Craft
in sentence
421 examples of Craft in a sentence
Director James L. Wilson and writer Richard H. Wadsack neatly
craft
a fun and engrossing omnibus outing that eschews the usual graphic gore and bloodshed in favor of creating and sustaining a potently creepy and nightmarish midnight-in-the-graveyard gloom-doom atmosphere; the opening credits sequence in particular is very chilling and the conclusion packs one hell of a terrifying punch.
Congratulations on his recent Golden Globe win, and hoping he will no longer be overlooked as a serious actor endeavoring to perfect his
craft
and the range with which he does so.
John Foster (Lundgren) pilots a space
craft
from 2204 back to the 21rst century with the crew's mission to stop scientists from discovering plague carrying meteorites in Antarctica.
The movie recovers some of its sanity for fifteen minutes or so when the crew's more admirable members show their willingness to sacrifice themselves to save the others, by leaving the
craft
in a spacewalk to fix a jammed device, seconds before the segment the two heroes were on was jettisoned.
In my opinion he is a master of the
craft
who can superbly wrap the viewer around his finger.
A Navy pilot, Tuck Pendelton, (Dennis Quaid) has been chosen for a secret experiment to operate a pod-like
craft
that is miniturized smaller than a grain of salt to be injected into a laboratory rabbit.
This early Kurosawa effort floats stylistically somewhere between the film noir and neo-realism, incorporating the best from both worlds to elaborately
craft
a landscape (both physical and social) of post-war Japan.
Whilst the movie obviously portrays the incident to be the crash of an alien
craft
in New Mexico in 1947, the scene in which Martin Sheen and Kyle MacLachlan meet in the hangar I believe gives the viewer the opportunity to make up their own mind about that incident and other U.F.O.
Kudos to Chandran's
craft.
Scorsese is a filmmaker completely in control of his
craft.
The part is played to perfection, and shows a true master of the
craft.
Director Bill Melendez and Phil Roman, working from a very warm and witty script by Charles M. Schulz, expertly
craft
a sensationally breezy and snappy 25-minute cartoon romp that brims over with engaging characters (Linus in particular really shines as he explains the historical significance of Thanksgiving in fascinatingly thorough detail), deliciously dry humor, and a spot-on relevant message about the true meaning of Thanksgiving (it's all about friends and family instead of food).
Scrambling to resolve the crisis, government and military officials call upon geophysicist Dr. Josh Keyes and a team of the world's most gifted scientists to travel into the earth's core in a subterranean
craft
piloted by Rebecca "Beck" Childs and Commander Robert Iverson.
Amongst those that I've seen, I was blown away by the quality of storytelling and craft, and had wondered how soon after would I have the chance to watch something from China again, since our local cinemas don't really bring them in for mass consumption.
I saw this film first soon after it came to cable and before I knew much about Jennifer Jason-Leigh or had come to appreciate the power this amazing young actress can exude in the careful and often understated nuances she brings to her
craft.
Continue to learn and develop your
craft.
Some of the "reanimation" scenes are truly amazing and freaky: bodies rising from the ground at the oddest angles, seemingly defying the law of gravity (part of the mime's
craft
in the film: kudos) with arms and legs askew- quite amazing to watch.
The man seemed to have no idea on how to
craft
some degree of tension or suspense.
Most will really enjoy the characters, especially the moving mother, who is a female doctor not allowed to practice her
craft
despite a desperate need for doctors throughout the country.
A theme which only arrives half way through the film, when their
craft
is almost finished in its building.
Maybe he should be applauded for attempting to
craft
a legitimate picture, but outside of the lack of those exploitable elements, there seems to be little effort to make something quality or compelling.
I think that those supporting roles are really good and many times the actor can explore his or her
craft
more than the actor who has the lead.
And Norm is assisted by Dave Chapelle, another one who's talented at his
craft.
Ron Howard went on from this very early film to grow as a director into one of the finest in his
craft.
A tailor is somewhat mediocre at his craft, and when his sister shows up on the scene and starts showing him up, well, he becomes a little nutso.
Not one to be particularly impressed by the vast majority of so-called "great" things, it took me a while after my first viewing of Life Is Worth Losing to absorb what I had seen and several repeated viewings shortly thereafter to understand I was witnessing a truly great comedian, a genius, THE master of his
craft.
The writing is top notch (Milch may be the best dialog writer going), and weaves the facts of the real history of Deadwood Gulch (one of the last American gold rush towns) with a few imagined characters amongst the many based on actual personages to
craft
and pace the storytelling properly.
It is obvious that this film was just a chance for the director to work his
craft
until he ultimately made a dandy film a year later (THE LODGER).
This is one of the most inept films in terms of
craft
I've ever seen.
It is so poorly filmed that it makes an Ed Wood, Jr. movie or one of Oscar Micheaux's later films that are plagued by continuity problems seem masterpieces of
craft
in comparison.
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