...the scene with the firehose on the roof is one of the funniest movie sequences ever...but it is all good...and I loved it!
Director David Lynch refuses to give clear explanations on his movies(with the exceptions of The Elephant Man and The Straight Story)and he prefers the spectator to making the homework of taking out conclusions.I like a lot the films he does but I do not try to find in them a clear explanation.I just enjoy the extraordinary talent Lynch has of creating emotions and producing feelings without a too coherent story.He uses all the instruments to give us something unique which we may not understand it immediately but something which we will never forget.Inland Empire is a very interesting experiment and we can see the same surrealistic style he used on most of his movies.After Eraserhead,his brilliant first film,Lynch continued with more normal films,like The Elephant Man or Dune.But,with Blue Velvet,he backed to show the oneiric feeling he had shown in Eraserhead (although on a lesser degree).With Inland Empire,I had the perfect sensation I was in a dream(or,best said,on a nightmare).But this film is not for everyone:its running time is of 3 hours.Lynch plays with our perception in the time and the reality to create a very interesting experience but which will not satisfy to the people who are looking for a clear story.Lynch makes us taking out conclusions all the time.The film is made with a digital video and that thing helps because it creates more mystery.Laura Dern brings an amazing performance.She always acted well but I never thought she had so much talent.I do not know if I can recommend Inland Empire to everyone:I liked it pretty much and I think it's a very interesting experiment.But I understand some people will not like it.Inland Empire is very interesting and it makes us taking out conclusions.And I always appreciate that.
Devaney creates a film filled with strong characters and gritty realism.
Part of the reason why this film is so odd is that all of the stories take place at the same time, which creates a very strange feeling while you're watching it.
The two central characters particularly shine in the darker moments in the film, the combination of there acting and the directors ability to create such a tangible atmosphere creates some truly gripping scenes.
If you like the characters Robin Williams creates, and you like unusual dramas, you'll like Jakob the Liar.
it is really touching about the storyline, how she finds the garden and creates into the lovely garden it used to be.
That movie creates an interesting mode and the mysterious circumstances are inticing, here there is no inticement.
Everyone knows the story--brilliant scientist creates amazing invention (teleporter!) and, in testing it, merges himself with a fly that, unbeknown to him, zips about his second telepod.
Not like the rough (and often stupid) picture of vikings that Hollywood creates.
James Garner, always a vastly underrated actor, creates a stoic yet tragic Call.
In this mediocre modernized telling, Morella is a genetic scientist who creates a clone of herself before dying.
Losing the direct Hitchcockian references, De Palma applies a harder, leaner style to the storytelling and creates a powerful work that is less fun than his later films, but no less compelling.
Director Sam Wanamaker ably maintains a brisk pace throughout, stages the frequent thrilling action scenes with considerable brio, and effectively creates a charming magical atmosphere.
I love the "Masters of Horror" series and the opportunity it creates for experimental "little movies" for we who love horror and for the directors in question.
Somehow surmounting a creaky script rooted in some crackpot psychiatry, Screaming Mimi creates a somnambulistic, doom-laden mood that keeps you watching, bemused.
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