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Conflict in sentence

4458 examples of Conflict in a sentence

The quintessential eco-drama of civilization, so-called, in conflict with cultures more attuned to nature.
The film maintains a bleak, free-form nihilism throughout, its plot (much like the war it's invoking) a jagged sequence of events rather than a simple matter of connect-the-dots conflict resolution.
Heroic rowing star/bootlegger Nicolas Cage is his usual dopey, wooden, charming self, and he has some lively moments, especially when he comes into conflict with the starched shirt types.
You have this set of totally different persons trying to live and co-exist, and trying not to conflict.
It is a truism that Victor Sjostrom's films dramatise the conflict between nature and society, but his treatment is less simplistic than might be first apparent.
By down-playing the emotions of the actors, Haggis achieves something far more powerful than if he had gone the easy melodramatic route most films centering around our current conflict in Iraq do.
Though BLACK for the most part, segregated, spit upon by other soldiers, looked down upon they held their heads high and fought bravely during every conflict the USA had to deal with since their inception in 1868.
It takes a tough topic like the conflict between Palestine and Israel and makes it an entertaining and laughable movie for the people.
It is the American Civil War as envisioned by Italians, set apart from the main theaters of conflict, out in the southwestern desert.
The father/son conflict between the younger son and the father, and the relationship between the brothers, Ken and Howard, were well crafted; as was the very deep (and at times) troubled love relationship between Rob and Nell.
This scene shows the internal conflict and sexual confusion through the aggressive and passionate fight/dance motions.
An intriguing premise is spoiled early on with pretty much all the Maquis conflict resolved within 4 episodes.
During the first World War the American hero out of that conflict, Alvin C. York of Tennessee, had to wait until the outbreak of the second World War for his biographical film to be made.
This is a notch or two above the usual "good guys vs bad guys" Western movie,being at its core about the need to bring about reconciliation after conflict ,in this instance the American Civil war .
A worthy and romantic conclusion to be sure but in direct conflict with the traditional role that Germans play in mainstream WW2 movies, which is to be the villains.
The conflict between digital cameras and film was just plain stupid (would anyone care enough to get so worked up?) and the cop who took over from Barnaby was a ludicrous 80s cliché.
The film presents various opposing sides of the conflict through interviews, commentary, and visual events captured on-camera.
The chemistry between Chevy Chase and Goldie Hawn is amazing, and you can sense the conflict that the married Goldie Hawn feels as she tries to avoid falling back in love with Chevy Chase.
I hoped that this movie would bring back the excitement and conflict of that era.
So spoilt and mollycoddled that she is unable even to dress herself,she soon comes into conflict with her cousin's governess/nurse/minder Mrs Medlock,and her cousin himself,an apparently sickly boy,bedridden,self-pitying and petulant.How she changes the lives of the boy,her uncle and Mrs Medlock is told in "The Secret Garden".
The long lingering close-ups of Mary's face,her eyes and hair superbly lit,recollect the almost mythologising aspect of Victorian child portraiture.Perhaps it takes a European director to reveal the potential for real beauty in the long hallways,sweeping staircases and secret passages in an English manor house.British filmmakers are often too concerned with post-colonial guilt and wracked with naive ideas of class conflict to give a balanced picture of life in Victorian England.
David Manners and Jaqueline Wells co-star as two American honeymooners caught in the conflict between Lugosi and Karloff.
It is not just the love story between the two men in this film that matters--and it does matter, mightily--it is also the conflict between savagery and mercy in the Serbian townspeople and the Muslim protagonist.
It's not hard to guess what happens next, as Travolta and Curtis fall for each other, Curtis finds a copy of his article on his computer which causes conflict between them, and we get to see some fine acting from Jaimie Lee during those scenes.
There is so much tragedy that takes place in the world involving the military and others involved in physical conflict, yet it is rare that a soldier comes forward to tell the truth.
Ca Twiste a Popenguine allows its' viewers to take a somewhat raw glimpse into the conflict between generations, caused by the colonization of one's country.
By far the best part of the movie is the end conflict, where Neil and friends fight "Largo's" minions, who dress like the aliens from V (red vinyl outfits) with the helmets from the fireman of Fahrenheit 451.
It is an interesting object to look at the problem in the conflict in Iraq/Kurdistan from another perspective but when this perspective is from a fascistic point of view, (Turks superior compare to Kurds) and seeks no dialog or a message about understanding the problem there, makes the viewer to leave the theater as soon as possible to go home and feel sorry for a director with so many hate within his chest!
In the original, Ged started out with a delight in control over other creatures; this delight was warped by his pride, which was the origin and core of the conflict.
Exposition, conflict, resolution, and possibly an occasional flashback or revisiting of an earlier moment---these are all staples of visual story telling.
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