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The Troma DVD contains both the original Indonesian version (badly dubbed in English) & the goofy re-dubbed Troma version, both of which are pretty funny.
I imagine this film contains elements closer to real Roman life then Spartacus ever did(I know it's greek but whatever).
That's a great pity, because this film contains one of the two extraordinary dramatic performances Day delivered in the mid-fifties (the other was in 'The Man Who Knew Too Much').
This is not a terrible movie, it just falls flat too many times and contains too much unfulfilled potential.
The picture is a splendid British film concerning about historic deeds in WWII,the naval battle in the South Atlantic between British cruiser squadron of three ships and the German pocket battleship Admiral Graf Spee, Dic 1939 ;the protagonists and secondaries are incarnated by a magnificent plethora English actors.The film is based on true events ,these are the following: Though the British cruisers were no match for the battleship,Admiral Sir Henry Harwood(Anthony Quayle) launched an attack to Graf Spee(with 6 cannons,280 mm).German fire seriously damaged HMS Exeter(John Cregson,captain Bell)with cannons 203mm,put half of HMS Ajax(captain Woodhouse, Ian Hunter)'s guns out of action,and then damaged Achilles(cannons 152 mm),but the cruisers did sufficient damage to the German ship to make its captain break off and run for shelter in Montevideo,Uruguay.The British followed,and waited in international waters outside the neutral port.The Uruguay government ordered the Germans to leave after 72 hours.The British cruisers named Royal and Renown were near from Montevideo and Langsdorff(Peter Finch) didn't wait possibilities to vanquish.Hitler,reluctant to risk the Graf Spee being sunk by heavier British warship which were sailing for the River Plate ,ordered the captain to scuttle the vessel.He did so 17 Dec 1939 and three days later shot himself.The film contains a colorful and glimmer cinematography by Christopher Challis.The movie is well produced(with the Archers production)and directed by Emeric Pressburger and Michael Powell.The motion picture will like to warlike genre fans and classic British cinema.
I think it is also good for the kids to watch since it contains very little violence.
This surprisingly primitive 'streamliner' comedy from the Roach Studios -- with the collapse of the comedy short subject market in the mid-thirties, Hal Roach decided to go into feature production, first with films like the TOPPER series and later with second features that timed in at less than an hour -- contains all the standard cheap comedy motifs, including a Murphy Bed -- and runs through them in a rather mechanical fashion as made-it-from-scratch taxi fleet owners William Bendix and Joe Sawyer get tangled up with a girl who tries to kill herself and declares herself their responsibility.
This is told in a most innovative way for its time, which makes it more regrettable that the film was handled as a pop extravaganza, when it was an innovative and puzzling product with a structure that demanded a more intellectual participation from the audience; and with an organic use of the flash-forward technique (proposed by its editor, Antony Gibbs), an anticipation device that would become common practice in later years (it is interesting to note that five years later the cinematographer of "Petulia", Nicolas Roeg, would direct Julie Christie in the horror drama "Don't Look Now", which contains a scene film editors often mention as an outstanding example of the flash-forward technique, a sex scene inter-cut with takes of the following scene, edited by Graeme Clifford).
There s a charming(and accurate in essence) demonstration of the co operative nature of french village life, of suburban relationships, of the desire that women have for a life which contains a little of magic and adventure.Fiona Gordon has the grace of a dancer, and the plight of her husband is both pathetic and noble, as well as funny.
There's some wonderfully exuberant choreography by Gower Champion and the score contains a few songs that any musical would be proud to own.
Plot is solid if a bit thin, but contains a few twists.
It is an incredibly bizarre film that contains painstaking details of the lives of some of the apartment's peculiar residents.
This picture contains a few nice atmospheric bits, but nothing much happens.
With great songs from the Jerome Kern songbook, the movie certainly contains the high-caliber musical quality of the other films starring the dancing pair.
(This post contains spoilers, so don't scroll down too far too quickly if you don't want to know what happens) I, being a huge Lucy Lawless fan, could not wait to see this movie.
This comment contains nothing that may spoil any point of the movie for it is really a movie that should not be spoiled for anyone.I'm glad it wasn't spoiled for me.
This film contains none of this.
The first 5 minutes is all I recommend you sit through, as it is the only thing that contains anything related to a plot, and you get to sit through a rockin' song!
This movie contains one of the coolest shots ever, tracking a bullet Golgo fires through a building.
Warning: This review contains spoilers.
When Mason takes a roll of film to be developed, the roll contains several pictures of top secret French aircraft and facilities.
The film is in English and is terribly predictable with Django digging up his fake grave which contains his machine gun coffin and just when all seems lost toward the end, the main villain's (Christopher Connelly) jealous servant sets Django free.
The movie contains what seems to be an honest look at a missionary leaving his home for quite a while, not knowing what to expect, and, returning home unexpectedly different.
"The Bridge" contains all that is important in a full length film, yet keeps the watcher entertained from beginning until end, with no dull, near pointless moments in between.
This movie contains: terrible acting, a horrible screenplay, lousy camera-work, way too much red lighting, occasionally no light at all, really bad makeup, plot hole upon plot hole upon plot hole, the least effective villain ever, a mind-numbingly bad soundtrack, and THE strangest sex scene I have ever encountered in my life.
I have no problem when a movie contains an ambiguous ending...BUT...when a director leaves the viewer without even THAT MUCH, the film then becomes a "so whats the point of the whole DAMN THING ANYWAY?
The catch is that the tale contains extreme amounts of adult content in every episode, from dismemberment to nudity.
This anime has the most blood and nudity I have ever seen in one place and contains plenty of adult language.
This superb film incredibly contains Marlene Dietrich and Alistair Sim among its great cast, in a blend of Hitchcock thrills and chills, humour and even musical interludes.
While it contains plenty of frightening shocks and gore, that is only the suurface level, and the focus for watching it the first time.
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