Classes
in sentence
728 examples of Classes in a sentence
The British Public School system did not evolve solely with the idea of educating the upper
classes
despite that popular and widespread misconception.It was designed to produce administrators and governors,civil servants and military men to run the British Colonies.These people were almost entirely recruited from the middle classes.When the Public Schools had begun to show their worth the scions of the aristocracy were sent to them rather than be educated at home by tutors and governesses as had previously been the case.They tended to favour the schools nearer "Town" so Eton and Harrow became particularly popular with that class of parent.
Thus in late 1960s England,a country in the throes of post-colonial guilt and shedding the last of its commitments to its former dependants as quickly as Harold Wilson could slip off his "Gannex" mac,Lindsay Anderson's "If" was greeted with cathartic joy by the chattering
classes
and mild bemusement by everyone else.
If by any chance you should wish to read a book about schoolboys who did buck the system rather more successfully than Mr McDowell and his friends and furthermore lived to tell the tale,find a copy of "Stalky & Co."written by the man whose much-maligned poem "If" lent it's name to Mr Anderson's film,a man born in colonial India,a man whose work is quietly being airbrushed out of our literary history.And do it before the chattering
classes
succeed in declaring him a non-person.Perhaps somebody should start a revolution about that.
I Myself born and bread in America and through my religious
classes
and teachings I have been taught to cherish my country and work to contribute to the society.
Sort of like Robin Hood, with a mix of Billy the Kid, Australians love the legend of how he stood up against the English aristocratic oppression, and united the lower
classes
to change Australia forever.
The fact that the lower
classes
of the time were around 70% immigrant criminals seems to be casually skimmed around by this film.
There is a funny subplot involving a tall and not-so-bright player who undergoes hypnosis in order to pass his
classes
and play like pro basketball player Sydney Wicks.
A film like this, an "Odd Couple"-ish, war of the classes, should be light and fun, with leads who can bounce off one another with witty, even romantic, dialogue, for what else can a film whose plot involves two disparate people stranded, really be? Honestly, I don't think anyone involved knew exactly the tone they were trying for; it succeeds neither as comedy (I defy you to laugh even once) or romance (Madonna's ice-princess routine precludes ANY chemistry).
The story is indeed pretty ridiculous, as are many of the characters involved, which
classes
this as a film strongly under the Goon influence.
The writer should either take some
classes
or just give up!
Their social
classes
were too far apart to consider this believable.
Did the producers and directors even take film
classes?
Most notably, this portrait of age of terror takes place almost entirely at one remove from the real action; one sees very little of ordinary people in this movie, and little of the chaos, poverty and terror that unfolded away from the drawing rooms of the persecuted, but spoilt, aristocratic
classes.
I go to UCSB and take some
classes
with the executive producer, Alison Anders.
3. Was Mendel sleeping during his chosson
classes?
Lavish production values and solid performances in this straightforward adaption of Jane Austen's satirical classic about the marriage game within and between the
classes
in provincial 18th Century England.
Very good point there : "only an elite few (the upper classes) would both have access to the internet AND be able to communicate on an exclusively English speaking site such as the IMDb" Some might think Internet Is not reality but this point of view really put media society and democracy at stake: You are probably right..
Undercurrents of withheld love because of submission to societal beliefs, taboos of the times and classes, race relations not being in a very good state of equality, guilt, yearning, hate, confusion, very dark emotionally I thought, under the skin, you have to submit to the aire of it, a flowing movie, not slow as stated before, release yourself to the flow of the film, the emotions will show themselves, characters reveal their flaws, their nasty insides, excellent and actually very cruel!
My 3rd-year French
classes
always enjoyed this film very much.
If you can put aside Rohmer's unabashed defense of the monarchy (and that is not an easy thing to do, given that, for instance, the French lower
classes
are portrayed here as hideous louts), this is actually an elegant, intelligent and polished movie.
Twenty five years ago, I showed this film in some children's
classes
in Entomology and can still remember the excitement of the kids; they were spellbound!
It is a not only good for entomology classes, but also for teaching about ecology since there is so much about the interactions between the termites and other organisms and the whole ecology of all of the organisms that live in and around the mounds.
It's a delicious send-up of class warfare and the people in those
classes.
But when Shohei Sugiyama becomes obsessed with meeting the beautiful young girl he sees in the window of a dance studio, he suddenly finds himself enrolled in dance
classes.
This theory was presumably not intended to apply to, say, "Kind Hearts and Coronets" (which is, if anything, a satire on the Edwardian upper classes) or to "The Ladykillers" or "The Lavender Hill Mob", both of which may contain some satire but are not political in nature.
i have harry as a professor right now at ucsd, and honestly its one of the best
classes
I've had, its rather funny to here about what happened in making the film cause harry is so animated.
My wife is a teacher and she is very familiar with the story, having read it to several of her
classes.
Anything is possible in this metropolis where there is a such a wide gap between the social
classes.
The audience sees the ugliness of both of these
classes
through the eyes of the protagonist.
Two young people in their early 20s, two college students (American tourist Ethan Hawke who is returning home after the summer in Europe and the French student Julie Delpy who goes to Paris to attend the
classes
in Sorbonne) meet on a train.
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