Combination
in sentence
1590 examples of Combination in a sentence
And the costumes - well, the tight pants/white boots combination, and the freakishly unnatural colors, reminds one of an Austin Powers film . .
If you're auditioning as a dancer, you get shown a 64-bar dance
combination
once, you do it, and then they decide immediately whether you're in or out.
The opening number in the play "I Hope I Get It" shows all of the dancers doing a jazz and ballet
combination
and then people get eliminated.
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a
combination
striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film.
It was a
combination
of every horror/thriller cliché, trying to comment on many things including pedophilia, Satan worship, undercover cops, affairs, religion... and it was a mess.
I have been known to fall asleep during films, but this is usually due to a
combination
of things including, really tired, being warm and comfortable on the sette and having just eaten a lot.
this seemed an odd
combination
of Withnail and I with A Room with a View.. sometimes it worked, other times it did not.
It was a huge disappointment to see a complex character like Achilles (who has a strange
combination
of nearly Matrix-like powers, utter ruthlessness and male lovers in the original poem) turn to "Fabio on the beach" in the guise of Pitt (who with a good script and more effort could have turned this into the most complex and original warrior figure Hollywood has ever produced).
This movie is a kind of
combination
disaster film/insect attack film with fewer notable stars in it.
What starts out as a sweet and almost goofy romantic comedy about a Fluffer in love with his Fluffee spirals out of control into a bizarre
combination
of genres and a veritable stew of plots, with liberal borrowings from BOOGIE NIGHTS, THELMA AND LOUISE, SHOWGIRLS, FRISK, and even a curious "dash" of 400 BLOWS thrown in towards the end.
I've been working my way through a collection of Lugosi films recently, and having just been blown away a couple of days ago by the
combination
of Lugosi and Boris Karloff in "The Black Cat" I was really looking forward to seeing their collaboration in "The Raven."
the
combination
of the two things is ridiculous.i
I have nothing against Adrianne Curry but this
combination
is not gonna have a happy ever after ending.
A
combination
of Whoopie Goldberg (the worst actress/person in history) and a talking dinosaur ala Jar-Jar-Binks add up to a painfully bad movie.
This whirling movie looks more like a
combination
of music-clips at MTV than as a real movie.
To call a film about a crippled ghost taking revenge from beyond the grave lame and lifeless would be too ironical but this here is an undeniably undistinguished
combination
of GASLIGHT (1939 & 1944) via LES DIABOLIQUES (1954); while still watchable in itself, it's so cliché-ridden as to provoke chuckles instead of the intended chills.
I think That Julia stiles and Selma Blair are a good
combination
and would like to see them in a movie with a good story and plot.
To me it was rather a disappointment, especially the
combination
of historical facts, fantasy and the main character's internal turmoil does not work at all (in Vonnegut's book Slaughterhouse Five and even in George Roy Hill's adaptation for the screen it does).
(Strangely enough, regarding this strangely childish
combination
of genetic engineering and psychical research, the leading character, Craig, himself says THERE MUST BE A BETTER EXPLANATION to the short-haired psychic, Joanna.
Expecting a
combination
of scifi and period film about Ada Lovelace, Charles Babbage, the history of computers, etc, I was disappointed by this movies nonsensical pseudoscience and mixture of real and fabulous history.
Nothing will ruin a movie as much as the
combination
of a poor script and poor direction.
In some ways, the concept behind the storyline was a rather interesting blend of several typical movie types in an interesting
combination.
I gave this film a three ONLY because of Sir John Gielgud's acting presence (which far surpassed all of the no-names in this film) and the cinematography/set design
combination
as it made a lot of scenes look like paintings in motion... however, a lot of this film would've been better off as JUST a painting with a scroll of text below it.
Hammerhead is a
combination
between the mad scientist and killer shark movie genres.
Surely the
combination
of Jimmie McGovern and Robbie Coltrane could not go wrong.
After the first couple of dozen "take off your clothes," we both felt a very strange
combination
of silliness and boredom.
The movie is nearly a cross-pollination of "Rosemary's Baby" and "The Exorcist"--but what a
combination!
The fantastic Mr. Coleman is a
combination
of Sean Connery and Clark Gable as he stays a step ahead of the other characters.
It's a kind of strange
combination
of a bio of Michael Jackson, a collection of musical vignettes, and a story about a super hero fighting to save some little kids.
The animation is great and the
combination
of femme fatal and film noir result in a great film that is unlike anything else I've seen in animation.
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