Contributions
in sentence
772 examples of Contributions in a sentence
Not a radical departure, but rather a refinement of what Glass does best with lovely violin
contributions
by Yo Yo Ma.
The sound acting by the sturdy cast qualifies as another substantial plus: Cassinelli makes for a likable hero, Johnson essays his juicy villain part with supremely lip-smacking aplomb, Bach rates as a quite fetching damsel in distress, plus there are neat supporting
contributions
by Beryl Cunningham as sinister voodoo priestess Shakira, Franco Iavarone as the superstitious Jose, and Roberto Posse as surly troublemaker Peter.
The cast have an obvious ball playing their likable characters: Murray's gloriously gonzo and galvanizing presence keeps things constantly humming (his crazy PA announcements are absolutely sidesplitting), plus there are sound
contributions
from Harvey Atkin as hapless camp owner Morty, Kate Lynch as Tripper's sassy old flame Roxanne, Russ Banham as the amiable Crockett, Kristine DeBell as the sweet, foxy A.L., Sarah Torgov as the feisty Candace, Jack Blum as klutzy bespectacled nerd Spaz, Keith Knight as tubby slob Larry Finkelstein, Cindy Girling as the fetching Wendy, and Matt Craven as the hip Hardware.
The German movie/TV industry still prefers to let valuable cultural
contributions
(and this is Fassbinder, after all!) rot away and collect dust in some archive rather than distribute it commercially (and make a lot of money with it if that is what stimulates them instead of the promotion of creative thinking).
The colour, convincing cast, and stunning scenery all make big
contributions.
Nice ensemble cast, with nice
contributions
from better known players (like Stockard Channing) and strong eye candy (from Sheila Kelley).
The settings, music and haunting score are wonderful as well as the excellent
contributions
from the cast.
Mel Brookes made some remakes of classic films.He made some very strong
contributions.
New puppet characters in this film are frightening
contributions
to the devil's club scene.
I gave the film three stars, but it really deserves a zero - the three I gave it are 1 for Lee and two for Ms. Danning's
contributions.
John Lennon gave so much to the world with his music and honesty and I was repulsed to see another disturbed person, as the main character in this movie obsessed by Lennon, and not show his beautiful
contributions
to the world.
Infamous Director Demofilo Fidani, however, is rightly known for some of the cheapest, trashiest, and, well, worst
contributions
to the genre.
I also have come to admire te
contributions
of folks like gravel-voiced Dom Chianese as the bewildered but murderous Uncle Junior, silver-haired Tony Sirico as the perpetually perplexed Paulie and the very beautiful Edie Falco as the duplicitous, tough-as-nails Carmela Soprano.
John Voight is his usual effortlessly accomplished self, and Ned Beatty and Ronny Cox both make significant
contributions.
Abe Burrows did the book with
contributions
from Loesser; Michael Kidd was the choreographer, and the outstanding art direction was contributed by Joseph Wright.
There are other funny
contributions
by Barney Martin as Linda's father.
As I watched one of Orson Welles' last
contributions
to Hollywood as a filmmaker, I knew I was watching a great movie unfold, though at times I did not know why.
This film further benefits from sterling acting by a bang-up cast, with praiseworthy
contributions
by Richard Conte as wise Mafia kingpin Nick Gusto, Carla Gravini as Arzenta's supportive lady friend Sandra, Marc Porel as Arzenta's loyal pal Domenico Maggio, Anton Diffring as ruthless, calculating capo Grunwald, and Lino Troisi as the venomous gangster Rocco Cutitta.
Still, a few points for Power's sweet breasts and eyes, and some other brief anatomical
contributions
by others.
Moreover, there are sturdy supporting
contributions
by Jean Harlow as sassy dame Gwen Allen, Donald Cook as Tom's disapproving straight-arrow brother Mike, Joan Blondell as Matt's sweet girlfriend Mamie, Mae Clarke as nagging moll Kitty, Beryl Mercer as Tom's loving mother, Leslie Fenton as cocky, flashy gangster "Nails" Nathan, and Murray Kinnell as Tom's untrustworthy mentor Putty Nose.
I'm ashamed to mention I haven't even seen his
contributions
to the Masters of Horror series but I heard it's good, especially Jennifer.
I know that Canadian cinema is noted for its
contributions
to the Horror genre but this is horrible horror.
This movie further benefits from fine acting from an excellent cast: Page really sinks her teeth into her juicy evil old bat role, Gordon projects her usual winningly spunky charm as the endearingly feisty Ms. Dimmock, plus there are sturdy supporting
contributions
from Rosemary Forsyth as sweet young widow neighbor Harriet Vaughn, Robert Fuller as the dashing Mike Darrah, Mildred Dunnock as the timid Edna Tinsley, Joan Huntington as Ms. Marrable's bitchy niece Julia Lawson, and Peter Brandon as Julia's conniving stockbroker husband George.
But no one manages to channel the glib repartee into anything resembling a character, in part because their
contributions
are mere slivers of celluloid crammed between pictures of cars driving around.
Music is by Leigh Harline, cinematography by Leon Shamroy with
contributions
by Lyle Wheeler and many others.
If you haven't done so already, be sure to seek out Liebling's
contributions
to the Jill Clayburgh film, "I'm Dancing as Fast as I Can", as well.
Once you get over this initial disappointment, there are moments and
contributions
that suggest what could have been, particularly Trisha Mortimer as the 'love-keeper' who manages to breath life into Prattens inconsistant dialogue and Voda Barnes who although over-written is suitably sexy as the Au-Pair.
Kudos are also in order for the uniformly fine acting from a first-rate cast: Bettany is genuinely riveting and terrifying as the severely driven and psychotic main character, Thewlis likewise impresses as one smooth operator, McDowell makes the most out of one of his best more recent roles, the ravishing Saffron Burrows exudes pure class as Freddie's brassy singer moll Karen, plus there are nice supporting
contributions
by Kenneth Cranham as the wise Tommy, Jamie Foreman as hot-headed rival hoodlum Lennie Taylor, Eddie Marsan as sniveling toad Eddie Miller, Andrew Lincoln as vicious hit-man Maxie King, and Doug Allen as the brutish Mad John.
This was a chance to celebrate the artist and his
contributions
along with Willie Colon to our popular music.
Toward a New Islamic Golden AgeSHARJAH – The Muslim world’s past
contributions
to science and education were extraordinary.
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