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Costumes in sentence

695 examples of Costumes in a sentence

For a small scale movie, the costumes, sets, and camera work were quite nice, also.
An incredible attention to detail, vivid colors and decorations, breathtaking Whoville atmosphere, astonishing variety of costumes.
Eye-popping costumes and sets (yes B&W) add to the surreal, dreamlike quality of the entire film.
I never understood why people would break out into song like that, and I was far too young to appreciate the artistry (choreography, set design, costumes, pacing) behind it all.
i find it really annoying when people say that it wasn't historically correct because it is supposed to be a Saturday night entertainment show not a boring history documentary so i think the costumes and settings were just right.
The shiny cinematography was the work of veteran Loyal Griggs, the set decoration was supplied by Albert Nozaki, Hal Pereira and Walter Tyler, with set decoration by Sam Comer and Roy Moyer and costumes by Edith Head, John Jensen and Ralph Jester.
The sets, costumes and the color are just so vivid it is just like stepping into a comic book.
What I liked most was that despite the gleaming aesthetics of the costumes and the settings, all gilded and shiny, this aspect never took over the heart of the film which was good, strong writing (thank you Julian Fellowes :D); nothing too flamboyant or saturated with pomp, i.e not sensationalised greatly (when Victoria is dragged out of bed to be informed she is now Queen, well you couldn't get a less glamorous hand over of the crown).
The extraordinary and numerous costumes designs were the work of John Armstrong, Oliver Messel and Marcel Vertes.
Its imaginative content stands in contrast to very-strong realistic sets, costumes and set-design elements.
Forget the fact that Superman went from sequence to sequence and could have kicked all their butts in the beginning, because then the story would have ended, right?! OK, the mole men costumes were hokey and not very scary (they didn't even scare me as a kid).
However, making allowances for the probable low budget for background and costumes, it was a job well done by all.
So if you get a chance to see the film, forget the dopey costumes and just enjoy the excitement and acting.
With real costumes (not only strings and swimsuits).
Whether the period is the 20s (the first story), the present (ie 1950) for the middle story, or the 1910s (the last), costumes and settings are lovingly observed and created.
I love the fussy costumes of the two old ladies in the sanatorium - exquisite lace overlaid by the finest Shetland shawls.
The period, the costumes, and imagery of early 20th century Italy's lake district is captured magnificently.
There is a bold color theme throughout the movie with extraordinary costumes and picturesque sets.
This film proves that you don't necessarily require fancy costumes and a glamorous set that absorbs how many millions of dollars to make a point.
It's amazing the amount of effort that went into the detail, particularly recapturing the feel of the 1960's era, the Batcave set, Wayne Manor, the costumes, and the actors selected to play the younger versions of West, Ward, Burgess Meredith, Cesar Romero, and Frank Gorshin!
This was a fairly charming film, I liked the art direction (it felt far more "real" than most kids movies), and the costumes weren't too cutesy.
The sets and costumes are as lavish as any to be found in an MGM musical, the script is by the reliable Anita Loos ("San Francisco," "The Women," "Gentlemen Prefer Blondes," etc.), the Rodgers and Hart tunes (albeit altered a bit by MacDonald-Eddy regulars Bob Wright and Chet Forrest) are given celestial treatment by Herbert Stothart (Oscar-winner for scoring "The Wizard of Oz"), and best of all, the "singing sweethearts" look great in their contemporary clothes and seem to be having fun with the bizarre proceedings.
Released two years before I was born, this Oscar-winning movie has it all - lavish Technicolor sets and costumes, breathtaking cinematography, superb wall-to-wall Gershwin music, superior choreography, a lighter-than-air screenplay, and great performances by Kelly, Levant, Foch, Guetary, and Caron.
the sets, the costumes, and the plot is great.
Sponsored by Chemstrand (a fiber-making company!), this black-and-white gem moves fast, with jazzy set-ups, terrific cinematography, kicky sets and costumes.
The sets, make-up, music, costumes, and the impressive acting make this film fantastic.
This film makes you leave your position as a standard audience, it takes you in, it makes you a part of the story... Costumes and settings are brilliant; especially the district of the okiyas is skillfully built.
Before I wrap this up, I'd like to say that the performances were top grade, the direction was flawless, the production design was nice, the casting was perfect, and the costumes were perfectly designed.
The scenery, the costumes, and the cinematography are beautiful, and the main actors and actress are very compelling in their portrayals, projecting the intensity of the emotions that are running through the plot.
What makes it great especially are two things: one is the straightforward way the characters embrace the stereotypes, with discussions of their costumes and superpowers.
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