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Collaboration in sentence

703 examples of Collaboration in a sentence

The first collaboration between Schoedsack & Cooper is a compelling documentary on the migration of the Bakhtiari tribe of Persia.
The third collaboration for Karloff and Lugosi sees a move away from Poe and into the realm of the science fiction serial.
Russell and Roeg are married in real life and they do admirable work when they are in collaboration and this is probably their best film together.
Famed director Richard Attenborough (GANDHI) is certainly no stranger to the genre, and the collaboration of the real-life Mr. and Mrs. Woods, the main white characters in their book and in this film, lends further authenticity to CRY FREEDOM.
So many consider The Black Cat as the best Karloff/Lugosi collaboration.
The penultimate collaboration between director Anthony Mann and star James Stewart (excluding the few days Mann worked on Night Passage before parting company with the star under less than amicable circumstances), The Far Country belies its mainstream look to offer another portrait of an embittered man dragged unwillingly to his own redemption, fighting it every step of the way.
The year is 1896.Jeff Webster (James Stewart) doesn't like people.There's only one friend he's got and he's Ben Tatum (Walter Brennan), an old sympathetic man.They're driving a cattle herd with them.That would be their key to richness.In Skagway they run into trouble when Sheriff Gannon (John McIntire) takes the cattle.Now Jeff only has to get it back and drive it through the U.S. Canadian border to Dawson.Now they have a group of other people with them, like the ladies Ronda Castle (Ruth Roman) and Renee Vallon (Corinne Calvet).There the two men get into the gold business.Anthony Mann's and James Stewart's fourth collaboration, The Far Country (1954) is a fine western, indeed.The acting work is superb.Walter Brennan makes a terrific sidekick to Stewart.Ruth Roman is brilliant and Corinne Calvet's delightful.Jay C. Flippen is very good as Dawson Marshal Rube Morris.The great Jack Elam and Kathleen Freeman are seen in smaller roles.It's fantastic to watch how Jimmy Stewart overcome's all the troubles in his way.There's just the man and his rifle.But also he's vulnerable.
"Seven Pounds" is yet another life changing movie experience, which not only does reminds you of their previous collaboration, tearful, but inspires you joyfully in the end.
The second collaboration of Sergio Corbucci, the Italian Western's most important director besides Sergio Leone, and Franco Nero, one of the genre's greatest actors, after the ingenious "Django" from 1966, "Il Mercenario", a movie set in the time of the Mexican revolution, and therefore late for a Western, is a must-see for every fan of the genre.
The country setting is beautifully photographed and Herrmann, in his first collaboration with Hitchcock, provides a nice score.
"The Leopard Man" is the third and the last horror film made by Jacques Tourner in collaboration with RKO's producer Val Lewton, others being "Cat People" and "I walked with a Zombie".
Uncle Sam represents the only non-Maniac Cop collaboration between Larry Cohen and William Lustig, which is a shame.
A Japanese-American-Italian collaboration on this sci-fi production, mostly revolving around the activities on space station Gamma 3.
I've just learned a little about producer Val Lewton, and their collaboration here is what gives the picture some of it's momentum.
This movie is a disgrace; it tries to hide the collaboration of Italian fascists to the deportation of thousands of Jews and non-Jews to death camps during WWII in Italy.
This is the 10th movie collaboration from the brothers Ed and Jose Quiroz, with so much experience I would have expected better.
It is the result of collaboration between two rather bright European b movies masters.
You have to see the 1996 Quentin Tarantino and Robert Rodriguez writer-director collaboration From Dusk Til Dawn, an un-P.C. film if ever there was one, to get it.
Director Jacques Tournier and producer Val Lewton probably team up for their best collaboration.
Every scene propels the film through the collaboration of Gilbert and Sullivan, hitting most of the high points and portraying the lows with the sympathy and understanding that creative geniuses deserve.
How Clowes went from creating such a lovely screenplay as Ghostworld to churning out this desperate schlock is beyond me, but it's clear that something went terribly wrong in this, his second collaboration with director Terry Zwigoff.
This film owes a great deal of gratitude to the second collaboration between Francois Ozon and his leading lady, Charlotte Rampling.
I had enjoyed most, if not all of his works that I have seen thus far, with his collaboration with Clint Eastwood nabbing Million Dollar Baby a best picture Oscar in 2005, and his own Crash, which was my movie of the year 2005, winning the same award in 2006.
Winner of the award for Best Screenplay at the Venice Film Festival, It's a Free World, the seventh collaboration between director Ken Loach and writer Paul Laverty, is a compelling look at the recruitment and exploitation of European undocumented workers, a subject touched upon recently in Stephen Frears' Dirty Pretty Things.
A Tony Scott/Denzel Washington collaboration is always worth watching as they usually deliver a movie with an intricate plot, thrilling action sequences, and characters that are driven by their emotions.
Similarly, Harvey Keitel delivers powerfully in his first collaboration with Scorsese, but the plot and dramatic impact of the script were just not quite up to snuff yet.
Alfred Hitchcock's final collaboration with producer David O. Selznick, neither of whom can get the juices flowing with this dull, somewhat pointless courtroom drama.
Play it again Sam (1972) Dir: Herbert Ross With Diane Keaton's second feature, she begins her frequent onscreen collaboration with her occasional offscreen lover, Woody Allen.
Brash, fun, funny, melodramatic -- a visual feast that plays on 40s and 50s conventions -- Tucker: the Man and His Dream couldn't be a better collaboration between visionaries: Coppola, Lucas, and Preston Tucker.
The film also suffers from a portentous score from composer Hummie Mann, which elevates the final scene--involving a fresh baked pie from good ol' Mom--to the overdone levels of a Richard Harris and Jimmy Webb collaboration.
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