Contemporary
in sentence
771 examples of Contemporary in a sentence
And New York has another kind of knack for
contemporary
art.
In our
contemporary
world, it can be hard to separate those two things.
What is art for in our
contemporary
world if not this?
I took the painting and gifted new,
contemporary
meaning talking about issues which are surrounding me in Russia, capturing people who are non-models but have an interesting story.
So, thank you. (Applause) I'm a
contemporary
artist and I show in art galleries and museums.
This was a book of Raphael paintings, the Renaissance artist, and by taking his work and remixing it, carving into it, I'm sort of making it into something that's more new and more
contemporary.
Asperger's ideas about teaching children with learning differences were progressive even by
contemporary
standards.
There's a famous story about the great rabbi, Hillel, the older
contemporary
of Jesus.
The cultural products of an entire region of the world have been barred from imparting any kind of real impact on global media productions and
contemporary
social discourse.
The anti-hero is actually the main character in some
contemporary
works of literature.
And in the tales of the ineffectual anti-hero, in the stories of Guy Montag and Winston Smith, lie the warnings of
contemporary
storytellers playing on very primitive fears: that we are not strong enough to defeat the monsters.
Some
contemporary
thinkers aren't interested in sadness' subjectivity versus universality, and would rather use technology to eliminate suffering in all its forms.
David Pearce has suggested that genetic engineering and other
contemporary
processes cannot only alter the way humans experience emotional and physical pain, but that world ecosystems ought to be redesigned so that animals don't suffer in the wild.
Now, one
contemporary
did write that the chapel was too beautiful to not cause controversy.
Also,
contemporary
historians have traced the provenance of the manuscript back through Rome and Prague to as early as 1612, when it was perhaps passed from Holy Roman Emperor Rudolf II to his physician, Jacobus Sinapius.
Thomas Merton also wrote about wars among saints and that "there is a pervasive form of
contemporary
violence to which the idealist most easily succumbs: activism and overwork.
And whether in the shape of informal concrete slums or broken social housing or trampled old towns or forests of skyscrapers, the
contemporary
urban archetypes that have emerged all across the Middle East have been one cause of the alienation and fragmentation of our communities.
Contemporary
politics is no longer just about right and left.
The fault line of
contemporary
politics is between those that embrace globalization and those that fear globalization.
A perfect example of this is Spanish
contemporary
artist Fernando Vicente.
Now, all of this may sound a little bit 18th century to you, but in fact, it doesn't have to be any more 18th century than, say, Broadway's "Hamilton," which is to say vibrantly
contemporary.
That's when we find ourselves in endless, mindless repetitions of words that don't mean anything to us, rising and being seated because someone has asked us to, holding onto jealously guarded doctrine that's completely and wildly out of step with our
contemporary
reality, engaging in perfunctory practice simply because that's the way things have always been done.
I understand that 16th-century Verona is unlike
contemporary
North America, and yet when I first read this play, also at age 14, Juliet's suffering made sense to me.
What if I told you that time has a race, a race in the
contemporary
way that we understand race in the United States?
It's an icon of water itself, and it elevates people's perception of
contemporary
design.
If you put it next to
contemporary
architecture, it feels totally natural to me.
Unlike his
contemporary
Bach, Vivaldi wasn't much interested in complicated fugues.
So one
contemporary
equivalent of the Plaza Mayor in Salamanca is the Place de la Défense in Paris, a windswept, glass-walled open space that office workers hurry through on the way from the metro to their cubicles but otherwise spend as little time in as possible.
So I called on
contemporary
artists, such as Adrian Tomine here.
Contemporary
philosopher Noel Carroll took this stance, arguing that an artist's intentions are relevant to their audience the same way a speaker's intentions are relevant to the person they’re engaging in conversation.
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