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Childhood in sentence

1105 examples of Childhood in a sentence

Having only each other and their childhood innocence, their friendship slowly develops into much more as they struggle to sustain themselves, in this sweet coming of age story.
Director John Maybury quickly introduces Dylan's (Matthew Ryhs) childhood sweetheart Vera Phillips, played by Keira Knightley.
However, I saw a lot of the Muppets during my childhood, mostly after Henson's premature death in 1990.
I decided to show him this old relic of my childhood.
it's not the best but for all of you 80s kids out there it'll bring back fond memories of your childhood.
OhMyGAWD!!! THE MAGIC GARDEN is perhaps one of my most vivid '70s childhood memories.
This was a great childhood show.
His childhood friend secretly loves his wife and the fact that his friend is a beautiful woman makes the love tragic and ironic.
This is a cherished movie from my childhood!!
Hyeon falls in lust with Tae-joo, the wife of sickly childhood friend Kang-woo(Ha-kyun Shin).
Dieter's own childhood, for example, was already a slog from the start, being in post-war Germnay, poor in a family without much food or prospects, eating wallpaper for "the blue in the walls".
Highlights include: a visit to Jimi Hendirx's grave, Kurt Cobain's original childhood home and a campfire sing along.
This film is a snapshot of the time when childhood ends.
When I was younger, I thought the first film was really good in childhood, so I decided to see the sequel.
Advertised by channel seven in Australia as the "untold story", this miniseries undoes itself in the first five minutes by washing over the titular character's childhood and adolescence in less time than a good director will use to set up a single event.
The development of Jane's childhood and character were exceptional.
Her childhood in Tennessee was a combination of an Evangelical Christian upbringing and a sordid home life which is only hinted at.
But this is a guilty pleasure from my childhood even though I hate to admit it.
And by the end, the film becomes so self-centered that there's no rational argument left, just an angry former Christian lashing out at the people and places he blames for his messed up childhood.
Four: That kid...I wish I could go back in time and prevent him from ever acting...that would mean movies like this one and Kid Co. might not have been made...and my childhood would have been free of their mind-warping power.
The general gist of Ron Howard's adaptation is that the Grinch's bane against Christmas stems from an early childhood incident and that the Whos themselves are caught up in the materialism of the season save for Cindy Lou Who (played very well by Taylor Momsen).
It was so scattered - is this movie about his childhood?
The whole movie rings false: there is some stupid Christmas lighting competition, a failed attempt at explaining why the Grinch is such a jerk by digging into his childhood, and an indecipherable mystery as to why some of the Whos have that weird lip extension and some of them don't.
The story is hopeless, written by somebody who has garbled memories of childhood rebelliousness but has never gained any adult sense of perspective in the intervening years.
This show formed an all-too-integral part of my early childhood (it was on re-runs every night, and guess whose parents were watching it and laughing it up), but it's one of the memories I don't miss.
What's intended to be a light, frothy comedy about neighbor children who can't give up their childhood game of dare even as they age well into adulhood, comes off more as an exercise in cruelty and petulant self-indulgence.
This movie is a bad memory from my childhood.
When childhood memory tells you this was a scary movie; it's touch and go whether you should revisit it.
After spending most of his childhood in an orphanage, Toto ends up living in a shantytown in Milan.
I sat through it because I'm interested in rock'n'roll and the dynamics of bands, but if I were to evaluate it purely on the basis of its merit as a movie, I would have to give it the thumbs down, with a few caveats: Jason Behr is good in the part of John Livien, and quite convincing as a rock singer; the narrative regarding his childhood trauma is unclear, although we are given hints in Livien's well-acted relationship to his parents, but his behaviour is ultimately bizarre to the viewer (which it shouldn't be).
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