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Cinematography in sentence

1385 examples of Cinematography in a sentence

The chief interests (the hazy, early-morning ambiance and cinematography, the quaint Winton Flyer which gets traded for a racehorse) nearly salvage the rest of the production, which was reportedly troubled after McQueen and director Rydell butted heads.
Technically this movie is very cheap (many directors of comedy genre does not take care of a good cinematography etc).
The cinematography is bad even by the standards of a first-year film student, ranging from washed-out images to trite shots of hummingbirds.
The acting, cinematography, music, and story are great and hold up after repeat viewings.
Despite the full Hollywood treatment (the best sets, color cinematography and actors available), this movie was amazingly ordinary AT BEST.
Its celebrated cinematography, no doubt, is breathtaking.
Awful cinematography and poor acting make this one unwatchable.
Except for the cinematography and special effects not withstanding how poorly they were used this was about as bad as it gets.
There is some nice amateur cinematography here.
First off, the great cinematography and the boobs,.....however, too often there's a little too much of a cartoon-like vibe that doesn't mix well with the nasty violence.
The plot was clever, without being overdone, and the cinematography was really good considering the budget.
Still, Pakula paces the melodramatics with funereal solemnity, and the too-careful, too-rigid art direction and cinematography make the proceedings look like a waxworks museum.
Capably directed by Edward L. Cahn, with a clever and compelling script by Curt Siodmak, a brisk pace, sharp, moody black and white cinematography by Fred Jackman, Jr., genuinely creepy zombies, a spooky, rousing score by Mischa Bakaleinikoff, a tight 69 minute running time, and a thrilling conclusion, this nifty little quickie provides an inspired and entertaining blend of snappy straightforward horror and gritty film noirish crime thriller.
Take it as it is and please have at least a little more respect for someone who sacrificed his life on cinematography's altar.
With fine acting, score and cinematography, this screen classic translates well from its literary heritage.
Postcard cinematography and a good stereo sound add to the ambiance, and the music is so GOOD that one can forgive the lyrics writers for giving words to it, but these are the same people that gave words to the music of Borodin in "Kismet" and we MUST admit that "Stranger in Paradise" HAS become a staple!
SUKIYAKI WESTERN DJANGO, while it boasts some incredible production values (from the town itself to the pyrotechnics to some absolutely beautiful cinematography), suffers badly when it comes to story (YOJIMBO has been emulated so many times over the years that it must be tied with MOST DANGEROUS GAME by now) and character (it's impossible to pull for the hero because he's rarely little more than a bit player; we never get to know him to the degree that we do, say, Toshiro Mifune in YOJIMBO and SANJURO).
The only good point for this turkey are the competent diirection and good cinematography - plus the fact that the French video wasn't pan&scanned.
The cinematography is flawless.
This movie is an integral piece - a complete cinematic vision, from the stellar black and white cinematography (with "deep focus" throwback to Gregg Toland, the man-with-the-print waxed enthusiastically to me about) to the noir overtones and the hard-boiled detective, the "Laura" musical theme interwoven throughout -- to the perverse erotic aesthetic.
The only thing that made this movie watchable was definitely the cinematography!
Lackluster film co-starring Teresa Wright and Dean Jagger just doesn't hold much interest, despite good cinematography by James Wong Howe and an atmospheric score by Max Steiner, top talents all around.
From the well lit cinematography to the intelligent dialog, Sandkuhler shows that he's no lightweight in Hollywood.
The earlier film by Julio Médem (Lovers of the Arctic Circle) is a prelude to the kind of cinematography that this Spanish film director/writer presents here.
Kitano does his best to give his two-dimensional role of the rapist/husband some depths, the other actors are all very good and the cinematography has the charm of photographs of the past but there is no possibility to actually care for any of the characters.
I am not going to waste your time with a description of all the cinematography & everything, but let me just tell you: it was really bad writing, a bad plot, bad acting, and it was stupidly predictable.
For instance the whole film is beautifully shot, with lovely cinematography and stunning underwater sequences.
one of the worst i've ever seen, the acting is horrid, the cinematography is mediocre, and is absolutely wretched.
It is shallow, pretentious and shot through with amateurism, from the none existent cinematography, to the flat dull performances.
The cast do their best with the blah material, both Jon Greathouse's moody score and M.A. Morales' polished cinematography are up to speed, and there's a decent smattering of yummy female nudity (Misty in particular as usual looks quite scrumptious in her birthday suit), but overall this movie is too poky and plodding.
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