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Cinematography in sentence

1385 examples of Cinematography in a sentence

One can appreciate the artistic quality of the film (it's obvious that the filmmakers cared deeply about this film) and its rich cinematography, but the film still tries too hard to be different and then gives up and whimpers to an end without making much of a statement.
The second was a bit trying in plot, but I did enjoy the direction and cinematography at times.
Perhaps it suffers from the cinematography of an uncredited source or the 'liquid tears' musical score by Daniel Licht.
Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless.
Jean-Hugh Anglade is excellent as the teenaged boy who wants to be a whore to please the man he loves, but the rest of this film is so bad--acting, writing, cinematography, and everything else--that Anglade's performance is wasted.
For a director known for his narratives and keen observation of humans, especially children, this excursion into minimalist cinematography begs for questions: Why did he do it?
The only redeeming features are some moderately good acting, (although that said, Vanessa Redgrave seems to permanently render much the same performance whatever character she plays), and some good cinematography in places, but otherwise it is a bitter, bitter disappointment, and it could, and indeed should, have been a contemporary masterpiece.
The cinematography was useless.
Despite beautiful cinematography at a haunting location - and a wonderful score - the film never lures the audience in.
Good cinematography, good acting good direction...cannot justify a story that is not and cannot be acceptable to any society.
So why is "Changi" a monumental failure? - the acting in "Changi" is uniformly excellent, the music and cinematography is good - it is the writing and direction that have let it down.
Although largely undistinguished, the cinematography shines during one brief scene when Wood is placed in a patio and, following the sound of a closing door, remains at the center while the camera's eye steadily pulls away demonstrating her helplessness and frailty.
Yes, the cinematography is pretty impressive but that cannot be the soul of any movie for me.
I liked the cinematography, I liked the wild color schemes, I liked the costume designs.
There is nothing in this film that deserves praise, except cinematography.
The sets are ugly and the cinematography is very poor.
The cinematography was terrible and the back of the DVD box told more about the plot than the movie itself.
But the cinematography was good.
It was a dull story, poorly acted, with annoying cinematography.
Nice cinematography.
Instead, it's got two good action set-pieces (one at the beginning and one at the end) and some marvelously atmospheric cinematography by Robert de Grasse (usually a "glamor" cameraman and a surprising credit for a noir), but the rest of the film is pretty boring.
What was amazing about this movie is that the quality of cinematography reveals that alot of money has been spent on it.
I can pretend no knowledge of cinematography or Mr. Angelopoulos.
The saving grace was Geoffrey Simpson ACS' cinematography, which like most Aussie films, was superb.
The story line is a joke, the effects are terrible, the cinematography doesn't fit the tone of the movie, the dialogue is cheesy, and the actors do a good job at screwing up the rest.
The cinematography is so horribly manipulative and unoriginal and the montage jumbled beyond belief.
Furthermore, the cinematography does absolutely nothing to convey the whimsical beauty of Gaudi's architecture or the infectious charm of Barcelona.
Having dollops of sex (including full-frontal nudity from Wasson!) and gruesome make-up effects muddled the waters all the more and marred the old-fashioned elegance inherent in Jack Cardiff’s (another notable of long-standing) cinematography.
This movie had great production values, good lighting, costumes, set, cinematography and acting.
Renting this direct-to-video film, I was not expecting an amazing piece of cinematography.
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