Climax
in sentence
533 examples of Climax in a sentence
Yet, I continued on to see how this would all resolve, hoping beyond belief, the ending
climax
would shed some light on the subject.
Typically of many of the early Porky cartoons, Porky is far from the star, appearing only in a rather stilted opening musical number and the
climax
of the film.
There is virtually no suspense, no surprises and no climax- it just stops.
Such a shame that people waste their imagination on such inhumane suffering.. "Kill Bill" would be another example but at least "Kill Bill" has its purpose, meaning,
climax
and resolution..
Sometimes its just pokey to get to the
climax.
The
climax
manages to be unpredictable only by introducing the most shameless Deux ex Machina I've ever seen.
The only mildly suspenseful moment is the movie's climax, which takes about 30 seconds of the whole agonizing 100-plus minutes, and is resolved too simply.
It builds to an excellent
climax
then.... IT ends I mean the person that described it as having a water balloon break in your hand before throwing it, besides being a very poetic description.
The
climax
of the protest was uninspiring, and no matter what Lena had or had not done to influence the outcome, she would surely have shown some complexity of feeling at the time, a haunted look, an inexplicable ambivalence.
When I caught a glimpse of the title I thought are we going to get another try-hard hip slasher, but actually I found "7eventy 5ive" to be a mildly passable, and almost 80s throwback after a tediously slow mid-section it picks up momentum for the final half-hour leading to it's outrageously tacky
climax
and downright cop out ending.
The supposed
climax
managed too, to roll by leaving me firmly entrenched in the back, not as should have been the aim, front edge of my seat.
The potential for a powerful
climax
presents itself, and Penn allows it to slip away.
This premise built much tension and suspension and ended greatly with the
climax.
more confusing than the
climax
of "jaws: the revenge".
There is absolutely no plot in this movie ...no character development...no climax...nothing.
I thought that the first half dragged on and the second half didnt make sense, followed by an unresolved
climax
which was not worth the trouble.
The script, the dreary pace, the lack of depth in any character, the pointless sub-plots, the dreadful acting, the needless
climax
all make this possibly the worst film I've ever seen.
The almost grand looking but completely fake looking backdrops reminded me of some of George Lucas' latest creations, which made it so much more disappointing because through the whole movie, there was that little glimmer of hope in the back of my mind that the film would
climax
in a lightsaber duel/space laser battle.
In the thrilling climax, the creature, described by one local as "a giant alligator with flippers", drags it's ponderous bulk over the ground to chase its would-be lunch, before a bulldozer bumps it a couple of times & it dies from boredom.
No climax, no dramatic development, no good acting, not even bad acting, it just goes on and on and on.
Shinobi was a waste of time and I could not believe it kept on going after what was supposed to be the
climax.
The movies
climax
is as uninteresting and flat as a beer, which has been left out in the sun too long.
Her performance feels like the
climax
of the story; a blues story with the good guys being "people of color" in their element in backwoods, SC.
And the
climax.
My goodness, the
climax.
Although clearly lent from James Bond's 'Goldfinger' and 'You only live twice', such a
climax
always works well.
Director Luke Watson being new to the series might have worried fans of the older films, but he returns to the period setting abandoned by the later films which immediately sets the tone for a great Ghost story, his direction is assured as he stays true to the mood of the masters works and gradually builds up the fear factor to a terrifying climax, all the while keeping what the viewer sees to a minimum, thus upping the tension and mystery.
It's a perfect album, it starts out with Let's Go Crazy(appropriate for the beginning as it's a great party song and very up-tempo), Take Me With U(a fun pop song...), The Beautiful Ones(a cheerful ballad, probably the closest thing to R&B on this whole album), Computer Blue(a somewhat angry anthem towards Appolonia), Darling Nikki(one of the funniest songs ever, it very vaguely makes fun of Appolonia), When Doves Cry(the
climax
to this masterpiece), I Would Die 4 U, Baby I'm A Star, and, of course, Purple Rain(a true classic, a very appropriate ending for this classic album) The movie and the album are both very good.
The movie reached that moment then faded away; kind of like a false
climax.
Writer/director George ("Miami Blues," "Gross Pointe Blank") Armitage whips up a delightfully amoral, cynical and wickedly subversive redneck drive-in exploitation contemporary Western winner: he expertly creates a gritty, no-nonsense tone, keeps the pace brisk and unflagging throughout, and stages the plentiful action scenes with considerable muscular aplomb (the rousing explosive
climax
is especially strong and stirring).
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