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Cities in sentence

3254 examples of Cities in a sentence

Giant radioactive monsters, while apparently preferring Tokyo, do occasionally attack other major cities, whether they be San Francisco in It Came from Beneath the Sea, or London, as in this movie.
I'm beginning to recognize Canadian cities!
It was only seen by viewers in some US cities, as a major speech by President Reagan at the Republican National Convention pre-empted it in most areas.
Good details, as the nice landscapes in Cadiz and the references to Caco's relative "exiled" in the Spanish cities of North Africa.
Having been taking photos and videos of the places I travel to (not least Thailand and Bangkok which is one of my favorite cities on earth) I can assure you that anyone who is capable of holding a camera in a hand and can speak and is not an alien from Mars can make a similar 'documentary' about pretty much anything and 'prove' any point or hypothesis.
Movie was filmed around cities in different European countries and scenes were pretty.
When normally Americans come to Paris, to Madrid or to Rome, the movies in which they act look like these cities would lie in the US.
It is hard to miss the beauty of cities like Jaisalmer and Prague.
Within weeks of the initial outbreak, the virus had engulfed the entire planet: from the smallest rural communities to the greatest cities.
The reason is simple: Is original, yes this film is one of the most originals films in a lot of years, the five stories, the five different cities and is all only in one night, for me that is awesome and excellent because Jarmusch is the only filmmaker that could do that.
It's playing in theaters in just 3 cities so far, so make sure that you keep your eye out and catch it when it comes to your town.
She says "we are gathering in many cities in the world" "we come over".
Its portrayal of the Mayan culture -- including its strange dress, hair styles, costumes, tattoos, body piercing, and decorative scars, as well as its industry, class system, cities, warfare, weapons, myth, and religion -- provide a bizarre and fascinating anthropological backdrop for what is, at its heart, a solid, thrilling, fast paced old fashioned struggle between good guys and bad guys.
The acting was lame, the story line cheesy - a kid from a "good" small town (which seems to be stuck in some sort of weird time warp between the 50's and 80's) goes to the "bad" big city and becomes corrupted - casting a bad light on all big cities.
Here we catch a Taxi in different cities around the globe and although the cultures are clearly different , there is something of the blues in each act.
I'm not quite sure how but everyone ends up in a huge underwater bubble which houses the world of Atlantis & it's various cities.
The Chinese cities look very modern and I am interested in a peaceful way in their Television Satellites since I have never seen a diagram of one living here in North America and having given a lecture on Satellite Technology in Air Cadets.
John Travis meets up with a woman named Rachel, (Carrie Chambers) who is badly beaten up, Rachel tries to protect all the children in the various surrounding cities and they call them Free-Bees and she offers them a nice shelter to live in.
The idea of exploring what would happen in small-town America after nuclear weapons seemed to have devastated the major cities seems brilliant in its simplicity.
A fantastic piece of entertainment: five little stories, five cities, four languages.
I'm sure this story derived it's material from the ongoing horror stories throughout the world: child soldiers kidnapped in Africa, young recruits to the Taliban and radical Islamic terrorists, rebels who join the FARC in Colombia, gang recruits in major inner cities throughout the world, etc.
Set in London, one of planet Earth's most prosperous and important cities, the film presents a series of artificially sweetened events, set in motion by an office break-in carried out by a 15-year-old kid named Mirsad, a war refugee from Bosnia.
Nuanced interesting characters are a vehicle for a over arching moral diatribe on cities, the people in them, and how we all deal with each other.
Themes such as the undeniable sympathy for Hitler and Nazi Germany that existed in certain aristocratic circles, the growing hatred towards refugees and Jews, the plight of young children who were sent to the countryside in order to avoid the bombings in the major cities and were often worse off than had they stayed with their parents, are touchy subjects which are not avoided in a series that certainly aims at painting a truthful picture.
tack on terrible acting, high school play quality dialog, a completely failed attempt at directing, and overdone cinematography (cameras at off angles, long shots of abandoned cities) and you have a movie that should be left to collect dust in the dark corners of your local blockbuster.
Set in a corporate multinational world with the backdrop of old, beautiful cities and local raw industries of Holland, Kevin, the hardworking and confident American is in the battle of his life to keep his soul alive.
The disaster is widespread across the country and really gives a realistic feel as it involves various cities and states, news reports, highway traffic, a school bus and air travel.
As you probably know, the film takes place in five taxi cabs in five different cities on the same night.
The achievements of the post-Classic period, 900-1521 A.D., were a far cry from the CLassic Period; the cities were in decay and the people scattered; nothing of the city life portrayed in the movie existed in 1519, when Cortes first entered the Yucatan peninsula.
sort of mad max (see the prisoners and the atlantean first cities ) meets sinbad (SFX would still be poor if dated 20 years earlier ) meets cable TV tripe, like those "lost/treasure island" short telepictures from the 1960-70s for a young audience.
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