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Clearly in sentence

4368 examples of Clearly in a sentence

Although the movie is clearly dated, audiences can still easily identify with the plight of hapless Buster in this timeless and very funny underdog tale.
But she's clearly mad, huddled on the floor, with a vacant expression much of the time and fear, misery, and confusion written on her face the rest of the time.
Character development is also done well, the audience can clearly see how each of the characters is emotionally tested through this film.
This early film has its flaws-- a predictable plot and some overlong scenes of dubious relevance-- but it already clearly demonstrates Hitchcock's mastery of editing and the use of powerful images.
It has the feel and pacing of a "true indie", yet director Todd Yellin clearly possesses the photographic and editorial vision, command and judgment of a mature and seasoned professional.
Clearly, the protagonist is a complex character and Andrews rises to the challenge with a first-rate characterization that is typically complemented by the in-house Fox noir style.
Though, in the case of Mexico, the election was clearly stolen by Calderon.
One crucial message of the film is questioning info sources, as was clearly demonstrated by the snippers casualties being shamefully blamed on Chavez's supporters.
When one takes a clearly sober, rationally well-balanced view here, from the perspective of God's own attitude, all it actually amounts to is a fervent wish that the one forgiven will ultimately succeed at finding his way, seeing the light, and being granted mercy.
His directing style is clearly visible and one can say, looking at it from different angles, that 'De Vierde Man' is a typical Verhoeven film.
The guys are clearly attracted to the girl and when the couple prove unfriendly, they end up terrorizing them during the night.
You may remember me more clearly in the classroom scene when the werewolf was exposing himself on film.
The influence of Hal Hartley in Adrienne Shelly's "I'll Take You There" is not overt, but clearly has ties to his work (Shelly has acted in two of Hartley's films).
I saw the elements more clearly: Jesse, Celine, Vienna, their conversations, everything.
No, the film did not investigate both "sides" of the story, but then surely one film in favour of Chavez against the tides of propaganda against him should be seen as an attempt to balance out the narrative overall (especially given A. the history of CIA involvement in Latin America in fermenting civil unrest - google National Security Archive and B. the coverage in that country and elsewhere of the clearly faked scenes of Chavez supporters shooting non-existent opponents).
Fox obviously do not know what they have done, they claim that they are losing viewers in the 18 - 49 category they clearly do not know what people want to see if they got rid of a good show such as "Reunion".
Picking up exactly where the last episode of the previous series left off(complete with the same high intensity and suspense, though that doesn't last; for better or worse), this installation in the franchise seems somewhat more bent on haste... in the last series, there seemed to pass a day or a week between each episode, whereas in this, it clearly is one long stretch... where one episode ends, the next begins.
When I was very young,on a local tv station,they would show kung fu movies of all kinds on Saturdays.I saw lots of Kung Fu movies on weekends.I remember lots of them.I saw great flicks like Crippled Masters,Blind Fist of Bruce,Kung Fu Zombie,Shaolin Drunken Monk,Rage of the Master,Tattoe Dragon,and...Five Deadly Venoms.I remember the day clearly.Me and my dad had just gotten lunch at Burger King.We were racing home to see what movie it would be this saturday.We ran in the house and jumped onto the couch,turned on the set and flicked it onto 56.The usual intro of many kung fu movie clips in the background with the words Kung Fu Saturday over it.Then under that was the Title of the film.It said Five Deadly Venoms.Then the movie began.I bit into my burger amused with the pre-credit sequence.I loved this movie the minute it came on.My favorite character was the Toad Venom.The plot was hard to follow at that age but that wasn't what lured me...it was the fighting.The fights were so...amazing.I moaned every time a commercial came on and soon the 2 hours of the best movie i have ever seen ended.
There's clearly a message to be extracted from it by the thoughtful viewers.
Although Cameron Grant was clearly hired to replace Andrew Blake over at Ultimate Pictures when the latter started his own company (Studio A), he practically outdid the "Master" right out of the gate when it came to setting up steamy sex scenes.
Barker is good at what he does, which is attach the horror to our world, and it shows as his hand is clearly everywhere in this game.
Glover in particular gives a nice performance, and Tony Danza, playing a washed-up pitcher, also does well, despite clearly having ZERO idea of how to pitch out of the windup!
On balance, one must hand the bays to Mischa Auer, who clearly steals the picture as an emotional movie star, a role which he largely creates, and to the director for his clever closing homage to Busby Berkeley's filmic spectacles.
There are some things I will never understand; why underwear comes in packs of threes when clearly thats not enough is an example.
They seem to be taking Pecker's worst valuation of his work as gospel, when I think the film pretty clearly states that he is indeed a promising artist.
The arc of the the plot is defined in the first 3 minutes, the characters are sympathetic and clearly drawn, their motives completely believable.
I think I am also bothered by the fact that it was in this film, seen only (at least by me) in retrospect, that the beginnings of Mel Gibson's egomania can be seen clearly for the first time.
Up till this point, I'd really only seen the Shaw Bros kung fu movies, with their harsh lighting (so audience could see the moves clearly), so it was a revelation to me to see something that looked like it had been lit by Ridley Scott coming out of Hong Kong.
Tons of girls I knew are all having children now, and I guess they never watched this great movie, and if they did, they clearly didn't get the message behind it all.
The similarities to David Lynch (who is even quoted literally by the presence of red curtains in the film) and the novels of Franz Kafka (the house keeper in this film is called Mrs. Grubach, as is the one in Der Prozess...) are clearly present but in this case are accompanied by clear references to the colonial past of Belgium in Africa.
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